The Library has a new mini exhibition in the Ussher Library, Orientation Space showcasing some of the books banned by the Censorship of Publications Board since 1930 up to more recent times. Also on show are archival items (including the key to the Banned Books Room) showing how these banned books were dealt with by the Library from the 1960s onwards. The exhibits reflect the history of censorship in Ireland and the sometimes uneasy relationship between the Library and the State authorities.
Together we can do more is the theme for Green Week 2018, February 12th-16th
College Green Week will be launched Monday 12th February at 13:00 on the Steps of Exam Hall, Front Square.
College Green Week events
In the Library, a selection of Library Green-themed resources are on display in the Orientation Space of the BLU.
You can find more by searching the Library’s collections
‘Save the Date’: On the 30th of November 2017, to mark International Digital Preservation Day, the Library invites Trinity students, researchers and interested members of the public to explore the challenges of preserving digital cultural heritage.
A pop-up Museum of Technology in the Berkeley Library will showcase obsolete computer hardware and software, which will be extended into an online exhibition. The exhibit includes computers and storage media from the 1980s right up to the present day. The display is intended to prompt the audience to think about the importance of digital preservation as an active rather than a passive activity, by demonstrating the rapid evolution of hardware and software, the transience of formats, and the dangers of obsolescence.
Some of items on display are from the Library’s own collection; others form part of the John Gabriel Byrne Computer Science Collection, and have been generously loaned by the School of Computer Science for the duration of the exhibit.
In collaboration with the Digital Repository of Ireland, the Library will host a ‘Wikithon’ Workshop (facilitated by Rebecca O’Neill, Project Coordinator of Wikimedia Community Ireland) with representatives from several cultural institutions will collate little-known information about current digital preservation activities.
The day will culminate in an evening public lecture with a panel of scholars and publishers of digital content, investigating the limits of digital preservation, from the content itself to the experience of using it.
Anna Gerber and Britt Iverson, who run Visual Editions, a London-based “creative studio and reading lab”
Dr Amber Cushing, assistant professor at the School of Information and Communication Studies, University College Dublin
6:15 p.m. – Welcome
6:30 p.m. – Keynote Speeches
7:30 p.m. – Questions from the Audience
8:00 p.m. – Closing Words
Venue: Robert Emmet Theatre, Arts Building, Trinity College Dublin main campus
Image credit: Afrank99 – Own work, CC BY-SA 2.0,https://commons.wikimedia.org/w/index.php?curid=3723573
Our iconic Berkeley Library is 50 years old this year – and we need your help to celebrate!
Some of the stories will be about the time before the opening, when Trinity was pulling together the funds and deciding on the design. This is a snippet from the film that was released in 1958 to help fundraise:
We will be hosting a series of events to celebrate the anniversary. Follow the events and stories on Twitter using #berkeley50.
The Book of Kells is obviously one of the best-known treasures of the Library, so it’s always nice to see it mentioned by the media.
This gem from 1989 is from the “teenage entertainment show” Jo-Maxi, and discusses how the Book of Kells was reproduced for printed facsimile copies – the images taken then are what formed the basis of the later DVD, app and online versions.
The Librarian of the time being interviewed, Peter Fox, is the author of Trinity College Library Dublin: A History.
As with previous years, we’re delighted to be part of Cuture Night 2016, offering free entry to the Book of Kells Exhibition and the Long Room of the Old Library. Admission is free between 5 and 9, but numbers may be limited during that time to avoid overcrowding.
Also, Library staff member Beata Daly will be exhibiting some of her artwork in the newly-opened Abbey Studios on Marlborough Street, so please swing by if you are hitting the Northside’s attractions too!
Rare and previously unpublished material held in the Library of Trinity College Dublin relating to WW1 will be brought to a global audience thanks to an online collaboration between Trinity and Google.
The Great War Revisited exhibition was launched online on Tuesday, June 30th 2015 at the Google Cultural Institute. This exhibition features 60 exhibits of unique heritage material from Trinity’s rare books and manuscripts collections relating to the Great War, including recruiting posters, letters, diaries, photographs, videos, pamphlets and artworks.
These highlights from the Library’s rich and diverse collections of material relating to the First World War can now be easily accessed by anyone wherever they are in world, right from their computer, tablet or phone. The Great War Revisited is Trinity’s first collaboration with Google Cultural Institute, which partners with more than 800 institutions – museums, libraries, art galleries and archives – around the world. The platform hosts over 170,000 artworks and a total of 6 million photos, videos, manuscripts and other documents of art, culture and history, to make important cultural material available and accessible to everyone.
Highlights of the exhibition include:
- Trinity’s celebrated collection of Irish WWI recruiting posters (one of the largest collection in existence)
- Previously unpublished photographs of the Allied campaign in Iraq and Turkey
- Letters and diaries from Irish soldiers serving in France, Iraq and Palestine (previously unpublished)
- A multitude of political pamphlets, songs and ballads and artworks
Commenting on the launch of the online exhibition Helen Shenton, Librarian and College Archivist, said: “The Library of Trinity College Dublin is delighted to be partnering with Google Cultural Institute on the Great War Revisited online exhibition. Showcasing the richness of First World War material held in the Library, the online exhibition forms part of the Library’s commitment to opening up its historic collections for global online access.”
The exhibition is part of the Library’s contribution to the Trinity College Dublin Decade of Commemoration initiative which includes lectures and conferences and a rededication of the Hall of Honour later this year.
Beautiful sketches, designs and photographs from the famed Clarke Stained Glass Studios held in archive in the Library of Trinity College Dublin are now freely available online as part of a major national open digital repository for Ireland’s social and cultural data. For a selection taken from the fuller range see the Library’s mini online exhibition.
The Digital Repository of Ireland (DRI), which was launched by Damien English, Minister for Skills, Research and Innovation on June 25th, contains tens of thousands of high quality, metadata-rich digital objects, including video clips, photographs, digitised manuscripts, oral histories, sound recordings, digitised paintings and museum objects, books and letters. The repository links together and preserves both historical and contemporary data held by Irish institutions, providing a central online access point and interactive multimedia tools
DRI is available for use by the public, students and scholars. The repository is the result of nearly four years of research, software development, policy and legal framework design, and data curation by digital archivists and librarians. Trinity College Dublin has been a key partner in DRI, contributing technical, archiving, metadata and legal expertise to the project. Other partners in the consortium are the Royal Irish Academy (lead institute), Maynooth University, Dublin Institute of Technology, National University of Ireland Galway, and National College of Art and Design.
The repository features beautiful and moving collections, including those from five demonstrator projects – the Clarke Stained Glass Studios Archive, Letters of 1916, Irish Lifetimes, Kilkenny Design Workshops, Saol Agus Saothar Sa Ghaeltacht, and the Teresa Deevy Archive. The repository also contains the award-winning Inspiring Ireland collections, featuring content from eight of Ireland’s National Cultural Institutions, and rich collections of multi-media content from our partners Raidió Teilifís Éireann and the Contemporary Music Centre.
The Clarke Stained Glass Studio Archive held by the Library of Trinity College Dublin sheds light on the design and business practice of one of the leading creative businesses of the 20th century, which operated from 1893 until 1973 and was responsible for hundreds of stained glass windows for churches all over Ireland, the UK, the US, Canada, Australia, New Zealand, several African countries, Singapore, and the Philippines.
With the support of the Digital Repository of Ireland project funding, the Library of Trinity College Dublin is currently undertaking a two-year digitisation project which will make thousands of sketches, designs, order books, photographs and business correspondence from this collection available online to researchers, art historians and the public. This work is being carried out by Dr Marta Bustillo, Assistant Librarian, and Joanne Carroll, Digital Photographer of the Digital Resources and Imaging Services Department in the Library.
Dermot Frost, Principal Investigator for DRI in Trinity with responsibility for the technical delivery of the repository said: “Building DRI has been both exciting and challenging. The team in Research IT, along with our partners, have built a scalable and robust digital repository for humanities and social sciences data using best-of-breed open source software components such as Fedora Commons, Hydra and Ceph.”
Helen Shenton, College Librarian and Archivist added, “Through our involvement in DRI, the Library has been able to unearth the treasures of the Clarke Stained Glass Studios Archive. The high resolution imaging of the business archives and designs for stained glass windows will be a vital resource to future researchers and the wider public.”
Speaking at the launch, Dr Sandra Collins, Director of DRI, invited everyone to visit DRI online: “DRI offers exciting historical, cultural and contemporary content that tells the story of Ireland and its people. The content comes from some of the finest institutions across Ireland, and is available without charge for people to view and to enjoy. Some of the collections we care for are restricted by copyright or the sensitive nature of the data, but researchers can request access. We are an open repository, and we want people to explore and enjoy their cultural and social heritage.”
The Library presents a mini online exhibition to highlight our collection of Anglo-Norman histories. This follows the History Books in the Anglo-Norman World Conference in May 2015 and a mini exhibition in the Long Room, organised as part of Dr Laura Cleaver’s History Books in the Anglo-Norman World Project (2011-2015).
The past was a popular subject in the Anglo-Norman world. Following the conquest of England in 1066, historians in the territories controlled by the kings of England sought to legitimise the new regime and make sense of the political circumstances in which they found themselves by exploring both the recent and distant past. Writers used a range of precedents in shaping their accounts, drawing on sources including the Anglo-Saxon Chronicle, histories of the dukes of Normandy, and genealogical histories derived from the Bible. Although some works composed in the early twelfth century were primarily designed for use within a particular monastery, others, such as the histories produced by monks John at Worcester and William at Malmesbury, were widely copied and taken up by later generations of writers including Ralph of Diss and Matthew Paris. The surviving ‘history books’ vary significantly in size, format, quality of materials used and decoration. The study of these manuscripts thus sheds light on both the creation and reception of history in the twelfth and thirteenth centuries.
Trinity College Dublin holds an important collection of Anglo-Norman histories, most of which came from the collection of Archbishop James Ussher (d. 1656). Ussher was a keen collector of manuscripts, and his interest in history was linked to his attempt to establish the date of Creation, which he famously concluded must have taken place in 4004 BC. Ussher’s collection was given to Trinity College Library in 1661.