Dr. Philip Mc Evansoneya
Assistant Professor, History Of Art
Publications and Further Research Outputs
Peer-Reviewed Publications
Philip McEvansoneya, Albert Way and the Law Farm hoard of gold torcs [no research funding], Antiquaries Journal, 104, 2024
Philip McEvansoneya, [No research funding] A.W. Franks, William Ridgeway and collections of Irish antiquities, Journal of the History of Collections, 35, (2), 2023, p321 - 332
Gabriela Lojewska and Philip McEvansoneya , ''Propaganda of Polishness by art': cultural diplomacy in Ireland in 1937', History Ireland, 2023
Philip McEvansoneya, [No research funding] 'A "school of Irish letters": Samuel Ferguson's "fountain" series', Irish Studies Review, 29, (1), 2021, p31 - 50
[No research funding] 'The interest in Murillo in Ireland' in, editor(s)Isabelle Kent , Collecting Murillo in Britain and Ireland, Madrid, Centro de Estudios Europa Hispánica, 2020, pp251 - 275, [Philip McEvansoneya]
P. McEvansoneya, Myth Maker [This is the first publication ever to consider John Currie (1883-1914), artist and murderer, from an Irish perspective. It begins the overdue process of demolishing some of the myths - often self-created - that surround his life.], Irish Arts Review, 39, (3), 2022, p118 - 123
Elizabeth Boyle and Philip McEvansoneya, [No research funding] 'Whitley Stokes and the composition of Dante Gabriel Rossetti's 'In my father's close'', Journal of Pre-Raphaelite Studies, 28, (Fall), 2019, p11 - 15
Philip McEvansoneya, [No research funding] 'The published work of Margaret Stokes: part 1, introduction and a new bibliography', Journal of the Royal Society of Antiquaries of Ireland, 148, 2018, p54 - 69
Philip McEvansoneya, 'From Drogheda to Jerusalem and a riot: the travels of Thomas Brodigan of Piltown, 1845-6' in, editor(s)Will J. Murphy and Leeann Lane , Leisure and the Irish in the Nineteenth Century, Liverpool, Liverpool University Press, 2015, pp169 - 186, [Philip McEvansoneya]
Philip McEvansoneya, 'More light on Margaret Stokes and the publication of George Petrie's 'Christian Inscriptions in the Irish Language', Journal of the Royal Society of Antiquaries of Ireland, 141, 2014, p149 - 166
P. McEvansoneya, [No research funding] Estella Solomons and the Irish contribution to the Artists' Refugee Committee, British Art Journal, 24, (3), 2023, p27 - 23
P. McEvansoneya, Daniel Maclise's 'Strongbow and Aoife': the missing years , Irish Architectural and Decorative Studies, Journal of the Irish Georgian Society, 25, 2022, p96 - 117
'Polish art in Dublin, in peace and war' in, editor(s)Lisa Moran and Stephen O'Neill , Art and Self-Determination, a Reader, Dublin, IMMA, 2023, pp186 - 193, [Gabriela Lojewska and P. McEvansoneya]
Philip McEvansoneya, Tipperary Rembrandt, Irish Arts Review, 40, (3), 2023, p120 - 123
Philip McEvansoneya, 'Cultural philanthropy in mid-nineteenth century Ireland' in, editor(s)Laurence M. Geary & Oonagh Walsh , Philanthropy in nineteenth-century Ireland, Dublin, Four Courts, 2014, pp210 - 224, [Philip McEvansoneya]
Philip McEvansoneya, The purchase of the Tara brooch in 1868: collecting Irish antiquities for Ireland, Journal of the History of Collections, 24, (1), 2012, p77 - 88
P. McEvansoneya, [No research funding] 'Edward Burne-Jones, William Morris, Dante Gabriel Rossetti, Harry Ward and Illuminated Manuscripts' , Burlington Magazine, 157, (1350), 2015, p599 - 601
Sir William Gregory and the origins and establishment of the Colombo Museum in, editor(s)Sarah Longair and John McAleer , Curating empire: Museums and the British imperial experience, Manchester, Manchester University Press, 2012, pp188 - 206, [Philip McEvansoneya]
Philip McEvansoneya, ''A thing to be seen.' Creating the Crampton Collection of English Watercolours in the 1850s' , Journal of the History of Collections, 21, (1), 2009, p95 - 110
Philip McEvansoneya, 'John Savile Lumley and the copies after Velázquez in the National Gallery, London', Hispanic Research Journal , 9, (5), 2008, p436 - 456
Philip McEvansoneya, Burton's borrowings: medieval sources for The Meeting on the Turret Stairs, Archaeology Ireland, 37, (4), 2023, p36 - 38
' merely an antiquarian curiosity': the purchase of the reliquary of St Lachtin's arm in 1884' in, Ciara Breathnach and Catherine Lawless , Visual, Material and Print Culture in Nineteenth-Century Ireland, Proceedings of the 2008 Conference of the Society for the Study of Nineteenth-Century Ireland, Dublin, Four Courts, 2010, pp48 - 58, [Philip McEvansoneya]
Philip McEvansoneya, Art reproductions and original illustrations in Victorian periodicals, Journal of Victorian Culture, 20, (3), 2015, p407 - 411
Philip McEvansoneya, 'RIA-cycled gold?', Archaeology Ireland, 36.4, (142), 2022, p43 - 45
P. McEvansoneya, [exhibition review] The Partridge Family of Barnstaple: Ethel Mairet, Fred Partridge and the Arts and Crafts Movement, by Alison Mills and others Museum of Barnstaple and North Devon , British Art Journal, 23, (3), 2023, p101-2
Philip McEvansoneya, Daniel Doyle's Immaculate Conception, History ireland, 23, (5), 2015, p13 - 13
Philip McEvansoneya, "Hottentot Venus": the exhibition of Sara Baartman in Dublin in 1812, History Ireland, 21, (1), 2013, p26 - 28
Philip McEvansoneya, Decoding James Barry, Irish Arts Review, 32, (2), 2015, p262 - 267
Philip McEvansoneya, Frank Holl, Review of Frank Holl: emerging from the shadows, by Mark Bills and others , Burlington Magazine, 155, (1326), 2013, p639-40
Philip McEvansoneya, John Savile Lumley and Velázquez' 'Christ after the flagellation contemplated by the Christian soul' , Burlington Magazine, 152, (1291), 2010, p660 - 664
Philip McEvansoneya, The provenance of a crucifixion plaque and a shrine figure, Archaeology Ireland, 27, (2), 2013, p32 - 33
Philip McEvansoneya, New light on the artistic and personal aspects of the second version of 'The Last Circuit of the Pilgrims at Clonmacnoise' by George Petrie , Irish Architectural and Decorative Studies, 12, 2009, p24 - 37
Philip McEvansoneya, Review of Gilbert Stuart , by C. Barratt, E. Miles , Irish Arts Review, 22, (1), 2005, p136
Philip McEvansoneya, The chaos of creation, Review of Francis Bacon's Studio, by M. Cappock , Irish Arts Review, 23, (1), 2006, p76-9
Making choices: Hugh Lane's selection of works by Degas, Monet, Pissarro and Puvis de Chavannes for the gallery of modern art in, editor(s)B Dawson , Hugh Lane Centenary, Dublin, City Art Gallery, the Hugh Lane, 2008, pp36 - 43, [Philip McEvansoneya]
Philip McEvansoneya, An Irish artist goes to Bath: Letters from John Warren to Andrew Caldwell, 1776-84 , Irish Architectural and Decorative Studies, 2, 1999, p148 - 175
Philip McEvansoneya, 'Dante Gabriel Rossetti's 'Hamlet and Ophelia' and its patron, Burlington Magazine, 151, (1273), 2009, p219 - 223
Philip McEvansoneya, John Constable and the Royal Hibernian Academy in 1834, with an unpublished letter to Martin Cregan PRHA, Burlington Magazine, 149, (1255), 2007, p685 - 689
Philip McEvansoneya, Lord Egremont and Flaxman's 'St Michael overcoming Satan', Burlington Magazine, 143, (1179), 2001, p351 - 359
Philip McEvansoneya, People and religion in Victorian exhibitions , Journal of Victorian Culture, 17, (2), 2012, p265 - 269
'Italian Paintings in the Buckingham Collection' in, editor(s)Edward Chaney , The Evolution of English Collecting: The Discovery of Italy, New Haven and London, Yale, 2003, [Philip McEvansoneya]
Philip McEvanoneya, A collector's passion, Irish Arts Review, 29, (1), 2012, p104 - 109
Philip McEvansoneya, Luke Fildes and the launch of 'The Graphic' , Notes and Queries, 46, (4), 2000, p482 - 484
Philip McEvansoneya, Van Dyck and the Duchess of Buckingham's collection, new documents relating to York House , Apollo , 140, (394), 1994, p30 - 32
Philip McEvansoneya, The black figure in Angelica Kauffman's Ely group portrait, History Ireland, 20, (2), 2012, p26 - 28
Philip McEvansoneya, 'Hugh Lane and mural painting: designs for the gallery of modern art in Dublin', Irish Architectural and Decorative Studies, Journal of the Irish Georgian Society, 6, 2003, p162 - 181
Philip McEvansoneya, 'William Blackmore, patron of Dante Gabriel Rossetti and Thomas Moran, and ethnographer of the United States', Journal of Pre-Raphaelite Studies, (12), 2003, p62 - 73
Philip McEvansoneya, The State Coach of the Lord Mayor of Dublin and its use in civic pageantry, Irish Arts Review Yearbook 2001, 17, 2000, p80 - 87
The Cosmopolitan Club exhibition of 1863: the British salon des refusés in, editor(s)Ellen Harding , Re-framing the Pre-Raphaelites: historical and theoretical essays, Aldershot and Brookfield, VT, Ashgate, 1996, pp27 - 42, [Philip McEvansoneya]
Philip McEvansoneya, History, Politics and Decorative Painting: James Ward's murals in Dublin City Hall, , Irish Arts Review Yearbook 1999, 15, 1998, p142 - 147
Philip McEvansoneya, 'Vertue, Walpole and the documentation of the Buckingham collection', Journal of the History of Collections, 8, (1), 1996, p1 - 14
Philip McEvansoneya, Silk in Ireland, Review of Pomp and Poverty, a History of Silk in Ireland, by Mairead Dunlevy , Irish Sudies Review, 20, (2), 2012, p201-2
Philip McEvansoneya, The sequestration and dispersal of the Buckingham collection, Journal of the History of Collections, 8, (2), 1996, p133 - 154
Philip McEvansoneya, 'A note on Hubert le Sueur and Isaac Besnier' , Burlington Magazine, 135, (1085), 1993, p532 - 534
Hilarie Faberman and Philip McEvansoneya, 'Brunel's Shakespeare Room', Burlington Magazine, 137, (1103), 1995, p108 - 118
Philip McEvansoneya, Review of Painting the Bible, Representation and Belief in Mid-Victorian Britain, by M Giebelhausen , Journal of Victorian Culture, 12, (1), 2007, p162-66
Philip McEvansoneya, 'An unpublished inventory of the Hamilton collection in the 1620s and the Duke of Buckingham's pictures' , Burlington Magazine, 134, (1073), 1992, p524 - 526
Philip McEvansoneya, Review of Art and the Victorian middle class, Money and the making of cultural identity, by D S Macleod , Journal of Victorian Culture, 3, (1), 1998, p177-82
Philip McEvansoneya, Review of Memory and Desire: painting in Britain and Ireland at the turn of the twentieth century, by K MCConkey , Irish Arts Review, 20, (3), 2003, p126-7
Philip McEvansoneya, Review of The Irish Face Redefining the Irish portrait, by F. Cullen , Irish Studies Review, 13, (3), 2005, p445-47
Philip McEvansoneya, A note on the Duke of Buckingham's inventory, Burlington Magazine, 128, (1001), 1986, p607 - 607
Philip McEvansoneya, A note on Cornelius Drebbel, Journal of Garden History, 6, (1), 1986, p19 - 20
Philip McEvansoneya, Some documents concerning the patronage and collections of the Duke of Buckingham, Rutgers Art Review, 8, 1987, p27 - 38
Philip McEvansoneya, Atkinson Grimshaw, Frank Holl and fallen women, Leeds Arts Calendar, 112, 1993, p3 - 6
Philip McEvansoneya, Oscar wilde and decadence in art, Irish Studies Review, 11, 1995, p14 - 19
Philip McEvansoneya, Daniel Maclise and the bankrupt patron, Irish Arts Review Yearbook 1996, 12, 1995, p126 - 129
Making Irish art history accessible remotely in, editor(s)J. Hemsley et al , Proceedings of the Electronics and the Visual Arts '95 Conference , Fleet, Brameur, 1995, pp73 - 77, [Philip McEvansoneya]
Philip McEvansoneya, More light on the Royal Academy's rejection of Brett's 'Florence', Review of the Pre-Raphaelite Society, 4, (1), 1996, p20 - 23
Philip McEvansoneya, Thomas Ryan, PPRHA, insider on the outside, Irish Arts Review Yearbook 1997, 13, 1996, p169 - 179
Philip McEvansoneya, 'I am the resurrection and the life': Frank Holl and Victorian images of death, Leeds Museums and Galleries Review, 1, 1998, p8 - 13
Philip McEvansoneya, 'A libel in paint': religious and artistic controversy around P.H. Calderon's 'Renunciation of St Elizabeth of Hungary', Journal of Victorian Culture, 1, (2), 1996, p254 - 279
Philip McEvansoneya, Review of An indolent and blundering art ? : the etching revival and the redefinition of etching in England, 1838-1892, by E. Chambers , Journal of Victorian Culture, 6, (2), 2001, p355-60
Philip McEvansoneya, Review of The Holland Park circle: artists and Victorian society, by C. Dakers , Journal of Victorian Culture, 6, (2), 2001, p355-60
Philip McEvansoneya, Review of Sources in Irish art, a reader, by F. Cullen , irish Arts Review Yearbook 2002, 18, 2001, p210-11
Philip McEvansoneya, Review of Herkomer, a Victorian artist, by L. Edwards , Burlington Magazine, 142, 2000, p514
Bazalgette, Joseph, J. Turner, Grove Dictionary of Art, 3, London, Macmillan, 1996, pp430 - 431, [Philip McEvansoneya]
Baltard, Victor, J. Turner, Grove Dictionary of Art, 3, London, Macmillan, 1996, pp125 - 126, [Philip McEvansoneya]
Clique, The, J. Turner, Grove Dictionary of Art, 7, London, Macmillan, 1996, pp436 - 437, [Philip McEvansoneya]
Eastlake, Charles Locke junior, J. Turner, Grove Dictionary of Art, 9, London, Macmillan, 1996, pp84 , [Philip McEvansoneya]
Frost, William Edward, J. Turner, Grove Dictionary of Art, 11, London, Macmillan, 1996, pp804 - 805, [Philip McEvansoneya]
Joy, Thomas Musgrave, J. Turner, Grove Dictionary of Art, 17, London, Macmillan, 1996, pp673 , [Philip McEvansoneya]
Le Sueur, Jean-Baptiste-Ciceron, J. Turner, Grove Dictionary of Art, 19, London, Macmillan, 1996, pp250 - 251, [Philip McEvansoneya]
Marks, Henry Stacey, J. Turner, Grove Dictionary of Art, 20, London, Macmillan, 1996, pp446 , [Philip McEvansoneya]
Mills, John Saxon, J. Turner, Grove Dictionary of Art, 21, London, Macmillan, 1996, pp614 - 615, [Philip McEvansoneya]
Philip McEvansoneya, Review of Aloysius O'Kelly, art, nation, empire, by Niamh O'Sullivan , Irish Studies Review, 19, (2), 2011, p223-6
Mulready, Augustus Edwin, J. Turner, Grove Dictionary of Art, 22, London, Macmillan, 1996, pp278 - 279, [Philip McEvansoneya]
Stephanoff, Francis Philip, J. Turner, Grove Dictionary of Art, 29, London, Macmillan, 1996, pp632 , [Philip McEvansoneya]
'The Bathers' by Courbet, D. Jones, Censorship, an international encyclopedia, 1, Chicago and London, Fitzroy Dearborn, 2001, pp588 - 589, [Philip McEvansoneya]
'Winston Churchill' by Sutherland, D. Jones, Censorship, an international encyclopedia, 4, Chicago and London, Fitzroy Dearborn, 2001, pp2347 - 2349, [Philip McEvansoneya]
Philip McEvansoneya, Review of Art in Belfast 1760-1888: Art Lovers or Philistines ?, by Eileen Black , Irish Studies Review, 15, (1), 2007, p89-90
Philip McEvansoneya, The Exhibition in Dublin of Géricault's 'Raft of the Medusa', The Burlington Magazine, 150, (1262), 2008, p325 - 326
Philip McEvansoneya, Petrie and the Haldimand Album, Irish Arts Review, 25, (3), 2008, p120 - 123
'Scene from 'Gil Blas'', 'An interview between Charles I and Oliver Cromwell', 'The Crucifixion', P. Murray, Daniel Maclise (1806-70) Romancing the Past, Kinsale, Gandon, 2008, pp114, 122, 144 , [Philip McEvansoneya]
Philip McEvansoneya, Review of William Orpen, An onlooker in France. A critical edition of the artist's war memoirs , by Robert Upstone and Angela Weight , Irish Arts Review, 25, (4), 2008, p144-6
Philip McEvansoneya, 'Not by Daniel Maclise', Burlington Magazine, 151, (1272), 2009, p169 - 169
Philip McEvansoneya, 'The 'Ardrahan' brooch', Journal of the Galway Archaeological and Historical Society, 62, 2010, p19 - 29
Philip McEvansoneya, Review of Ireland's Art Ireland's History. Representing Ireland, 1845 to Present., by Síghle Bhreathnach-Lynch , Irish Studies Review, 17, (2), 2009, p251-2
Philip McEvansoneya, 'The Hague School and the Scots in fiction', Journal of the Scottish Society for Art History, 14, 2009, p59 - 62
Philip McEvansoneya, An architect earl, Edward Augustus Strafford (1736-1801) 2nd Earl of Aldborough, by R.W. Lightbown , Irish Arts Review, 26, (3), 2009, p120
Philip McEvansoneya, Lady Lavery, model, muse and mask, Irish Arts Review, 27, (2), 2010, p90 - 93
Royal monuments and civic ritual in eighteenth-century Dublin in, editor(s)Charlotte Chastel-Rousseau , Reading the Royal Monument in Eighteenth-Century Europe, Aldershot, Ashgate, 2011, pp173 - 194, [Philip McEvansoneya]
Philip McEvansoneya, Review of Spanish Art in Britain and Ireland, 1750-1920. Studies in Reception in Memory of Enriqueta Harris Frankfort., by Edited by Nigel Glendinning and Hilary Macartney , Burlington Magazine, 153, (1303), 2011, p678-9
Philip McEvansoneya, Review of The Story of Irish Museums, 1790-2000: Culture, Identity and Education, by Marie Bourke , Journal of the History of Collections, 24, (1), 2012, p132-33
Philip McEvansoneya, Britain, the Empire, and the World at the Great Exhibition of 1851/Globalization and the Great Exhibition: The Victorian New World Order, Journal of Victorian Culture, 16, (2), 2011, p289 - 293
Philip McEvansoneya, Ireland on show, Review of Ireland on show: art, union and nationhood, by Fintan Cullen , Irish Studies Review, 21, (2), 2013, p231-3
Philip McEvansoneya, Empire to Nation, Review of Empire to Nation: art, history and the visualization of maritime Britain, 1768-1829, by Geoff Quilley , Journal for Maritime Research, 14, (2), 2012, p147-8
Philip McEvansoneya, Printing and painting the news in Victorian London, Review of Parinting and painting the news in Victorian London: the Graphic and social realism, 1869-91, by Andrea Korda , Journal of Victorian Culture, 21, (2), 2016, p249-52
Philip McEvansoneya, Exhibit Ireland, Review of Exhibit Ireland: Ethnographic Collections in Irish Museums. Dublin: Wordwell, 2012, by Séamus Ó Síocháin, Pauline Garvey and Adam Drazin (eds) , Journal of the History of Collections, 28, (1), 2016, p157-8
Philip McEvansoneya, Irish Fine Art in the Early Modern Period, Review of Irish Fine Art in the Early Modern Period: New Perspectives on Artistic practice, 1620-1820, by J. Fenlon, R. Kenny, C. Pegum and B. Rooney (eds) , Irish Arts Review, 33, (4), 2016, p588-89
Philip McEvansoneya, Creating Histories, Review of Creating Histories, exhibition held at the National Gallery of Ireland and the accompanying book, Burlington Magazine, 159, (1366), 2017, p73-4
Philip McEvansoneya, Exhibiting Art in Georgian Ireland, Review of Exhibiting Art in Georgian Ireland: the Society of Artists' Exhibitions Recreated, by D. Fleming, R. Kenny and W. Laffan (eds) , Burlington Magazine, 160, (1389), 2018, p1077-78
Philip McEvansoneya, Frederic William Burton, Review of Frederic William Burton: For the Love of Art, by M.Bourke (curator), C. Crowley (ed) , British Art Journal, XVIII, (2), 2018, p119-20
Philip McEvansoneya, Art and the Sacred Journey, Review of Art and the Sacred Journey in Britain, 1790-1850, by K.R. Barusch , Material Religion, 14, (3), 2018, p429-32
Philip McEvansoneya, The Burlington Fine Arts Club, Review of Private Collecting, Exhibitions, and the Shaping of Art History in London. The Burlington Fine Arts Club, by S.J. Pierson , Journal of the History of Collections, 20, (2), 2018, p367-68
Philip McEvansoneya, History of the Royal Hibernian Academy, Review of History of the Royal Hibernian Academy of Arts, 1823-2010, by John Turpin , Burlington Magazine, 161, (1398), 2019, p789-90
Philip McEvansoneya, Roderic O'Conor and the Moderns, Review of Roderic O'Conor and the Moderns, between Paris and Pont Aven, British Art Journal, XIX, (3), 2018, p126-27
Philip McEvansoneya, Imitation of Nature, Review of Imitation of Nature: F.R. Lee of Barnstaple, British Art Journal, XX, (3), 2019, p130-31
Philip McEvansoneya, Sir Paul Strzelecki, History Ireland, 27, (5), 2019, p13 - 13
Philip McEvansoneya, Freud and Yeats, Review of Life Above Everything: Lucien Freud and Jack B. Yeats, by C. Kennedy and N. O'Donnell (eds) , Burlington Magazine, 162, (1403), 2020, p174-75
Philip McEvansoneya, Re-reading the Moxon Tennyson, Review of [Review Article] The Moxon Tennyson, a Landmark in Victorian Illustration, by Simon Cooke , Journal of Victorian Culture, 26, (4), 2021, p118 - 123, p616-19
Philip McEvansoneya, Leonardo's 'Salvator Mundi', Review of Leonardo's Salvator Mundi & the Collecting of Leonardo in the Stuart Courts, by Margaret Dalivalle, Martin Kemp and Robert B. Simon , Journal of the History of Collections, 33, (1), 2021, p118 - 123, p142-44
Philip McEvansoneya, Old Masters Worldwide, Review of Old Masters Worldwide: Markets, movements and museums, 1789-1939, by Susanna Avery-Quash and Barbara Pezzini (eds.), , Journal of the History of Collections, 34, (1), 2022, p211-13
Philip McEvansoneya, Dangerous to Show, Review of Dangerous to Show: Byron and his Portraits, by G. Bond and C. Kenyon Jones , Irish Arts Review, 37, (3), 2020, p129
Philip McEvansoneya, Art and the Nation State, Review of Art and the Nation State: The Reception of Modern Art in Ireland, by Roisin Kennedy , Burlington Magazine, 164, (1427), 2022, p221-22
Philip McEvansoneya, Dictionary of Engravers, Review of A Biographical Dictionary of British and Irish Engravers, 1714-1820, by David Alexander , Irish Arts Review, 39, (1), 2022, p126
Philip McEvansoneya, Review of Country House Collections, Their Lives and Afterlives, by Terence Dooley and Christopher Ridgway (eds.) , Journal of the History of Collections, 2022
Philip McEvansoneya, Review of The Life and Works of Robert Wood, Classicist and Traveller (1717-1771), by Rachel Finnegan and Lynda Mulvin , Journal of the Royal Society of Antiquaries of Ireland, 2023
P. McEvansoneya, [No research funding.] 'More on the RSAI and the publication by Margaret Stokes of George Petrie's 'Christian inscriptions in the Irish language'., Journal of the Royal Society of Antiquaries of Ireland, 148, 2018, p144 - 147
Non-Peer-Reviewed Publications
P. McEvansoneya, [ No research funding ] 'More light on George Sharp (1802-1877)', Irish Architectural and Decorative Studies, 16, 2013, p50 - 69
P McEvansoneya, Quiet conservative: Stanhope Forbes's early years in Ireland, Irish Arts Review, 41, (1), 2024, p96 - 101