Farcical Fountains in the Fagel collection

Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies in their essays, for brevity we have omitted them. This post is by Olivia Bayne.

*SPLASH* without warning, followed by a roar of shrieks and laughter.  There you were, innocently admiring the garden view from a gallery window when, suddenly, some strange figure hidden in the foliage threw a bucket of water in your face.  Equal parts damp and mortified, you scurry out of the room; away from potential further drenching, away from the laughter of other guests soon to be met with similar ironic fates. Down the hall you come across a mirror.  Stopping to rearrange your hair and wipe the water from your brow, you straighten up, smile, and *poof* another figure, this time hidden in the rafters, has emptied a sack of flour atop your head.  You are now wettened and whitened – just in time for dinner.  Your host must be a madman; surely this is nothing more than a madhouse.

Fig. 1: Guests run away under a cloak from surprise water jets. Giovanni Battista Falda, Le fontane di roma, Rome, 1691. Shelfmark: Fag. I.I.27 no.3, plate 10.
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Ephemeral Architecture Eternalised in Print:

The Documentation of the Funeral Procession for Archduke Albert VII of Austria, 1622

Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have been looking this year at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post is by Zoe Cooke.

The Pompa Funebris Alberti is a book that commemorates the funeral of Archduke Albert VII of Austria which took place in Brussels on March 12, 1622. A copy of the illustrated volume resides in the expansive Fagel collection at the library of Trinity College Dublin and it includes fifty-four plates detailing all the figures who took part in the funeral procession and the purpose-built, monumental, ephemeral architecture that was designed for it by artist and court architect, Jacob Franquart. The volume provides invaluable insight into the function of ephemeral architecture in the orchestration of courtly ceremonies in the early modern period in Europe.

Fig.1. Fag.I.1.60: Jacob Franquart. Pompa funebris optimi potentissimiq[ue] principis Alberti Pii, Archiducis Austriae, ducis Burg. Bra. &c., Brussels, 1623. Title page
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The Fagel French Garden Connection

Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post, by Niamh Flood, refers to the Fagel House, which is discussed on the first Fagel video.

There is an inconspicuous volume in the Fagel Library, unremarkable in appearance and at less than twenty pages, so slight as to be almost overlooked in this vast collection: Hardouin-Mansart, Jules, and Michel Hardouin (engraver), Book of all the Profiles and Elevations Plans both in Perspective and Geometric of Chateau de Clagny. Paris: Cossin, 1680. Shelfmark Fag. I.1.72.

Plate 1: Fagel I.1.72 Hardouin-Mansart, Jules, and Michel Hardouin (engraver), Book Of All The Profiles And Elevations Plans Both In Perspective And Geometric Of Chasteau De Clagny. Paris: Cossin, 1680
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Much ado about MOOCs

Massive Open Online Courses are a 21st-century phenomenon and have become a popular means of learning, especially in the current worldwide lockdown situation. They are ‘massive’ and ‘open’ because there are no limits to the number of participants and no qualification requirements. With the development of technology, they are a natural progression from correspondence courses. Continue reading “Much ado about MOOCs”

Tulip Time in Fagel

Ornamental head-piece from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen [Accurate Description of Terrestrial Plants] (Leiden, 1696). Shelfmark: Fag.GG.3.1,2

TULPENTIJD – the Dutch have a special name for it – the tulip season in the Netherlands, running from late March to mid-May when the bulb fields are streaked with glorious colour and 7 million flowers are blooming in the Keukenhof gardens. Emerging from the Fagel Collection at this season is evidence of the long established association of tulips with the Netherlands, represented in terms of botany and horticulture, scientific study and beautiful illustrations. The tulip reigns in Holland at this time of the year, in private and botanical gardens, in parks, houses and art galleries, in pots outside apartments and shops, on the streets and in transit in bicycle baskets. Continue reading “Tulip Time in Fagel”