DON'T COPY ME

In the 30-year-old Beckett Centre, three women come together to discuss Beckett. And Pinter. And Chekhov. And Shakespeare. Through thoroughly differing perspectives, they talk about whether Ophelia is a good part, even though she only has 58 lines; about the (im)possibility of a female Waiting for Godot; about the merit of respecting theatre history, when they could also destroy it. Gift Horse Theatre returns to do what it does best: rework the repertoire. Part of the 30th anniversary celebration of the Samuel Beckett Theatre