Massive Open Online Courses are a 21st-century phenomenon and have become a popular means of learning, especially in the current worldwide lockdown situation. They are ‘massive’ and ‘open’ because there are no limits to the number of participants and no qualification requirements. With the development of technology, they are a natural progression from correspondence courses. Continue reading “Much ado about MOOCs”
Due to the current situation, we are all working from home, so we are unable to show you new images from our collections. However, we are keen to maintain our online presence, so do follow us on Twitter and enjoy looking back at previous blog posts. We are also available by email – firstname.lastname@example.org – but obviously there is a limit as to what research we can do to answer your enquiries. We will do our best, of course!
Bibliography, in the sense of the history and description of books, uses a number of words which are not common in everyday life, so we thought some of our followers might find this A-Z useful. Words in italics are further explained under their initial letter.Continue reading “A Bibliographical Alphabet”
Two items printed 250 years ago in Trinity’s Printing House are currently on display in the Long Room of the Old Library. Building of the Printing House began in 1734, two years after the completion of the Old Library, and the first book was printed at the University Press in 1738. Continue reading “A 250-year-old work from Trinity’s Printing House”
One of my favourite aspects of work in the Department of Early Printed Books and Special Collections is the opportunity to hold and examine so many wonderful and diverse books. When I was returning a book to the Quin Case a few days ago, I picked one out to look at because of its beautifully decorated spine – many of the books bequeathed to the College library by the wealthy graduate Henry Quin (1760-1805) have fine bindings. The boards, endpapers, fore-edge and text turned out to be equally attractive. The book in question was Quin 43, a 1786 printing of the story of Daphnis and Chloe, bound by Christian Samuel Kalthoeber of London. A German by birth, Kalthoeber emigrated to England where he became apprentice to his compatriot Johann Ernst Baumgarten, taking over his business in 1782. Continue reading “Daphnis & Chloe”
By conservation intern Julie Tyrlik
As part of my six-month internship in the Preservation and Conservation Department of the Library of Trinity College Dublin, I recently conserved a book from the Fagel collection, Fag.H.2.65 (image 1).