By Emily Mattern
Emily Mattern completed an MPhil in the History of Art at Trinity College Dublin in 2022. The following text is based on the research for her dissertation entitled Materiality, Meaning, and Metamorphosis: The Work of Maria Sibylla Merian in the Fagel Collection at Trinity College Dublin (2022).
First Encounter with the Fagel Metamorphosis
Although the works of natural history found within the Fagel Collection are limited in number, they are some of the collection’s most visually striking objects. As a multi-generational library amassed by high-ranking Dutch citizens, the Fagel Collection demonstrates an interest in various subjects. Even so, the men who amassed and maintained it routinely favored items which would prove beneficial in upholding their official duties as greffier of the States General. Because the Fagels prioritized practical texts, it is no surprise that natural history volumes comprise only about 2.6% of the collection (Fox 89). More remarkable is the exquisite ornamentation of these books, as exemplified by one second-edition copy of Maria Sibylla Merian’s Metamorphosis insectorum Surinamensium (Fag.GG.2.10 no.1).
Continue reading “On Display. The Fagel Family’s Copy of Maria Sibylla Merian’s ‘Metamorphosis Insectorum Surinamensium’ (1719)”
Two items printed 250 years ago in Trinity’s Printing House are currently on display in the Long Room of the Old Library. Building of the Printing House began in 1734, two years after the completion of the Old Library, and the first book was printed at the University Press in 1738. Continue reading “A 250-year-old work from Trinity’s Printing House”
One of my favourite aspects of work in the Department of Early Printed Books and Special Collections is the opportunity to hold and examine so many wonderful and diverse books. When I was returning a book to the Quin Case a few days ago, I picked one out to look at because of its beautifully decorated spine – many of the books bequeathed to the College library by the wealthy graduate Henry Quin (1760-1805) have fine bindings. The boards, endpapers, fore-edge and text turned out to be equally attractive. The book in question was Quin 43, a 1786 printing of the story of Daphnis and Chloe, bound by Christian Samuel Kalthoeber of London. A German by birth, Kalthoeber emigrated to England where he became apprentice to his compatriot Johann Ernst Baumgarten, taking over his business in 1782. Continue reading “Daphnis & Chloe”
On Tuesday morning the Department of Early Printed Books and Special Collections had the pleasure of showing rare items from our Research Collections to members of the Grolier Club. Exquisite fine bindings from the Quin and Claudius Gilbert collections were displayed alongside sumptuous hand-coloured books from the Fagel collection.
Continue reading “A visit from the Grolier Club”