All venerable old libraries have a complicated ‘back catalogue’ – quite literally. As part of his history of our Arabic collection, Visiting Research Cofund Torsten Wollina investigates the earliest manuscript catalogue – the ‘1670’.
The Library is digitising apocalypse manuscripts like there’s no tomorrow. The Dublin Apocalypse (TCD MS 64) contains the Latin text of the Book of Revelation, heavily decorated with 73 vibrant miniatures, and you can now see the Final Judgement in gold and vivid colour on our Digital Collections.
The imaging of this volume was completed to coincide with a one-day symposium based on the Dublin Apocalypse, taking place in the Neill Lecture Theatre of the Trinity Long Room Hub on Friday, 1 February 2019 from 9.45am. The event will draw together experts in their fields to discuss multiple aspects of the Dublin Apocalypse and its broader context. Attendance at what is sure to be an fascinating event is free but registration is essential at https://dublinapocalypse.eventbrite.ie.
Nigel Morgan, Professor Emeritus of the University of Cambridge, will discuss the iconography of the manuscript through an art historical lens. Michael Michael’s and Frederica Law-Turner’s papers will cast light on the Ormesby Psalter and delve into the East Anglian school of manuscripts. James T. Palmer, of the University of St Andrews, will study the circulation, interpretation, and use of the Book of Revelation in the Middle Ages.
Bernard Meehan, former Head of Research Collections and Keeper of Manuscripts at the Library of Trinity College Dublin will recount the curious story of how the manuscript arrived at the College through an unusual deal between the Board and a former Provost. Finally, Laura Cleaver, Ussher Lecturer in Medieval Art in Trinity, will address early-twentieth century facsimiles of the text and their impact.
So, if you’re seeking a friend for the end of the world or simply interested in one of the Library’s medieval treasures, please join us for insightful discussion and some free coffee.
The Michael Davitt Papers, held in the Manuscripts & Archives Research Library, are a rich source for historians of late nineteenth-century Ireland. Davitt, a Mayo-born man of humble origins, was one of the leading political figures of the day. He exerted a significant influence over popular opinion, as an author, journalist and public speaker in Ireland, Britain, and internationally. For many years, Dr Carla King has studied this rich collection, in preparation for her newly published study, Michael Davitt After the Land League. Here she reflects upon Davitt’s life, the provenance of the Davitt papers, and the invaluable insights which the collection offers to researchers. Continue reading “The Michael Davitt Papers in the Manuscripts & Archives Research Library”
As the end of another busy year approaches, this blog highlights some of the ways in which the Manuscripts and Archives Research Library (M&ARL) supports researchers. It is based on departmental statistics collected during the past five years (2011-2015). These show that the department provides a variety of local and remote services to national and international researchers from diverse backgrounds. M&ARL’s services support teaching, learning and research in Trinity College Dublin, and across the globe. Continue reading “Supporting researchers at the Manuscripts & Archives Research Library”
The celebrations in Trinity Week, which is a week of celebration of Trinity in Trinity, are normally sponsored and themed by one of the faculties. This year it’s the Faculty of Engineering, Mathematics and Science which is hosting the programme of events, beginning on 11 April, and the theme is ‘Light’.
The Library, which is so central to so much of the work afoot in College, will remind people of this important fact by staging a number of events on the theme of light during Trinity Week.
Harry Clarke, for example, used light as part of his palette, and his role in Irish cultural history will be acknowledged by the installation of a reproduction, from the Library’s Harry Clarke Studios archives, in one of the windows of The Trinity Long Room Hub. The image chosen is a glorious drawing of three roses set in a starburst.
The Library also presents itself as an ‘illuminary’ – that which illuminates – since that is what the Library does to the research mission of the College. To bring home this point, images from the Library’s historic collections in the Manuscripts & Archives Research Library and the Department of Early Printed Books and Special Collections will be projected onto the wall above the Nassau Street entrance to College and also above the entrance to the Berkeley Library.
Allying this theme with the centenary of the First World War has inspired another Library installation; ‘The lamps have gone out all over Europe. We will not see them lit again in our lifetime’ – a well-known and resonant phrase, dating from the eve of First World War, which was understood from the beginning as a threat to enlightened civilization. It is proposed to project, onto the East face of the 1937 Reading Room, the names and portraits of the Trinity engineers and medics who fell. The images from the Medical School are part of the Library’s archival collections, while those of the Engineers still grace the walls of the Museum Building.
All of the images being projected are accessible through Digital Collections
Early Printed Books and M&ARL have taken a bit of liberty with the word ‘light’ in the titles of an exhibition and of this present blog post: ‘…and there was light’ is the title of a small exhibition, curated by EPB in the Berkeley foyer, which explores the theme through texts on religion, science and literature.
The website for the Library’s projects within Trinity Week is accessible here