Antique cookery books can be a bit of fun, especially if you give the recipes a try.
An exhibition showcasing highlights from the Gwynn family papers will be on display in the Long Room of Trinity College Dublin from 11 January to 1 March. The Gwynns are an extraordinary family who have had a long and distinguished association with the university since the early 19th century. They counted among their number a Provost, Vice-Provost, the first Lady Registrar, several Scholars, professors and Fellows, as well as numerous alumni. They excelled academically in the areas of Old Irish, Syriac, classics, theology, mathematics and engineering. On the sports field they showed themselves to be gifted rugby and cricket players, playing at both university and national level. Such was their success in various areas of College life that the university was at one point dubbed ‘Gwynnity College’. Their achievements outside College, in Ireland and abroad, were no less impressive, in politics, in military engagements and in exploration.
Highlights of the exhibition include: a letter written by the Young Irelander William Smith O’Brien to his daughter Lucy (wife of John Gwynn) from Van Diemen’s Land in 1850; a watercolour sketch of the Donegal countryside from Lucy Gwynn’s album; a letter from Maude Gonne McBride to Edward Gwynn congratulating him on his appointment to the Provostship of Trinity College in 1927; a letter from Charles Gwynn to his nephew John David Gwynn describing the Battle of Gallipoli; and photographs of various members of the family on and off campus.
The papers were generously donated to the Library of Trinity College in 2016/17 by several of John Gwynn’s great-grandchildren. Many of the present generation of the family retain strong links with the College, as academics and alumni. The Library is very grateful to them for making the decision to transfer the collection to the Manuscripts & Archives Research Library. Its contents, including correspondence, diaries, photographs and legal documents, would be of enormous research interest to academics and students alike. The documents cover a vast range of subjects: Irish nationalism, Irish education in the late nineteenth and early twentieth centuries, the history of Trinity College, Protestantism in Ireland, the First World War, the 1916 Rising, the geo-politics of West Africa in the late nineteenth century, and much more besides. Once catalogued, the collection will be available for general consultation.
The exhibition is curated by M&ARL, in conjunction with colleagues in Digital Collections and the Preservation and Conservation Department.
In 1943, Erwin Schrödinger (1887-1961), Nobel-prize winning physicist and Director of Dublin Institute for Advanced Studies (DIAS), delivered three public lectures entitled What is Life? at Trinity College Dublin as the DIAS statutory lecture. The lectures were published as a book in 1944 and had an immediate and powerful impact on the development of molecular biology including inspiring the discovery of DNA.
To mark the anniversary, and to coincide with the major international conference ‘What is Life?’ Schrӧdinger at 75 – the Future of Biology, Archivist Estelle Gittins has collaborated with Professor Luke O’Neill, one of the conference organisers, to curate an exhibition now on show in the Old Library of Trinity College Dublin. The exhibition, and accompanying online exhibition, showcase some of the Library’s most significant scientific and mathematical collections.
At the outbreak of World War II, Schrӧdinger was invited to Dublin by President Éamon de Valera to become Director of the School of Theoretical Physics at Dublin Institute of Advanced Studies, where he stayed until 1956. The exhibition examines what attracted him to Dublin; one of the reasons was the chance to walk in the footsteps of one of his heroes, Ireland’s most renowned scientist Sir William Rowan Hamilton (1805-1865).
Hamilton made numerous advances in maths and science reflected in the vast collection of his papers held in the Library, but he is most famous for developing Quaternions, the mathematical notation for representing orientations and rotations of objects in three dimensions. Quaternions are essential for calculating orbital rotation in space flight; they are routinely employed by NASA, and are also relied upon by the computer gaming industry. The exhibition includes the tiny notebook containing Hamilton’s first scribbled recording of the Quaternion equation made as he walked by the Royal Canal at Broome Bridge in Dublin. The display also includes poetry and sketches that provide a glimpse of the private man as well as the genius. Schrödinger has been described as the scientific heir to Hamilton and made use of the Hamiltonian operator in his wave equation.
Whilst in Dublin, the sociable Schrödinger joined a circle of intellectuals sheltering in neutral Ireland including Irish physicists Shelia Power and Kathleen Lonsdale who had returned from Edinburgh and London respectively. The exhibition includes the papers of some of those friends and colleagues, including a first edition of What is life? inscribed by Schrödinger for his close friend and Trinity College Provost Albert McConnell (1903-1993). Schrödinger also spent time with fellow Nobel-prize winner, Ernest Walton (1903-1995). Walton, a Trinity graduate and lecturer, is most famous, (along with John Cockcroft), for the splitting of the atom in 1932, which constituted the physical demonstration of Einstein’s law E=mc. On display is Walton’s first communication of the breakthrough, an understated letter to his fiancée Freda Wilson confiding, ‘Cockcroft and I made what is in all probability a very important discovery in the lab … It opens up a whole new field of work which may go a long way towards elucidating the structure of the nucleus of the atom’. This is displayed alongside Walton’s Nobel medal. Ernest Walton very generously donated his scientific and personal papers to the Library in 1993.
The exhibition also looks at the important academic and cultural legacy of the What is life? lecture series including the 40th anniversary commemorations where an older Professor Walton met a younger Professor Hawking. There is also a selection of the literary and artistic works inspired by the notion of ‘Schrödinger as a Dubliner’ such as the musical Improbable Frequency produced by the Rough Magic Theatre Company, whose own archives were donated to the Library in 2017.
The conference Schrödinger at 75: the future of Biology will be streamed live on the website https://www.tcd.ie/biosciences/whatislife/
The exhibition What is Life? Celebrating Erwin Schrödinger and the science collections in the Library of Trinity College Dublin will be on display in the Long Room of the Old Library until 31 October and the online version can be accessed here http://www.tcd.ie/library/exhibitions/what-is-life/
With thanks to Prof Luke O’Neill, Prof David Wilkins, Dr Jane Maxwell, Aisling Lockhart, Gillian Whelan, Greg Sheaf and Clodagh Neligan
Michael Davitt, who was born in 1846 and died in 1906, was a radical Irish nationalist, social reformer and champion of the Irish diaspora of the nineteenth and twentieth centuries. Davitt’s papers are held in the Manuscripts’ Department of the Library of Trinity College Dublin. The photographs within the collection are in the process of being catalogued and digitised.
In 1895, Michael Davitt departed Dublin for a tour of Australia, New Zealand, Samoa, Hawaii and the United States.
One of the aims of the tour was to re-connect with the Irish communities in Australia after Charles Stewart Parnell’s adulterous relationship with Kitty O’Shea became public knowledge and caused major damage to the Irish Parliamentary Party’s (IPP) reputation internationally.
Irish-Australians had been major financial contributors to Irish famine relief, the IPP and the Land League throughout the nineteenth century. Their support was essential for continuing the campaign towards Irish Home Rule in Westminster. Other reasons for the tour were personal; including Davitt’s need to make money for his family by lecturing in Australia and New Zealand.
During Davitt’s journey to Australia, disaster struck his family in Ireland, when his six-year-old daughter Kathleen died suddenly from the flu. However, Davitt’s wife pressed him to continue his ‘mission’, in a telegram he received from Mary in Colombo, Sri Lanka. Following his wife’s advice, Davitt continued on his voyage to Australia.
Following his tour of Australia and New Zealand, Davitt published Life and Progress in Australasia in 1897. His book focuses on the gold rush in Western Australia and particularly on the town of Coolgardie.
Davitt describes Coolgardie as ‘full of the gold-seeking fever’, with miners from vastly different backgrounds. In his diary for Western Australia MS 9565 he lists these as ‘any number of men with University training, pressmen, politicians, barristers, lawyers…all here on same gold hunting purpose’. The independence of the miners from the Australian authorities is illustrated by his photographs of a fire on Bailey Street in Coolgardie, which he reports in his diary was caused by the burning of an effigy of the Mayor of the town.
Davitt includes an interview with Catholic bishop Matthew Gibney in his book. Gibney discusses the mistreatment of Aborigines, the privatisation of Aboriginal land and hunting grounds in Western Australia. In Life and Progress Davitt declares that ‘the white man’s law justifies him in stealing the black man’s country, his wife, and daughters whenever he wants them; but to take a sheep from this moral professor of the ten commandments is to earn the penalty of a bullet!’
Davitt, as a radical politician and writer from a famine emigrant, working class background, was an important figure to the Irish diaspora in Australia. Davitt’s family were part of the million people who emigrated from Ireland to England, the United States and Australia to escape starvation after the failure of the potato crop during the Irish Great Famine. His importance to the Irish diaspora is evident throughout the Davitt photographic collection as large welcoming committees were organised to from MS 9649/32 below, where Davitt is welcomed at the train station in Maryborough, Victoria, Australia.
The online catalogue has now been updated and can be viewed here.
The opening of the first major Irish exhibition on Oscar Wilde was marked by a public interview with actor and writer Rupert Everett on Thursday October 12, 2017 in Trinity College Dublin. The highly personal exhibition in Trinity’s Long Room, featuring letters, photographs, theatre programmes, books and memorabilia, maps out the Anglo-Irish playwright’s meteoric rise to fame and also his dramatic fall from grace.
Known for his biting wit, flamboyant dress and glittering conversation, Oscar Wilde is one of the best known Irish personalities of the 19th century and was one of the great writers of the Victorian era. Besides literary accomplishments, Wilde became a figure of some notoriety for his lifestyle and involvement in the ‘art for art’s sake’ aesthetic movement as well as the circumstances of his imprisonment and early death.
Now Trinity College Dublin is celebrating one of its most famous alumni with an exhibition entitled ‘From Decadence to Despair’ in Trinity’s Long Room and an accompanying online exhibition. The exhibition opening takes place four days before Oscar Wilde’s birthday on October 16th. To mark the occasion a public interview with actor, writer and long-time Oscar Wilde fan Rupert Everett was conducted by Carlo Gébler, Adjunct Professor in Creative Writing at Trinity’s Oscar Wilde Centre for Irish Writing this evening in the Robert Emmet Theatre, Arts Building, Trinity at 6.30pm.
The 30 items in the ‘From Decadence to Despair’ exhibition are drawn from the Library’s Oscar Wilde Collection, which is the only Wilde archive held in a public institution in Ireland. It is unique in its focus on the playwright’s downfall and exile years. The collection was acquired by Trinity in 2011 from Julia Rosenthal, a rare book dealer and life-long collector of Wildeana based in London.
Commenting on the significance of the exhibition Librarian and College Archivist, Helen Shenton said: “The Oscar Wilde Collection held here at the Library of Trinity College Dublin comprises items of great symbolic significance for Wilde’s biography. All the great Wilde biographers have made extensive use of the archive. Now, with these new exhibitions, we are delighted to be able to bring this important collection to national and international audiences.”
Curator of the exhibition and Assistant Librarian at Trinity, Caoimhe Ní Ghormáin added: “Oscar Wilde’s life and work continues to captivate academics and the general public. Through this exhibition we hope to celebrate the extraordinary legacy of Oscar Wilde and to shed further light on his remarkable journey from his student days in Trinity right through to his downfall and the sad circumstances in which he found himself during those final years in exile.”