Contributors

Editor

Aileen Douglas sspecializes in the writing of the long eighteenth century. Her publications include a co-edition of The Vicar of Wakefield (2024), part of the  Cambridge Edition of the Collected Works of Oliver Goldsmith.

Contributors

Kate Ferguson is a graduate of Vassar College and Trinity College Dublin. Her doctoral thesis (TCD, 2012) explores Brendan Kennelly's work in relation to social change in Ireland between 1980 and 2010. Katelyn teaches at the Middlesex School in Massachusetts.

 

Heather Ingman's major areas of research are in Irish women's writing, modernism and the Irish short story. Her publications include A History of the Irish Short Story (Cambridge University Press, 2009) and Irish Women's Fiction: From Edgeworth to Enright (Irish Academic Press, 2013).

David O’Shaughnessy’s research is on eighteenth-century literature, particularly theatre. He is the author of William Godwin and the Theatre (2010) and his articles have appeared in Eighteenth-Century Life, Nineteenth-Century Literature, and History of European Ideas. He is the co-editor of Charles Macklin and the Theatres of London (2022), and editor of The Censorship of Eighteenth-Century Theatre (2023).

Acknowledgements

We gratefully acknowledge the collaboration of Jane Maxwell, Principal Curator in the Manuscripts and Archives Research Library, TCD, and her expert guidance and advice in relation to library holdings.