Dr. Evangelia Rigaki

• Evangelia Rigaki, Experimental Music Theatre, DIT College of Music, March 2015, 2015Invited Talk, 2015
• Evangelia Rigaki, W.N.Herbert, 'AntiMidas, or, Bankers in Hades, Opera', Beckett Theatre, Dublin, Arts Council, 2013, -Musical Score, 2013
• Evangelia Rigaki creator/composer, Libretto: W.N. Herbert, Catherine Conlon, 'The Pregnant Box', Trinity College Dublin, Front Square, 2014, -Exhibition, 2014
• Evangelia Rigaki Composer, Agnes Limbos Director, 'Monsieur Jean & Monsieur Jean, object music-theatre', Rottundes, Luxembourg, 2015, -Musical Score, 2015
• Evangelia Rigaki, 'Music', Trinity College Chapel, cond. Jane Alden, 2016, -Musical Score, 2016, URL
• Evangelia Rigaki, 'Taste I/II/III', Bill Dowdall, Royal Irish Academy of Music, 2017, -Musical Score, 2017
• Evangelia Rigaki, The Pregnant Box, genesis and develoment. , Music Department, University of Glasgow, 17 February, 2016Invited Talk, 2016
• Evangelia Rigaki, Analysis and discussion of my recent compositions. , Music Department, University of Brunel, March 2016, 2016, Music Department University of BrunelInvited Talk, 2016
• Evangelia Rigaki Music, W.N. Herbert, Words, 'While the World Misbehaves, The Baby Must Hide in the Beehive', Composition for 6 Percussionists, New York University, Lehman College New York, CMC, 2018, -Musical Score, 2018
• Evangelia Rigaki Music & W.N. Herbert Words, 'Lost Ships List, for Ria Georgiadis & Sven Birch', Alte Schmiede Wien, 19 June, 2018, Contemporary Music Centre, CMC, 2018, -Musical Score, 2018
• Evangelia Rigaki, 'Playthings', Inspired by Michael Cronin's (French Department, TCD) same titled chapter from the book 'Time Tracks, Scenes from the Irish Everyday'. , Bill Dowdall, Music Dpt Ionion University, Greece, Contemporary Music Centre, CMC, 2018, -Musical Score, 2018
• Evangelia Rigaki Music & W.N. Herbert Words, 'In the Oubliette', V-Sense, Trinity College Dublin , V-Sense, Contemporary Music Centre, 2018, -Musical Score, 2018
• Lubna Gem Arielle Words, Evangelia Rigaki Music, Aljosa Smolic, 'Bridging the Blue', V-Sense, Trinity College Dublin, 2018, -Musical Score, 2018
• Evangelia Rigaki , 'OTMEN [Breath] for pianist & optional audience participation', Cathy Krier, Festival Debussy, CAPe Ettelbrück (LU) -12th july 2019 -> Rosazzo Vigne Museum (Italy) - 28th September 2020 -> Frauenkirche Dresden, Germany , 2018, -Musical Score, 2018
• Evangelia Rigaki, Melatu Uche Okorie, 'This Hostel Life, Opera-Installation', Irish National Opera, 2019, -Musical Score, 2019
• Evangelia Rigaki, W.N. Herbert (words) , 'If Words Are Water', Christ Church, Taney, Dundrum/New York University, School of Music/ Aaron Copland School of Music, Queens College/Lehman College School of Music,, 2020, -Musical Score, 2020
• Evangelia Rigaki, W.N.Herbert, 'Lullabaloo', Riverside Studios, London,Tête-à-Tête Opera Festival, August 2010, 2010, -Musical Score, 2010
• Evangelia Rigaki Words: Tamsin Collison, Director: John Lloyd Davies,, ''Professional Suicide'', Linbury Studio (Royal Opera House 2), January 2011, 2011, -Musical Score, 2011
• Evangelia Rigaki , 'The Dress I Wear', BBC Singers, 2007, -Musical Score, 2007
• Evangelia Rigaki, Darren Ellis, 'Tempt My Better Angel', The Place, London, 2007, -Musical Score, 2007
• Evangelia Rigaki, W.N.Herbert, 'Bumblepuppy', Tete a Tete Opera Festival London, 2008, -Musical Score, 2008
• Evangelia Rigaki, 'Poios Ekane Pipi sto Missisipi', Pais Opera Festival, Opera of Thessaloniki, Greece, 2008, -Musical Score, 2008
• Evangelia Rigaki, 'String Quartet', Barbirolli Quartet, Cheltenham Festival, July , 2008, -Musical Score, 2008
• Evangelia Rigaki, Constantine Cavafy, 'Antonius is Forsaken by His God', Manchester Cathedral, , John Armitage Memorial Concert (JAM), March , 2009, -Musical Score, 2009
• Evangelia Rigaki, Sjaron Minailo, ''Hadith Al Rouh' (Dutch title: Gesprekken Van De Ziel)', Operadagen Rotterdam Festival, May, Operadagen Rotterdam Festival, May, 2009, -Musical Score, 2009
• Evangelia Rigaki, 'Tutare, For 4 tabla players and 4 percussionists,', Queen Elizabeth Hall, London, 2009, -Musical Score, 2009
• Evangelia Rigaki, W.N. Herbert, Darren Ellis, 'Little Instruments of Apprehension', Tete a Tete Opera Festival London, 2009, -Musical Score, 2009
• Evangelia Rigaki, Constantine Cavafy, 'Exiles', Ostadetheater, Amsterdam, December, 2009, -Musical Score, 2009
• Evangelia Rigaki, 'Dyarchia', Written for and priemered by Ensemble Amorpha, London, The Forge, March , 2010, -Musical Score, 2010
• Evangelia Rigaki, 'To Be Elsewhere', Avalon Ensemble, Hugh Lane Gallery Dublin , 2011, -Musical Score, 2011, URL
• Evangelia Rigaki, 'Departed', Michelle O'Rourke, Creative Lab, New Music Dublin Festival, 2012, -Musical Score, 2012
• Evangelia Rigaki, 'Evocation', String Trio written for Kirkos Ensemble, 2012, -Musical Score, 2012
• Evangelia Rigaki, Waterford New Music Week Composition Today , Composition Today, WIT College, 7 March , 2017, WIT CollegeInvited Talk, 2017, URL
• Evangelia Rigaki, Lucilin Ensemble, Marcel Reuter, Abbaye de Neumünster, Composition Summer School 2015 , In:Composition Summer School 2015 , 2015, Abbaye de NeumünsterMeetings /Conferences Organised, 2015, URL
• Evangelia Rigaki, Lucilin Ensemble, Marcel Reuter, Abbaye de Neumünster, Composition Summer School 2015, 2015, -Miscellaneous, 2015
• Evangelia Rigaki, Discussion with Sir Harrison Birtwistle & Evangelia Rigaki, 2014, -Miscellaneous, 2014, URL
• Evangelia Rigaki, W.N.Herbert, 'Ode to Debt', Crash Ensemble, Beckett Theatre, 2012, -Musical Score, 2012, URL
• Pregnant Box: What Happens When Opera Enacts an Embodied Analysis of Concealing Pregnancy in, editor(s)Helen Kara , The Bloomsbury Handbook of Creative Research Methods, London, Bloomsbury Academic, 2023, [Catherine Conlon and Evangelia Rigaki]Book Chapter, 2023, TARA - Full Text
• Evangelia Rigaki, Singing the Unutterable: Extended vocal techniques for dramatic purposes in contemporary opera & music theatre, Song, Stage and Screen Conference, University of Winchester, September , 2010Conference Paper, 2010
• Evangelia Rigaki, On Music and Collaboration, 17 February, 2010, Music Department, University of SussexInvited Talk, 2010
• Evangelia Rigaki, Evangelia Rigaki discusses her recent compositions., Evangelia Rigaki discusses her recent compositions., Music Department University of Bristol, 15 March, 2011, Music Department, University of BristolInvited Talk, 2011
• Evangelia Rigaki, 'The Bitter Tears of Petra Von Kant': The Post-minimalist Gerald Barry?, Third International Conference on Music and Minimalism, Leuven, 12-15 October, 2011Conference Paper, 2011
• Evangelia Rigaki, 'Exploring Notions of Theatricality in Music', UCD School of Music, 15 October, 2012Invited Talk, 2012

• Title

  Monsieur Jean & Monsieur Jean
  Summary

  Object Music Theatre, Director Agnes Limbos, Lucilin Ensemble
  Funding Agency

  Rotondes, Luxembourg & Ministry of Culture, Luxembourg
  Date From

  September 2015
  Date To

  April 2015
• Title

  The Pregnant Box
  Summary

  Words by W.N. Herbert, after a text by Catherine Conlon Written for singer and flutist in a specially constructed confession box and a wandering choir.
  Funding Agency

  Research Night TCD & Long Room Hub
  Date To

  September 2014
• Title

  '...but only water'
  Summary

  For prepared percussion, premiered by Matthew Jenkins, Darmstadt Internation Summer Couse (IMD), Studio Concert, July 2008
  Date To

  2008
• Title

  'Hadith Al Rouh' (Dutch title: Gesprekken Van De Ziel)
  Summary

  Words: Sjaron Minailo (after the song 'Hadith Al Rouh' by Oum Kalthoum), Director: Sjaron Minailo, First Performance: Operadagen Rotterdam Festival, May 2009
  Date To

  2009
• Title

  'Little Instruments of Apprehension'
  Summary

  Words: W.N. Herbert Choreography: Darren Ellis, First Performance: Riverside Studios, London, Tête-à-Tête Opera Festival, August 2009
  Date To

  2009
• Title

  'Tutare'
  Summary

  For 4 tabla players and 4 percussionists, First performance: Queen Elizabeth Hall, April 2009
  Date To

  2009
• Title

  AntiMidas, or, Bankers in Hades
  Summary

  Words: W.N. Herbert, Director: John Lloyd Davies, Beckett Theatre, Dublin, December 2013
  Funding Agency

  Arts Council IE
  Date From

  2012
  Date To

  December 2013

Creative & performing arts, Creative & performing arts,

• Jerwood Opera Writing Programme, Composition Residency, Aldeburgh 2007
• ENMR (European Network for Musicological Research) Fellowship for post-doctoral research at Humboldt-Universität zu Berlin 2008
• Opera Project Award (Development), Arts Council IE 2012
• Arts Council UK and SPNM Composition Residency for Researching Notation for Tabla (alongside other composers and percussionists) 2009
• Royal Opera House, Composition Residency (VOX 2) 2010
• Britten-Pears Young Artist Composition Residency (New Music-New Media), Aldeburgh 2008
• Opera Writing Composition Residency, Aldeburgh 2006
• Irish National Opera Studio, Selected Composer for 2018 - 19 2018 -19
• Die Neuköllner Oper, Composition Residency (Open Forum Stipendiat) 2010
• Commission by Cultural Ministry of Luxembourg for 'OTMEN' 2018
• Opera Project Award (Presentation), Arts Council IE 2012

• Shortlisted Composer for Society for Promotion of New Music, UK (former named SPNM) 2009
• Contemporary Music Centre, Ireland