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Manuscript Miscellanies

Medieval miscellanies are manuscripts comprising separate articles, studies or literary compositions brought together in the form of a book. Their contents are varied and challenging to interpret. As a Visiting Fellow at the Trinity Long Room Hub I considered several manuscripts in the Trinity collection that might, for different reasons, be described as miscellanies. Three of these were explored in a recent workshop with postgraduate students of medieval literature.

TCD MS 69 folio 78r
TCD MS 69 folio 78r

TCD MS 69 was written by two scribes, but its mixture of Latin and English, prose and poetry is thematically coherent. Its fourteenth-century compilers were interested in religious instruction, selecting the psalms, the ten commandments, and a long English poem, the Prick of Conscience. Amongst this material is a single sermon, ‘A Tale of Charite’ (folio 78r), which properly belongs with a full sermon cycle called the Mirror. It is unusual for sermons from this cycle to appear individually, and it would be interesting to know what prompted its inclusion here.

 

TCD MS 432 folio 75r
TCD MS 432 folio 75r

The Middle English poetry and drama of TCD MS 432 are well-known through an early twentieth-century edition compiled by Rudolf Brotanek, but that edition also distorts our sense of the whole codex. It disguises the fact that this manuscript is a composite, of vellum and paper, in six separate sections, with some parts copied in the thirteenth century, others in the fifteenth; it also contains French and Latin. Now bound in three volumes, it is hard to imagine that for some of its history at least this functioned as a single book.

Both these manuscripts have later annotations that show they continued to be read long after their own period of production. For example, the list of medieval Christian kings in TCD MS 432 was extended up to Henry VIII, and another sixteenth-century hand has added a note of how many years Henry reigned (folios 74v-75r).

TCD MS 352 folio 169r
TCD MS 352 folio 169r

The third miscellany, TCD MS 352, is a commonplace book, a type of miscellany that comprises a series of extracts from religious writings. It was compiled by Edmund Horde, the last prior of Hinton, a Carthusian monastery in Somerset. Initially the extracts focus on matters of individual spirituality – how to be a better Christian, how to resist temptation, and so on. Increasingly quotations from the Bible and the Church Fathers give way to contemporary sources such as Thomas More, and the focus turns to the question of ecclesiastical supremacy: in this book Horde was marshalling evidence against Henry VIII’s claim to be head of the church (folio 169r). Thus, in this instance, the personal miscellany was simultaneously a very political collection.

The Manuscripts & Archives Research Library holds around 50 Middle English manuscripts. For further information please refer to the Collections section of our website.

 

Dr Margaret Connolly University of St Andrews

Prophecy and the History of the Kings of Britain: TCD MS 514

TCD MS 514 f. 79v
TCD MS 514 f. 79v

Written at Oxford in the late 1130s, Geoffrey of Monmouth’s History of the Kings of Britain became something of an instant sensation, and survives in a rather astonishing 218 manuscripts, eight of which are now preserved at Trinity College Dublin. These manuscripts are more than just a testament to the History’s popularity among medieval scribes. They are an important and, in a sense, unrivalled storehouse of information regarding contemporary reactions to and interpretations of the History’s significance and meaning for its Anglo-Norman audience.

Of all the insights they provide, perhaps none is more clearly reflected than the History’s relationship to the political environment in which it was conceived. While the History’s narrative ends with the fall of the Britons in the mid-seventh century, the prophecies of Merlin, which were situated right at its centre, were evidently understood by medieval audiences as pertinent to the political experiences of the Anglo-Norman and Plantagenet monarchies of the eleventh through fourteenth centuries.

TCD MS. 514, which was likely produced in Canterbury during the early fourteenth century, contains a series of marginal and interlinear glosses, written in a contemporary hand, which relate several of Merlin’s prophecies to kings William II, Henry I, Stephen, Henry II and so on. Here, as with TCD MS. 496, the commentaries on the prophecies appear as separate texts to the History itself. In both of these commentaries, the animal imagery used in Merlin’s prophecies is related to well-known political figures, and the inclusion of similar prophecies of non-Merlinic origin, such as the fourteenth-century prophecy of John of Bridlington (TCD MS. 172) and the prophecy of the Eagle of Shaftsbury (TCD MS. 514), are revealing of a continuation of the twelfth-century tradition of interpreting prophecy as political, rather than purely eschatological in its implications. Merlin is regularly identified as the key early figure in the development of this tradition, which is characterised by the sort of animal symbolism found throughout the manuscripts discussed here.

These manuscripts preserved in the Library of Trinity College Dublin represent a large collection of prophetic materials connected in some way with Geoffrey’s History and with the Prophecies of Merlin. The perceived relationship between Merlin’s prophecies and the political events of the eleventh through fourteenth centuries (and beyond) suggests that for Anglo-Norman writers, history was as much about the present and even the future as it was about the past.

Jennifer Farrell
Visiting Academic, History Books in the Anglo-Norman World Project, Trinity College Dublin / Lecturer in Medieval History, University of Exeter

History Books of the Anglo-Norman World c.1100 -1300

Online exhibition of History Books from the Anglo-Norman World in the Library of Trinity College Dublin

 

St Brigid and the Liber Hymnorum

TCD MS 1441, 16v
TCD MS 1441, 16v

Brigid’s feast day of 1 February is celebrated as St Brigid’s Day in the Roman Catholic Church, the Eastern Orthodox Church and by the Anglican Communion­. Many of us recall making the traditional rush crosses in primary school, but few people are aware of the survival of devotional hymns to St Brigid, written in Old Irish, in some of our earliest manuscripts.

The Liber Hymnorum (Book of Hymns, TCD MS 1441, late 11th century) is the earliest manuscript in Trinity College Library with a substantial amount of Irish. It contains devotional hymns in both Latin and Irish used in the services of the early Irish church. Typically called a ‘service book’, the manuscript is one of the few survivors of its kind. It is a collection of forty hymns almost all of Irish origin, with canticles (hymns taken from the Bible) and explanatory prefaces to each hymn. Some of the hymns are also to be found in the Antiphonary of Bangor, the Leabhar Breac, and the Book of Cerne. Some of the texts have been attributed to the great authors of the 5th-8th centuries, including Patrick, Columba, Secundius, Ninine and Últan, the latest being Mael Isú ua Braolcháin (d. 1086). A similar compilation, dating from the 12th century and belonging to the Irish Franciscans in Dublin, exists in University College Dublin (UCD-OFM A 2).

At the bottom of folio 16v in the Liber Hymnorum is the opening of the hymn Brigit Bé Bithmaith (‘Brigit ever good woman’) written in Old Irish, probably in the 9th century. A zoomorphic capital ‘B’ marks the beginning of the hymn, which continues on to folio 17r. It is preceded by a lengthy preface, also in Irish, which argues the authorship of the hymn (Saint Últan is claimed to be the true author, but Saint Columcille and Saint Brendan are also thrown into the mix). The hymn was traditionally used as a powerful lorica (a prayer recited for protection in Christian monastic tradition) and shows Brigid’s pagan origins in her aspect as Goddess – linked to the sun and fire -and as a pillar of Irish spirituality together with St Patrick. The reference to her as the Mother of Jesus is folkloric – legend claims her to be the midwife to Mary and foster mother of Christ. Translated here are the first three verses (with standardisation of the Old Irish spelling):

TCD MS 1441, 17r
TCD MS 1441, 17r

Brigit bé bithmaith Brigit ever good woman
breó orda óiblech A sparkling golden flame
donfe don bithlaith may she lead us to the eternal realm
in grian tind toidlech the shining bright sun

Ronsoera Brigit Save us Brigit
sech drungu demna from hordes of demons
roroena reunn may she win for us
cathu cach thedma battles of every hardship

Dorobdo innunn Destroy within us
ar colla císu the sins of our flesh
in chroeb co mblathaib the branch with flowers
in mathair Ísu. The mother of Jesus

 

Caoimhe Ní Ghormáin

A touch of class

Two of our regular visiting researchers, Professor Andrew Pettegree (a Long Room Hub Fellow) and Arthur der Weduwen, both from the University of St. Andrews School of History, have been living in the reading room for the past fortnight, working their way through about 2,500 pamphlets in the Fagel Collection and identifying, with a hit-rate of 12-13%, unique copies for the Universal Short Title Catalogue, of which Andrew is director.
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Continue reading “A touch of class”

New Online Exhibition: ‘The Ruins of 1916’

google exhibThe Library of Trinity College Dublin has launched a new online exhibition The Ruins of Dublin 1916 – A Photographic Record by Thomas Johnson Westropp on the Google Cultural Institute platform.

The exhibition showcases the photographs taken by the TCD graduate and archaeologist Thomas Johnson Westropp in the aftermath of the Easter Rising. The 44 images can be viewed larger than life-size and details can be picked out that are otherwise invisible to the naked eye, such as the First World War posters affixed to the wall of the Four Courts.

TCD MS 5870 f. 11r
TCD MS 5870 f. 11r

The Library has also contributed a number of these images to Google’s Dublin Rising 1916-2016, an interactive Google Street View tour narrated by actor Colin Farrell, which lets visitors virtually explore the city streets, discovering the events and people who shaped history 100 years ago. Dublin Rising 1916-2016 was developed by Google in collaboration with the Library of Trinity College, as well as the National Library of Ireland, Royal Irish Academy, the Abbey Theatre and Glasnevin Cemetery.

Enda 3Both presentations were launched by the Taoiseach Enda Kenny and the Minister for Arts, Heritage and the Gaeltacht, Heather Humphreys at Google headquarters in Dublin on Tuesday 12 January.

The Westropp album is part of an important and diverse collection of 1916-related manuscripts and printed items held in Trinity’s Library which is exposing these materials through a year-long blog Changed Utterly – Ireland and the Easter Rising.

A Series of Views of the Ruins of Dublin May 1916
A Series of Views of the Ruins of Dublin May 1916

Commenting on the collaboration,  Trinity Librarian and College Archivist Helen Shenton said: “The Library of Trinity College Dublin is for the second time partnering with Google Cultural Institute to create a free, easy-to-use online resource for anybody with an interest in Irish history. The last successful collaboration related to the First World War; it was so popular that Trinity is delighted to work with Google again and this time we have focused on the 1916 Easter Rising. It might come as a surprise just how large and how rich Trinity’s 1916 research collection is. Very early on, the Library decided that one of the best ways to commemorate the Rising was to find ways to share these heritage materials with anyone who wanted to see them. That’s what great Libraries do − mind and share national memory and that’s what we are doing now. Out of a wide range of unique, never-before-seen artefacts we are offering, through Google, access to the amazing Westropp photographs of the destruction of the physical centre of Dublin city a century ago. These images bring vividly to life the impact of the Rising on everyday life in Dublin. The significance of these contributions to the Google Cultural Institute once again demonstrates the Library’s ongoing commitment to increasing open access to national heritage materials.”

We would like to thank Library colleagues who worked on the exhibit especially Gillian Whelan, Digital Collections and Greg Sheaf, Web Librarian.