Philip Mc Evansoneya
Assistant Professor, History Of Art

Publications and Further Research Outputs

Peer-Reviewed Publications

From Drogheda to Jerusalem and a riot: the travels of Thomas Brodigan of Piltown, 1845-6 in, editor(s)Will J. Murphy and Leeann Lane , Leisure and the Irish in the Nineteenth Century, Liverpool, Liverpool University Press, 2015, pp169 - 186, [Philip McEvansoneya] Book Chapter, 2015

Philip McEvansoneya, More light on Margaret Stokes and the publication of George Petrie's 'Christian Inscriptions in the Irish Language', Journal of the Royal Society of Antiquaries of Ireland, 141, 2014, p149 - 166 Journal Article, 2014

Philip McEvansoneya, Printing and painting the news in Victorian London, Journal of Victorian Culture, 21, (2), 2016, p249 - 252 Review Article, 2016

Cultural philanthropy in mid-nineteenth century Ireland in, editor(s)Laurence M. Geary & Oonagh Walsh , Philanthropy in nineteenth-century Ireland, Dublin, Four Courts, 2014, pp210 - 224, [Philip McEvansoneya] Book Chapter, 2014

Philip McEvansoneya, The purchase of the Tara brooch in 1868: collecting Irish antiquities for Ireland, Journal of the History of Collections, 24, (1), 2012, p77 - 88 Journal Article, 2012

Philip McEvansoneya, 'Edward Burne-Jones, William Morris, Dante Gabriel Rossetti, Harry Ward and Illuminated Manuscripts' , Burlington Magazine, 157, (1350), 2015, p599 - 601 Journal Article, 2015

Sir William Gregory and the origins and establishment of the Colombo Museum in, editor(s)Sarah Longair and John McAleer , Curating empire: Museums and the British imperial experience, Manchester, Manchester University Press, 2012, pp188 - 206, [Philip McEvansoneya] Book Chapter, 2012

Philip McEvansoneya, More light on George Sharp (1802-1877), Irish Architectural and Decorative Studies, 16, 2013, p50 - 69 Journal Article, 2013

Philip McEvansoneya, ''A thing to be seen.' Creating the Crampton Collection of English Watercolours in the 1850s' , Journal of the History of Collections, 21, (1), 2009, p95 - 110 Journal Article, 2009

Philip McEvansoneya, 'John Savile Lumley and the copies after Velázquez in the National Gallery, London', Hispanic Research Journal , 9, (5), 2008, p436 - 456 Journal Article, 2008

Philip McEvansoneya, Exhibit Ireland , Review of Exhibit Ireland: Ethnographic Collections in Irish Museums, by Séamus Ó Síocháin, Pauline Garvey and Adam Drazin eds. , Journal of the History of Collections, 28, (1), 2016, p157-8 Review, 2016

' merely an antiquarian curiosity': the purchase of the reliquary of St Lachtin's arm in 1884' in, Ciara Breathnach and Catherine Lawless , Visual, Material and Print Culture in Nineteenth-Century Ireland, Proceedings of the 2008 Conference of the Society for the Study of Nineteenth-Century Ireland, Dublin, Four Courts, 2010, pp48 - 58, [Philip McEvansoneya] Book Chapter, 2010

Philip McEvansoneya, Art reproductions and original illustrations in Victorian periodicals, Journal of Victorian Culture, 20, (3), 2015, p407 - 411 Review Article, 2015

Philip McEvansoneya, Daniel Doyle's Immaculate Conception, History ireland, 23, (5), 2015, p13 - 13 Journal Article, 2015

Philip McEvansoneya, Decoding James Barry, Irish Arts Review, 32, (2), 2015, p262 - 267 Review Article, 2015

Philip McEvansoneya, "Hottentot Venus": the exhibition of Sara Baartman in Dublin in 1812, History Ireland, 21, (1), 2013, p26 - 28 Journal Article, 2013

Philip McEvansoneya, Review of Irish Fine Art in the Early Modern Period: New Perspectives on Artistic Practice, 1620-1820, by J. Fenlon, R. Kenny, C. Pegum and B. Rooney eds. , Irish Arts Review, 33, (4), 2016, p588-9 Review, 2016

Angela Griffith and Philip McEvansoneya, Drawn to the page: Irish artists and illustration 1830-1930, 2012, - Exhibition, 2012

Angela Griffith and Philip McEvansoneya, Drawn to the Page, Irish artists & illustration c.1830-1930, 17 November 2012, In:Drawn to the Page, Irish artists & illustration c.1830-1930, 2012, Trinity College Dublin Meetings /Conferences Organised, 2012

Philip McEvansoneya, Frank Holl, Review of Frank Holl: emerging from the shadows, by Mark Bills and others , Burlington Magazine, 155, (1326), 2013, p639-40 Review, 2013

Philip McEvansoneya, John Savile Lumley and Velázquez' 'Christ after the flagellation contemplated by the Christian soul' , Burlington Magazine, 152, (1291), 2010, p660 - 664 Journal Article, 2010

Philip McEvansoneya, The provenance of a crucifixion plaque and a shrine figure, Archaeology Ireland, 27, (2), 2013, p32 - 33 Journal Article, 2013

Philip McEvansoneya, New light on the artistic and personal aspects of the second version of 'The Last Circuit of the Pilgrims at Clonmacnoise' by George Petrie , Irish Architectural and Decorative Studies, 12, 2009, p24 - 37 Journal Article, 2009

Philip McEvansoneya, Creating History, Burlington Magazine, 159, (1366), 2017, p73-4 Review, 2017

Philip McEvansoneya, Review of Gilbert Stuart , by C. Barratt, E. Miles , Irish Arts Review, 22, (1), 2005, p136 Review, 2005

Philip McEvansoneya, The chaos of creation, Review of Francis Bacon's Studio, by M. Cappock , Irish Arts Review, 23, (1), 2006, p76-9 Review, 2006

Making choices: Hugh Lane's selection of works by Degas, Monet, Pissarro and Puvis de Chavannes for the gallery of modern art in, editor(s)B Dawson , Hugh Lane Centenary, Dublin, City Art Gallery, the Hugh Lane, 2008, pp36 - 43, [Philip McEvansoneya] Book Chapter, 2008

Philip McEvansoneya, An Irish artist goes to Bath: Letters from John Warren to Andrew Caldwell, 1776-84 , Irish Architectural and Decorative Studies, 2, 1999, p148 - 175 Journal Article, 1999

Philip McEvansoneya, 'Dante Gabriel Rossetti's 'Hamlet and Ophelia' and its patron, Burlington Magazine, 151, (1273), 2009, p219 - 223 Journal Article, 2009

Philip McEvansoneya, John Constable and the Royal Hibernian Academy in 1834, with an unpublished letter to Martin Cregan PRHA, Burlington Magazine, 149, (1255), 2007, p685 - 689 Journal Article, 2007

Philip McEvansoneya, Lord Egremont and Flaxman's 'St Michael overcoming Satan', Burlington Magazine, 143, (1179), 2001, p351 - 359 Journal Article, 2001

Philip McEvansoneya, People and religion in Victorian exhibitions , Journal of Victorian Culture, 17, (2), 2012, p265 - 269 Review Article, 2012

'Italian Paintings in the Buckingham Collection' in, editor(s)Edward Chaney , The Evolution of English Collecting: The Discovery of Italy, New Haven and London, Yale, 2003, [Philip McEvansoneya] Book Chapter, 2003

Philip McEvanoneya, A collector's passion, Irish Arts Review, 29, (1), 2012, p104 - 109 Journal Article, 2012

Philip McEvansoneya, Luke Fildes and the launch of 'The Graphic' , Notes and Queries, 46, (4), 2000, p482 - 484 Journal Article, 2000

Philip McEvansoneya, Van Dyck and the Duchess of Buckingham's collection, new documents relating to York House , Apollo , 140, (394), 1995, p30 - 32 Journal Article, 1995

Philip McEvansoneya, The black figure in Angelica Kauffman's Ely group portrait, History Ireland, 20, (2), 2012, p26 - 28 Journal Article, 2012

Angela Griffith Philip McEvansoneya, Drawn to the page, Irish Arts Review, 29, (3), 2012, p116 - 119 Journal Article, 2012

Philip McEvansoneya, 'Hugh Lane and mural painting: designs for the gallery of modern art in Dublin', Irish Architectural and Decorative Studies, Journal of the Irish Georgian Society, 6, 2003, p162 - 181 Journal Article, 2003

Philip McEvansoneya, 'William Blackmore, patron of Dante Gabriel Rossetti and Thomas Moran, and ethnographer of the United States', Journal of Pre-Raphaelite Studies, (12), 2003, p62 - 73 Journal Article, 2003

Philip McEvansoneya, The State Coach of the Lord Mayor of Dublin and its use in civic pageantry, Irish Arts Review Yearbook 2001, 17, 2000, p80 - 87 Journal Article, 2000

The Cosmopolitan Club exhibition of 1863: the British salon des refusés in, editor(s)Ellen Harding , Re-framing the Pre-Raphaelites: historical and theoretical essays, Aldershot and Brookfield, VT, Ashgate, 1996, pp27 - 42, [Philip Mcevansoneya] Book Chapter, 1996

Philip McEvansoneya, History, Politics and Decorative Painting: James Ward's murals in Dublin City Hall, , Irish Arts Review Yearbook 1999, 15, 1998, p142 - 147 Journal Article, 1998

Philip McEvansoneya, 'Vertue, Walpole and the documentation of the Buckingham collection', Journal of the History of Collections, 8, (1), 1996, p1 - 14 Journal Article, 1996

Philip McEvansoneya, Silk in Ireland, Review of Pomp and Poverty, a History of Silk in Ireland, by Mairead Dunlevy , Irish Sudies Review, 20, (2), 2012, p201-2 Review, 2012

Philip McEvansoneya, The sequestration and dispersal of the Buckingham collection, Journal of the History of Collections, 8, (2), 1996, p133 - 154 Journal Article, 1996

Philip McEvansoneya, 'A note on Hubert le Sueur and Isaac Besnier' , Burlington Magazine, 135, (1085), 1993, p532 - 534 Journal Article, 1993

Hilarie Faberman and Philip McEvansoneya, 'Brunel's Shakespeare Room', Burlington Magazine, 137, (1103), 1995, p108 - 118 Journal Article, 1995

Philip McEvansoneya, Review of Painting the Bible, Representation and Belief in Mid-Victorian Britain, by M Giebelhausen , Journal of Victorian Culture, 12, (1), 2007, p162-66 Review, 2007

Philip McEvansoneya, 'An unpublished inventory of the Hamilton collection in the 1620s and the Duke of Buckingham's pictures' , Burlington Magazine, 134, (1073), 1992, p524 - 526 Journal Article, 1992

Philip McEvansoneya, Review of Art and the Victorian middle class, Money and the making of cultural identity, by D S Macleod , Journal of Victorian Culture, 3, (1), 1998, p177-82 Review, 1998

Philip McEvansoneya, Review of Memory and Desire: painting in Britain and Ireland at the turn of the twentieth century, by K MCConkey , Irish Arts Review, 20, (3), 2003, p126-7 Review, 2003

Philip McEvansoneya, Review of The Irish Face Redefining the Irish portrait, by F. Cullen , Irish Studies Review, 13, (3), 2005, p445-47 Review, 2005

Philip McEvansoneya, A note on the Duke of Buckingham's inventory, Burlington Magazine, 128, (1001), 1986, p607 - 607 Journal Article, 1986

Philip McEvansoneya, A note on Cornelius Drebbel, Journal of Garden History, 6, (1), 1986, p19 - 20 Journal Article, 1986

Philip McEvansoneya, Some documents concerning the patronage and collections of the Duke of Buckingham, Rutgers Art Review, 8, 1987, p27 - 38 Journal Article, 1987

Philip McEvansoneya, Atkinson Grimshaw, Frank Holl and fallen women, Leeds Arts Calendar, 112, 1993, p3 - 6 Journal Article, 1993

Philip McEvansoneya, Oscar wilde and decadence in art, Irish Studies Review, 11, 1995, p14 - 19 Journal Article, 1995

Philip McEvansoneya, Daniel Maclise and the bankrupt patron, Irish Arts Review Yearbook 1996, 12, 1995, p126 - 129 Journal Article, 1995

Making Irish art history accessible remotely in, editor(s)J. Hemsley et al , Proceedings of the Electronics and the Visual Arts '95 Conference , Fleet, Brameur, 1995, pp73 - 77, [Philip McEvansoneya] Book Chapter, 1995

Philip McEvansoneya, More light on the Royal Academy's rejection of Brett's 'Florence', Review of the Pre-Raphaelite Society, 4, (1), 1996, p20 - 23 Journal Article, 1996

Philip McEvansoneya, Thomas Ryan, PPRHA, insider on the outside, Irish Arts Review Yearbook 1997, 13, 1996, p169 - 179 Journal Article, 1996

Philip McEvansoneya, 'I am the resurrection and the life': Frank Holl and Victorian images of death, Leeds Museums and Galleries Review, 1, 1998, p8 - 13 Journal Article, 1998

Philip McEvansoneya, 'A libel in paint': religious and artistic controversy around P.H. Calderon's 'Renunciation of St Elizabeth of Hungary', Journal of Victorian Culture, 1, (2), 1996, p254 - 279 Journal Article, 1996

Philip McEvansoneya, Review of An indolent and blundering art ? : the etching revival and the redefinition of etching in England, 1838-1892, by E. Chambers , Journal of Victorian Culture, 6, (2), 2001, p355-60 Review, 2001

Philip McEvansoneya, Review of The Holland Park circle: artists and Victorian society, by C. Dakers , Journal of Victorian Culture, 6, (2), 2001, p355-60 Review, 2001

Bazalgette, Joseph, J. Turner, Grove Dictionary of Art, 3, London, Macmillan, 1996, pp430 - 431, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Baltard, Victor, J. Turner, Grove Dictionary of Art, 3, London, Macmillan, 1996, pp125 - 126, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Philip McEvansoneya, Review of Herkomer, a Victorian artist, by L. Edwards , Burlington Magazine, 142, 2000, p514 Review, 2000

Philip McEvansoneya, Review of Sources in Irish art, a reader, by F. Cullen , irish Arts Review Yearbook 2002, 18, 2001, p210-11 Review, 2001

Clique, The, J. Turner, Grove Dictionary of Art, 7, London, Macmillan, 1996, pp436 - 437, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Eastlake, Charles Locke junior, J. Turner, Grove Dictionary of Art, 9, London, Macmillan, 1996, pp84 , [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Frost, William Edward, J. Turner, Grove Dictionary of Art, 11, London, Macmillan, 1996, pp804 - 805, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Joy, Thomas Musgrave, J. Turner, Grove Dictionary of Art, 17, London, Macmillan, 1996, pp673 , [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Le Sueur, Jean-Baptiste-Ciceron, J. Turner, Grove Dictionary of Art, 19, London, Macmillan, 1996, pp250 - 251, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Marks, Henry Stacey, J. Turner, Grove Dictionary of Art, 20, London, Macmillan, 1996, pp446 , [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Mills, John Saxon, J. Turner, Grove Dictionary of Art, 21, London, Macmillan, 1996, pp614 - 615, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Philip McEvansoneya, Review of Aloysius O'Kelly, art, nation, empire, by Niamh O'Sullivan , Irish Studies Review, 19, (2), 2011, p223-6 Review, 2011

Mulready, Augustus Edwin, J. Turner, Grove Dictionary of Art, 22, London, Macmillan, 1996, pp278 - 279, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

Stephanoff, Francis philip, J. Turner, Grove Dictionary of Art, 29, London, Macmillan, 1996, pp632 , [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 1996

'The Bathers' by Courbet, D. Jones, Censorship, an international encyclopedia, 1, Chicago and London, Fitzroy Dearborn, 2001, pp588 - 589, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 2001

'Winston Churchill' by Sutherland, D. Jones, Censorship, an international encyclopedia, 4, Chicago and London, Fitzroy Dearborn, 2001, pp2347 - 2349, [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 2001

Philip McEvansoneya, Review of Art in Belfast 1760-1888: Art Lovers or Philistines ?, by Eileen Black , Irish Studies Review, 15, (1), 2007, p89-90 Review, 2007

Philip McEvansoneya, The Exhibition in Dublin of Géricault's 'Raft of the Medusa', The Burlington Magazine, 150, (1262), 2008, p325 - 326 Journal Article, 2008

Philip McEvansoneya, Petrie and the Haldimand Album, Irish Arts Review, 25, (3), 2008, p120 - 123 Journal Article, 2008

'Scene from 'Gil Blas'', 'An interview between Charles I and Oliver Cromwell', 'The Crucifixion', P. Murray, Daniel Maclise (1806-70) Romancing the Past, Kinsale, Gandon, 2008, pp114, 122, 144 , [Philip McEvansoneya] Item in dictionary or encyclopaedia, etc, 2008

Philip McEvansoneya, Review of William Orpen, An onlooker in France. A critical edition of the artist's war memoirs , by Robert Upstone and Angela Weight , Irish Arts Review, 25, (4), 2008, p144-6 Review, 2008

Philip McEvansoneya, 'Not by Daniel Maclise', Burlington Magazine, 151, (1272), 2009, p169 - 169 Journal Article, 2009

Philip McEvansoneya, 'The 'Ardrahan' brooch', Journal of the Galway Archaeological and Historical Society, 62, 2010, p19 - 29 Journal Article, 2010

Philip McEvansoneya, Review of Ireland's Art Ireland's History. Representing Ireland, 1845 to Present., by Síghle Bhreathnach-Lynch , Irish Studies Review, 17, (2), 2009, p251-2 Review, 2009

Philip McEvansoneya, 'The Hague School and the Scots in fiction', Journal of the Scottish Society for Art History, 14, 2009, p59 - 62 Journal Article, 2009

Philip McEvansoneya, An architect earl, Edward Augustus Strafford (1736-1801) 2nd Earl of Aldborough, by R.W. Lightbown , Irish Arts Review, 26, (3), 2009, p120 Review, 2009

The grave slabs in George Petrie's 'The Last Circuit of the Pilgrims at Clonmacnoise' in, editor(s)Heather A. King , Clonmacnoise Studies Volume III, Seminar Papers 2009, Dublin, Stationery Office, [Philip McEvansoneya] Book Chapter,

Philip McEvansoneya, Lady Lavery, model, muse and mask, Irish Arts Review, 27, (2), 2010, p90 - 93 Journal Article, 2010

Royal monuments and civic ritual in eighteenth-century Dublin in, editor(s)Charlotte Chastel-Rousseau , Reading the Royal Monument in Eighteenth-Century Europe, Aldershot, Ashgate, 2011, pp173 - 194, [Philip McEvansoneya] Book Chapter, 2011

Philip McEvansoneya, Review of Spanish Art in Britain and Ireland, 1750-1920. Studies in Reception in Memory of Enriqueta Harris Frankfort., by Edited by Nigel Glendinning and Hilary Macartney , Burlington Magazine, 153, (1303), 2011, p678-9 Review, 2011

Philip McEvansoneya, Review of The Story of Irish Museums, 1790-2000: Culture, Identity and Education, by Marie Bourke , Journal of the History of Collections, 24, (1), 2012, p132-33 Review, 2012

Philip McEvansoneya, Britain, the Empire, and the World at the Great Exhibition of 1851/Globalization and the Great Exhibition: The Victorian New World Order, Journal of Victorian Culture, 16, (2), 2011, p289 - 293 Review Article, 2011

Philip McEvansoneya, Ireland on show, Review of Ireland on show: art, union and nationhood, by Fintan Cullen , Irish Studies Review, 21, (2), 2013, p231-3 Review, 2013

Philip McEvansoneya, Empire to Nation, Review of Empire to Nation: art, history and the visualization of maritime Britain, 1768-1829, by Geoff Quilley , Journal for Maritime Research, 14, (2), 2012, p147-8 Review, 2012

P. McEvansoneya, The Burlington Fine Arts Club, Review of Private Collecting, Exhibitions, and the Shaping of Art History in London. The Burlington Fine Arts Club. , by Stacey J. Pierson , Journal of the History of Collections Review,

Research Expertise

Description

British and Irish art 1600-1800 Patronage and collecting in Britain and Ireland 1600-1900 Institutions of art in Britain and Ireland Art in France especially 1800-1900 Irish antiquarianism in the nineteenth century