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ECLRNI, the Eighteenth Century Literature Research Network of Ireland
Members Publications 2017-2018
Statue of Edmund Burke in the grounds of Trinity College Dublin


2018

Books

Rebecca Anne Barr, Sylvie Kleiman-Lafon, and Sophie Vasset (eds.), Bellies, Bowels and Entrails in the Eighteenth Century. Manchester: Manchester University Press. Pp. 368

Marie-Louise Coolahan and Gillian Wright (eds.), Katherine Philips: Form, Reception, and Literary Contexts. London & New York: Routledge. Pp 262.

Christina Morin, The Gothic Novel in Ireland, c. 1760-1829. Manchester: Manchester University Press. Pp. 248.

James Ward, Memory and Enlightenment: Cultural Afterlives of the Long Eighteenth Century. Houndmills: Palgrave Macmillan. Pp. 270.

Editions

Michael Griffin and David O’Shaughnessy (eds.), The Letters of Oliver Goldsmith. Cambridge: Cambridge University Press. Pp. 232.

Carol Stewart (ed.), Eliza Haywood, The Fortunate Foundlings. Cambridge: Modern Humanities Research Association. Pp. 269.

Essays in books

Carol Baraniuk, ‘Bringing It All Back Home: The Fluctuating Reputation of James Orr (1770-1816), Ulster-Scots Poet and Irish Patriot’, in Johanne Devlin Trew and Michael Pierse (eds.), Rethinking the Irish Diaspora: After the Gathering. Houndmills: Palgrave Macmillan. Pp. 133-156.

Rebecca Anne Barr, ‘Desire, disgust and indigestibility in John Cleland’s Memoirs of a Coxcomb’, in Rebecca Anne Barr, Sylvie Kleiman-Lafon, and Sophie Vasset (eds.), Bellies, Bowels and Entrails in the Eighteenth Century. Manchester: Manchester University Press. Pp. 227-251.
 
Rebecca Anne Barr, ‘“Moral Painting, by Way of Dialogue”: Shaftesbury in The Cry’, in Patrick Müller (ed.), Shaping Enlightenment Politics. Peter Lang: Frankfurt am Main, 2018. Pp. 237-254.

Andrew Carpenter, ‘Working-Class Writing in Ireland before 1800: “Some must be poor – we cannot all be great”’, in Michael Pierse (ed.), A History of Irish Working-Class Writing. Cambridge: Cambridge University Press. Pp. 72-88.

Andrew Carpenter and James Woolley, ‘Faulkner’s Volume II: Containing the Author’s Poetical Works: a new uncancelled copy’, in Janika Bischof (ed.), Reading Swift: Papers from the Seventh Münster Symposium on Jonathan Swift. Paderborn: Wilhelm Fink. Pp. 43-54.

Marie-Louise Coolahan, ‘“It is with pleasure I lay hold of evry occasion of wrightin”: Female Domestic Servants, The Bordeaux-Dublin Letters, and the Epistolary Novel’, in Thomas M. Truxes (ed.), Ireland, France, and the Atlantic in a Time of War: Reflections on the Bordeaux-Dublin Letters, 1757. New York: Routledge. Pp. 180-93.

Moyra Haslett, ‘Rubbing Shoulders with Mary Leapor: Class Curricula as Anthologisation’, in Kevin Binfield and William J. Christmas (eds.), Teaching Laboring-Class British Literature of the Eighteenth and Nineteenth Centuries. New York: MLA. Pp. 75-84.

Clíona Ó Gallchoir, ‘Eighteenth-Century Writing’, in Heather Ingman and Clíona Ó Gallchoir (eds.), A History of Modern Irish Women’s Literature. Cambridge: Cambridge University Press. Pp. 37-58.

Daniel S. Roberts, ‘Moore’s Oriental Artifice: Mughal History, Irish Antiquarianism and Romance in Lalla Rookh’, in Sarah McCleave and Brian G. Caraher (eds.), Thomas Moore and Romantic Inspiration: Poetry, Music, and Politics. New York: Routledge. Pp. 185-96.

Journals

Marie-Louise Coolahan and Gillian Wright (eds.), Special Issue: ‘Katherine Philips: Form and Reception’, Women’s Writing 24: 3.

Articles in journals

Moyra Haslett, ‘“All pent up together”: representations of friendship in fictions of girls’ boarding schools, 1680-1800’, Journal of Eighteenth-Century Studies, 41:1(2018), 81-99.

Moyra Haslett, ‘Believing eighteenth-century fiction: reading novelism and theology in Thomas Amory’s The Life of John Buncle, Esq (1756)’, Literature and Theology,32.4(2018), 434-451.

Moyra Haslett, ‘“For the Improvement and Amusement of Young Ladies”: Elizabeth Carter and the Bluestockings in Ireland’, Eighteenth-Century Ireland,(2018), 33-60

Matthew L. Reznicek, ‘Staging the Revolution: Rossini’s Guillaume Tell and Sydney Owenson’s The O’Briens and the O’Flahertys’, New Hibernia Review/Iris Éireannach Nua, 22.2 (2018), 109-127.

Ian Campbell Ross, ‘“Damn these printers . . . By heaven, I’ll cut Hoey’s throat”: The History of Mr. Charles Fitzgerald and Miss Sarah Stapleton (1770), a Catholic novel in Eighteenth-Century Ireland’, Irish University Review, 48.2 (2018), 250-264.

Electronic publishing

Andrew Carpenter, ‘Verse in English from Spenser to Swift’in Ruth Connolly and Naomi McAreavey (eds.), Special Issue: Literary Cultures of early modern Ireland, Literature Compass, 15.10 (2018) https://doi.org/10.1111/lic3.12498


2017

Books

Christopher Borsing, Daniel Defoe and the Representation of Personal Identity. Routledge Studies in Eighteenth-Century Literature 13. Routledge. London and New York.

Aileen Douglas, Work in Hand: Script, Print, and Writing, 1690-1840. Oxford: Oxford University Press. Pp. 229.

Christina Morin and Marguérite Corporaal, (eds), Traveling Irishness in the Long Nineteenth Century. New York and Basingstoke: Palgrave Macmillan. Pp. 258.

Matthew L. Reznicek, The European Metropolis: Paris and Nineteenth-Century Irish Women Writers.  Liverpool: Clemson UP.  Pp. 224.

Editions

Andrew Carpenter (ed.), The Poems of Olivia Elder. Dublin: Irish Manuscripts Commission. 128 pp.

Essays in books

Rebecca Barr and Justin Tonra, ‘Annotation and the Social Edition’, in Claire Loffman and Harriet Phillips (eds.), A Handbook of Editing Early Modern Texts. London: Routledge. Pp. 117–120.

Daniel Carey, ‘Utopian Fiction’, in Thomas Keymer (ed.), The Oxford History of the Novel in English, vol. 1: Prose Fiction in English from the Origins of Print to 1750. Oxford: Oxford University Press. Pp. 227-242.

Aileen Douglas, ‘Time and the Child: The Case of Maria Edgeworth’s Early Lessons’, in Keith O’Sullivan and Pádraic Whyte (eds.), Children’s Literature Collections: Approaches to Research. Basingstoke: Palgrave Macmillan. Pp. 91-105.

Porscha Fermanis, ‘Keats, Enlightenment, and History’, in Michael O'Neill (ed.), John Keats in Context. Cambridge: Cambridge University Press. Pp. 149-158.

Moyra Haslett, ‘The Rise of the Irish Novel’, in Thomas Keymer (ed.), The Oxford History of the Novel in English, vol. 1: Prose Fiction in English from the Origins of Print to 1750.Oxford: Oxford University Press. Pp. 486-499.

Anne Markey, ‘Irish children’s books, 1696-1810: importation, exportation and the beginnings of Irish children’s literature’, in Keith O’Sullivan and Pádraic Whyte (eds.), Children’s Literature Collections: Approaches to Research. Basingstoke: Palgrave Macmillan. Pp. 33-52.

Christina Morin and Marguérite Corporaal, ‘Introduction’, in Christina Morin and Marguérite Corporaal (eds.), Traveling Irishness in the Long Nineteenth Century. New York and Basingstoke: Palgrave Macmillan. Pp. 1-12.

Christina Morin, ‘Irish Gothic Goes Abroad: Cultural Migration, Materiality, and the Minerva Press’, in Christina Morin and Marguérite Corporaal (eds.), Traveling Irishness in the Long Nineteenth Century. New York and Basingstoke: Palgrave Macmillan. Pp. 185-203.

Reznicek, Matthew L., ‘He Should Go to the Théâtre François: Paris and Theatrical Architecture in Maria Edgeworth’s Ormond’, in Christina Morin and Marguérite Corporaal (eds.), Travelling Irishness in the Long Nineteenth Century.  Basingstoke: Palgrave Macmillan. Pp. 141-62.

James Ward, ‘The masculine economies of Banished’, in Katherine Byrne, Julie Anne Taddeo and James Leggott (eds.), Conflicting Masculinities: Men in Television Period Drama,  London: I.B. Tauris. Pp. 15-34.

James Ward, ‘Jonathan Swift’, in Gerald Dawe (ed.), The Cambridge Companion to Irish Poets. Cambridge: Cambridge University Press. Pp. 21-33.

James Ward, ‘Jonathan Swift’, in Richard Bradford (ed.), A Companion to Literary Biography. Malden, MA: Wiley. Pp. 423-435.

Journals

Daniel Carey (ed.), Special Issue, ‘English Travel Writing, 1547-1858: Itineraries, Traditions & Texts’, Études anglaises, 70:2 (2017), 131-250.

Articles in journals

Daniel Carey, ‘John Locke, Edward Stillingfleet and the Quarrel over Consensus’, Paragraph, 40:1 (2017), 61-80.

Christina Morin, ‘“At a distance from [my] country”: Henrietta Rouvière Mosse, the Minerva Press, and the Negotiation of Irishness in the Romantic Literary Marketplace’, Special Issue: ‘Irish Romanticism’, European Romantic Review, 28.4 (June 2017), 447-60.

Daniel S. Roberts, ‘“The Only Irish Magazine”: Early Blackwood's and the Production of Irish “National Character”’, Romanticism, 23:3 (2017), 262-71.

Electronic publishing

Anne Markey, ‘Isaac Mukins, The History of Charlotte Villars (1755)’, The Literary Encyclopedia http://www.litencyc.com/

Christina Morin, ‘Teaching Irish Gothic, c. 1760-1830’, Romantic Textualities: Literature and Print Culture, 1780-1840 Blog: ‘Teaching Romanticism XXIV: Irish Romanticism’, 10 October. http://www.romtext.org.uk/teaching-romanticism-xxiii-irish-romanticism/.

Christina Morin, ‘Elizabeth Griffith (1727-93)’, The Literary Encyclopedia. www.litencyc.com. 11 September.

Rebecca Barr, ‘Law, Sympathy and rape jokes’, RTE Brainstorm, https://www.rte.ie/eile/brainstorm/2018/0404/952043-law-sympathy-and-rape-jokes/.

 

 

Last updated: Nov 18 2019. contact: adouglas@tcd.ie | back to top