Dr. Bjoern Quiring

Dr. Bjoern Quiring

Associate Professor, English

3531896 1346

Biography

I joined the School of English at Trinity College Dublin in 2018. Before, I held assistant professorships at the European University Viadrina in Frankfurt/Oder (2008-2009), the Ludwig Maximilian University, Munich (2009-2012) and the Free University, Berlin (2012-2017), as well as visiting scholar positions at New York University (2003-2004) and Harvard University (2016). From 2013-2017, I was a Postdoctoral Research Fellow at the DFG (German Research Foundation) Research Group "The Role of Nature in Conceptualising Political Order: Ancient - Medieval - Early Modern" at Ludwig Maximilian University, Munich. My research focuses on the poetics of law and literature. My first book, "Shakespeare"s Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama" (2009/2014) analyses the uses of the ritual curse in Shakespeare"s history plays. My second book "Trials of Nature: The Infinite Law Court of Milton's 'Paradise Lost'" (2021) investigates Milton's refashioning of a common metaphor, namely the identification of nature with an all-encompassing court of law and the associated process of judgment. My present book project investigates the dialectics of phantasmatic property in English literature. My teaching and research primarily engages with early modern authors, but also with writers from other periods. I am generally interested in the intersections of literary theory with legal theory and with philosophy, particularly in the work of Walter Benjamin, Hans Blumenberg, Gilles Deleuze and William Empson. I have edited volumes on the theatrum mundi metaphor (2013/2014) and on the relationship between horror literature and philosophy (2014). Additional current research projects focus on satire and sound studies, literature and economics, and on legal hybridities in English literature. I welcome inquiries from interested students at the postgraduate level, especially in the fields of law and literature, and literature and theory. Contact: Dr Björn Quiring, School of English, Room 4021, Trinity College, University of Dublin, Dublin 2, Ireland Telephone: + 353 1 896 1346 E-Mail: quiringb@tcd.ie

Publications and Further Research Outputs

  • Björn Quiring , Shakespeare's Curse , 1 , London/New York , Routledge , 2014, 280 ppBook, 2014, URL
  • Björn Quiring (Ed.) , "If Then the World a Theatre Present...": Revisions of the Theatrum Mundi Metaphor in Early Modern England , Berlin/Boston , de Gruyter, 2014, 246ppBook, 2014
  • "God and not we hath safely fought today": Theologisch-politische Undarstellbarkeiten in Shakespeares Kriegstheater in, Michael Auer, Claude Haas , Kriegstheater: Darstellungen von Krieg, Kampf und Schlacht in Drama und Theater seit der Antike, Stuttgart , Metzler/Springer Nature , 2018, pp49 - 64, [Björn Quiring ]Book Chapter, 2018
  • Milton's God and Hobbes' Leviathan: Elective Affinities in, editor(s)Kay Jankrift, Alexander Kagerer, Christian Kaiser and María Ángeles Martín Romera , Natur und Herrschaft: Analysen zur Physik der Macht, Berlin and New York, de Gruyter, 2016, pp273 - 284, [Björn Quiring]Book Chapter, 2016
  • Fluch in, editor(s)Daniel Weidner , Handbuch Literatur und Religion, Stuttgart , Metzler, 2016, pp363 - 367, [Björn Quiring]Book Chapter, 2016
  • Lost in Paradise: Miltons Eva in, editor(s)Andreas Höfele, Beate Kellner , Natur Geschlecht Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis ins 18. Jahrhundert , Paderborn, Wilhelm Fink - Brill , 2020, pp175 - 198, [Björn Quiring ]Book Chapter, 2020
  • Andreas Höfele, Christoph Levin, Reinhard Müller and Björn Quiring, Formations of the Formless: Chaos from the Ancient World to Early Modernity , 1st Edition , Berlin/Boston, Walter de Gruyter , 2021, 244 ppBook, 2021
  • The Tartarean Jurisdiction of Chaos in Milton's "Paradise Lost" in, editor(s)Andreas Höfele, Christoph Levin, Reinhard Müller and Björn Quiring , Formations of the Formless: Chaos from the Ancient World to Early Modernity , Berlin/Boston, Walter de Gruyter , 2021, pp201 - 218, [Björn Quiring]Book Chapter, 2021
  • Curse in, editor(s)Lowell Gallagher, James Kearney, and Julia Reinhard Lupton , Entertaining the Idea: Shakespeare, Philosophy and Performance , Toronto, University of Toronto Press , 2021, pp86 - 101, [Björn Quiring]Book Chapter, 2021
  • Björn Quiring , Trials of Nature: The Infinite Law Court of Milton's "Paradise Lost", 1st Edition, London/New York, Routledge, 2021, 394ppBook, 2021
  • William Shakespeare: Hamlet in, editor(s)Andrea Allerkamp and Sarah Schmidt , Handbuch Literatur und Philosophie, Berlin and New York, de Gruyter, 2021, pp512 - 516, [Björn Quiring]Book Chapter, 2021
  • John Milton: Paradise Lost in, editor(s)Andrea Allerkamp and Sarah Schmidt , Handbuch Literatur und Philosophie, Berlin and New York, de Gruyter, 2021, pp524 - 528, [Björn Quiring]Book Chapter, 2021
  • Björn Quiring , Shakespeares Fluch: Die Aporien ritueller Exklusion im Königsdrama der englischen Renaissance , Paderborn and Munich, Wilhelm Fink, 2009Book, 2009
  • "The Greatest Share of Endless Pain": The Spectral Sacramentality of Pain in Milton's "Paradise Lost" in, editor(s)Brian Cummings and Freya Sierhuis , Passions and Subjectivity in Early Modern Culture, Farnham and Burlington, VT, 2013, pp253 - 266, [Björn Quiring]Book Chapter, 2013
  • "Cursed the blood that let this blood from hence": Die Performanz von Eucharistie und Gesellschaftsvertrag in Shakespeares "Richard III" in, editor(s)Manfred Schneider and Peter Friedrich , Fatale Sprachen: Eid und Fluch in Literatur- und Rechtsgeschichte, Paderborn and Munich, Wilhelm Fink, 2009, pp155 - 179, [Björn Quiring]Book Chapter, 2009
  • Björn Quiring , Interpreting Hamlet's Pregnant Silences: Nietzsche and Benjamin, Poetica: Zeitschrift für Sprach- und Literaturwissenschaft , 52, (3-4), 2021, p315 - 333Journal Article, 2021
  • Björn Quiring , Pain and Memory in Benjamin's Mourning Play, Benjamin-Studien , 3, 2014, p153 - 163Journal Article, 2014
  • Björn Quiring , Joseph S. Jenkins, "Inheritance Law and Political Theology in Shakespeare and Milton: Election and Grace as Constitutional in Early Modern Literature and Beyond", Review of "Inheritance Law and Political Theology in Shakespeare and Milton: Election and Grace as Constitutional in Early Modern Literature and Beyond", by Joseph S. Jenkins , Zeitschrift für Anglistik und Amerikanistik , 2014, p153 - 163Review, 2014
  • Björn Quiring , Dieter Groh, Die Ausrufung der Naturgesetze in John Miltons "Paradise Lost", Poetica: Zeitschrift für Sprach- und Literaturwissenschaft , 2010Journal Article, 2010
  • Björn Quiring, "Mark the high noises": "King Lear" und der natürliche Grund des Donners, Shakespeare Jahrbuch, 144, 2008Journal Article, 2008
  • Björn Quiring , A Consuming Dish: Supplementing Raffield, Law & Literature, 17, (4), 2005Journal Article, 2005
  • "Under Their Head Embodied All in One": The Representational Production of Cosmic Order in Milton's "Paradise Lost" in, editor(s)Michael Waltenberger and Frieder von Ammon , Mikrokosmen. Ästhetische Formen und diskursive Figurationen einer Repräsentativität des Partikularen , Berlin , Peter Lang , 2022, [Björn Quiring ]Book Chapter, 2022
  • "Look on the Tragic Loading of this Bed": Performing Community and its Other in Shakespeare's "Othello" in, editor(s)Björn Quiring , "If Then the World a Theatre Present...": Revisions of the Theatrum Mundi Metaphor in Early Modern England, Berlin and New York , de Gruyter , 2014, [Björn Quiring ]Book Chapter, 2014
  • "Men should be that they seem": Antitheatralität in Shakespeares "Othello" in, editor(s)Gabriele Brandstetter, Stefanie Diekmann and Christopher Wild , Theaterfeindlichkeit, Paderborn and Munich , Wilhelm Fink , 2011, [Björn Quiring]Book Chapter, 2011
  • "A Fiction That We Must Inhabit": Sense Production in Urban Spaces According to Alan Moore's and Eddie Campbell's "From Hell" in, Comics and the City: Urban Space in Print, Picture and Sequence, London and New York , Continuum , 2010, [Björn Quiring]Book Chapter, 2010
  • Lost in Proto-Performance: Tod Browning's "West of Zanzibar" and the Last Stand of the Primal Father in, The Cinema of Tod Browning, Jefferson (NC) , McFarland , 2008, [Björn Quiring]Book Chapter, 2008
  • Kästchenwahl: Die Performanz der Latenz in Shakespeares "Merchant of Venice" in, editor(s)Stefanie Diekmann and Thomas Khurana , Latenz: 30 Annäherungen an einen Begriff, Berlin , Kadmos , 2007, [Björn Quiring ]Book Chapter, 2007
  • Björn Quiring, Rhetoriken der Aneignung in William Wordsworths "Prelude", Internationales Jahrbuch für Rhetorik, 42, (1), 2023, p99 - 115Journal Article, 2023
  • "A Contest Between Words and Deeds": Karl Kraus and Hannah Arendt on Proto-Totalitarian "Wahrlügen" in, editor(s)Gal Hertz , Ron Mieczkowski und Ari Linden , Karl Kraus 1933: Citing Violence, Inciting Critique, Boston/Berlin, de Gruyter, 2025, [Björn Quiring]Book Chapter, 2025
  • Björn Quiring, Out-paganing the Pagans: "Paradise Lost" as Christian Theogony, Milton Quarterly, 58, (1-2), 2024Journal Article, 2024
  • A Hall of Sound Mirrors/Schallspiegelkabinett in, editor(s)Elín Hansdóttir and Anne Kockelkorn , Long Place (Exhibition Catalogue) , Berlin , Distanz, 2021, pp75 - 81, [Björn Quiring ]Book Chapter
  • Björn Quiring , Dieter Groh, "Göttliche Weltökonomie: Perspektiven der Wissenschaftlichen Revolution vom 15. bis zum 17. Jahrhundert", Review of Göttliche Weltökonomie: Perspektiven der Wissenschaftlichen Revolution vom 15. bis zum 17. Jahrhundert, by Dieter Groh , Arbitrium, Zeitschrift für Rezensionen zur germanistischen Literaturwissenschaft , 2013Review
  • "The Traditional Accent of the Ecstasy of Catastrophe": Dublin als Katastrophengebiet in Joyces "Ulysses" in, Unfälle der Sprache: Literarische und philologische Erkundungen der Katastrophe, Vienna and Berlin , Turia und Kant , 2014, [Björn Quiring ]Book Chapter
  • Introduction in, editor(s)Björn Quiring , "If Then the World a Theatre Present...": Revisions of the Theatrum Mundi Metaphor in Early Modern England, Berlin and New York, de Gruyter, 2014, [Björn Quiring]Book Chapter
  • Björn Quiring (Ed.) , Theatrum Mundi: Die Metapher des Welttheaters von Shakespeare bis Beckett , Berlin , August Verlag , 2013, 224ppBook
  • Armen Avanessian and Björn Quiring (Eds.) , Abyssus Intellectualis: Spekulativer Horror, Berlin , Merve , 2013, 296 ppBook
  • Unlesbarkeit (Poes The Man of the Crowd) in, Denkfiguren. Für Anselm Haverkamp/Figures of Thought. For Anselm Haverkamp , Berlin , August Verlag , 2013, [Björn Quiring ]Book Chapter
  • Zur Einführung in, editor(s)Armen Avanessian and Björn Quiring , Abyssus Intellectualis: Spekulativer Horror, Berlin, Merve, 2013, [Armen Avanessian and Björn Quiring]Book Chapter
  • Einführung in, editor(s)Björn Quiring , Theatrum Mundi: Die Metapher des Welttheaters von Shakespeare bis Beckett, Berlin, August Verlag, 2013, [Björn Quiring]Book Chapter
  • The Foundational Sounds of Vitruvius in, editor(s)Brandon LaBelle und Cláudia Martinho , Site of Sound # 2: Of Architecture and the Ear, Berlin, Errant Bodies , 2011, [Björn Quiring ]Book Chapter
  • Björn Quiring , "With Real Hunger To Transubstantiate": Die Dispersion der Eucharistie in John Miltons "Paradise Lost", Mitteilungen des Sonderforschungsbereichs 573, "Pluralisierung und Autorität in der Frühen Neuzeit", (1), 2011Journal Article
  • Die unsicheren Grenzübergänge der Philologien in, editor(s)Johanna-Charlotte Horst et al. , Unbedingte Universitäten: Was passiert? Stellungnahme zur Lage der Universität, Zurich , Diaphanes , 2010, [Björn Quiring ]Book Chapter
  • Die Repräsentation von devianten und normativen Körpern in Tod Brownings Film "Freaks" in, editor(s)Matthias Rothe and Hartmut Schröder , Körpertabus und Umgehungsstrategien, Berlin , Weidler , 2005, [Björn Quiring ]Book Chapter
  • Zippy the Pinhead: Ein Superheld der Avantgarde? in, editor(s)Stefanie Diekmann and Matthias Schneider , Szenarien des Comic: Helden und Historien im Medium der Schriftbildlichkeit, Berlin , Sukultur , 2005, [Björn Quiring ]Book Chapter
  • Judging the New Bloomusalem: Persistent Apocalyptic Remnants in Joyce's "Ulysses" in, editor(s)Katrin Röder and Ilse Wischer , Anglistentag 2012 Potsdam: Proceedings , Trier , WVT , 2013, [Björn Quiring ]Book Chapter
  • Björn Quiring , Shylock or Timon? The Immanent Critique of Karl Kraus and Shakespeare's Theatre of Judgement, The Frankfurt School and Shakespeare, Kingston Shakespeare Seminar at Garrick's Temple, Kingston University, London [Online], June 25, 2022 , 2022Conference Paper
  • Björn Quiring , Hamlet's Pregnant Silence: Nietzsche and Benjamin, Walter Benjamin and Shakespeare, Kingston Shakespeare Seminar at Garrick's Temple, Kingston University, London, April 4, 2019 , 2019Conference Paper
  • Björn Quiring, Hamlet's Pregnant Silence, Walter Benjamin and Shakespeare, Warburg Institute London, November 29, 2018, 2018Invited Talk
  • Björn Quiring , Before the Law? The Tribunal of Nature in Milton's "Paradise Lost", Talma Yzraely Memorial Lecture, Department of English and American Studies, Tel Aviv University, April 11, 2018, 2018Invited Talk
  • Björn Quiring , "And a Million Million Slimy Things Lived On, and So Did I": Samuel T. Coleridges "Ancient Mariner" mit Kant und Sade, Colloquium: Texte. Zeichen. Medien , University of Erfurt, June 7, 2017 , 2017Conference Paper
  • Björn Quiring , "Crack Nature's Moulds!": The Convergence of First and Last Judgment in "King Lear", Conference: First Philosophy, Last Judgments: The Lear Real , Center for 17th- and 18th-Century Studies, University of California, Los Angeles, April 28, 2017 , 2017Invited Talk
  • Björn Quiring , "All Things with Double Terror": Nature as First and Last Judgment in Milton's "Paradise Lost", Renaissance Colloquium and Center for Renaissance and Early Modern Studies , Princeton University , November 10, 2016, 2016Invited Talk
  • Björn Quiring, "All Things with Double Terror": Nature as First and Last Judgment in Milton's "Paradise Lost", Department of Comparative Literature, Cornell University, Ithaca, November 3, 2016, 2016Invited Talk
  • Björn Quiring , Nature as First and Last Judgment: Remarks on the Early History of an Absolute Metaphor, : Yale University, Department of Germanic Languages and Literatures, April 3, 2014, 2014Invited Talk
  • Björn Quiring , William Wordsworth's "Prelude" and the Dialectics of Property, Center for Arts and Humanities, American University of Beirut, Lebanon , October 27, 2022 , 2022Invited Talk
  • Björn Quiring, "King Lear" and the Curse of Nature, University of California, Irvine, School of Humanities, March 18, 2014, 2014Invited Talk
  • Björn Quiring , Shakespeares Fluch und die Souveränität des Theaters, Workshop: Ästhetische Souveränität , Heinrich-Heine-Universität Düsseldorf, November 6, 2013, 2013Invited Talk
  • Björn Quiring , The Production of Theatrical and Extra-theatrical Evidence in Shakespeare's "Othello", Conference: Stages of Knowledge, Spaces of Faith: Allegory, New Science and Baroque Theater, Tel Aviv University and Bar Ilan University, Tel Aviv, February 19, 2013 , 2013Invited Talk
  • Björn Quiring , Gravitationsgesetz und Sündenfall in Miltons "Paradise Lost", Workshop: Just in Case: Poetiken des Falls , Bauhaus-Universität, Weimar, June 23, 2012 , 2012Invited Talk
  • Björn Quiring , "At the Time of the Catastrophe, Important Legal Debates Were in Progress": Recht, Ökonomie und Katastrophe in Joyces "Ulysses", Conference: Kata/strophe: Ereignis, Figur und Wissensstruktur, Universität Potsdam, May 25, 2012 , 2012Invited Talk
  • Björn Quiring , "They Smile At Me Who Shortly Shall Be Dead": Der prophetische Entzug der Gegenwart in Shakespeares York-Tetralogie, Workshop: Prophetie - Poetik - Politik , Förderkolleg der Bayerischen Akademie der Wissenschaften, Munich, July 28, , 2011Invited Talk
  • Björn Quiring , "The Greatest Share of Endless Pain": Sakrament und Schmerz in Miltons "Paradise Lost", Workshop: Grenzen der Profanierung, Förderkolleg der Bayerischen Akademie der Wissenschaften, Munich, July 7, 2011 , 2011Invited Talk
  • Björn Quiring , Der Fluch " ein Ausnahmefall der Sprechakttheorie?, 5. Workshop des Instituts für Allgemeine und Vergleichende Literaturwissenschaft, Ludwig-Maximilians-Universität, Munich, February 12, 2010, 2010Invited Talk
  • Björn Quiring , König Lear und die Naturalisierung des Ausnahmezustands, Autumn Conference of the German Shakespeare Society , Cologne, November 28, 2009, 2009Invited Talk
  • "With Real Hunger To Transubstantiate": Die Dispersion der Eucharistie in John Miltons "Paradise Lost", Workshop: Sakramentale Repräsentation , Zentrum für Literatur- und Kulturforschung, Berlin, January 31, 2009 , 2009Invited Talk
  • Björn Quiring , "The Law I Gave to Nature": Aporetic Proclamations of Natural Law in "Paradise Lost", Annual Meeting of the Renaissance Society of America, New York , March 29, 2014, 2014Conference Paper
  • Björn Quiring , "Dowered with Our Curse and Strangered with Our Oath": "King Lear" and the Naturalized State of Exception, Ports and Piers and Roads " Self and World in Early Modern Culture , Universidade de Porto , April 24, 2010, 2010Conference Paper
  • Björn Quiring, Die Ausrufung der Naturgesetze in John Miltons "Paradise Lost", Workshop: Studientag Literatur und Wissenschaftsgeschichte, Max-Planck-Institut für Wissenschaftsgeschichte, Berlin, June 13, 2009, 2009Conference Paper
  • Björn Quiring , "I remember thine eyes well enough": The Eclipse of Anagnorisis in "King Lear", Conference: Wrong Again, Tragedy's Comedy, DFG Research Colloquium "Representation"Rhetoric"Knowledge" , Universität Potsdam, June 30, 2006 , 2006Conference Paper
  • The Aporias of Theologico-Judical Exclusion and Shakespeare's "Richard III", Björn Quiring , Annual Meeting of the Renaissance Society of America , San Francisco , March 23, 2006, 2006Conference Paper
  • Björn Quiring, Legal Levitations, Law, Satire, Incapacity, Benjamin N. Cardozo School of Law, New York, February 13, 2005, 2005Conference Paper
  • Björn Quiring , The Mystery of Twofold Justice in Wordsworth's "Prelude", Annual Conference of the North American Society for the Study of Romanticism, Sam Houston State University, Huntsville, Texas (online), 31 March, 2023 , 2023Conference Paper
  • Björn Quiring , The Ecstasy of Eternal Administration: The Conflation of Divine Judgment and Eternal Bliss in "Paradise Lost" and the "Doctrina Christiana", International Milton Symposium 13, University of Toronto , 10 July, 2023 , 2023Conference Paper

Recognition

  • Guest Researcher at the Leibniz Center for Literary and Cultural Research (ZfL), Berlin 2022
  • Martin Lehnert Award of Deutsche Shakespeare-Gesellschaft for the best dissertation on Shakespeare in Germany. 2007
  • American Comparative Literature Association 2022 (with interruptions)
  • Deutsche Shakespeare-Gesellschaft (German Shakespeare Society) 2022
  • Gesellschaft für Englische Romantik (Society for English Romanticism) 2022
  • Milton Society of America 2022
  • International Shakespeare Association 2022 (with interruptions)
  • Shakespeare Association of America 2022 (with interruptions)
  • International Walter Benjamin Society 2022
  • North American Society for the Study of Romanticism 2022
  • Deutscher Anglistenverband (German Association for the Study of English) 2022
  • Renaissance Society of America 2022 (with interruptions)
  • Hans Blumenberg Gesellschaft 2022
  • Member of the Curatorium for the "Shakespeare in Philosophy" Programme, Kingston University, London Since 2019
  • Peer reviewer for "Shakespeare Jahrbuch" Since 2012
  • Peer reviewer for Discourses of Law Series, Routledge Ca. 2011
  • Remote Referee for the European Research Council (ERC) 2017
  • Peer reviewer for Memoirs of the American Academy in Rome, University of Michigan Press 2006