C. Hunt, after A. Nicholl, ‘Lower Lake, Killarney’, from Picturesque Sketches of Some of the Finest Landscape and Coast Scenery of Ireland (Dublin, 1835). V.g.29.
The exhibition Ireland and the English Lake Poets continues in the Long Room of the Old Library this month, running until the end of May. Amongst literary treasures on show, the exhibition features a rare print of Killarney’s Lower Lake by Charles Hunt (after Andrew Nicholl). In this blog post, curator Dr. Brandon Yen explores the impression Killarney made on Wordsworth and his fellow writers. Continue reading “Wordsworth’s Killarney”
This post was written by Assumpta Guilfoyle and Louise Kavanagh, both in Collection Management, TCD Library.
On preparing an exhibition on banned books, we knew a certain amount about censorship in Ireland. After a bit more research on the topic it became clear that the banning system failed our now-renowned Irish writers, and denied the Irish public the right to read the very best of literature. The Censorship Board did not set out to ban so many books, but they ended up doing just that. We kept reminding ourselves that it was the 1920s, a Catholic country that was trying to revive its national identity, it was a complex time both at home and abroad. Benedict Kiely, banned, said a prohibition was ‘the only laurel wreath that Ireland was offering to writers in that particular period’. Continue reading “Banned books in Trinity College”
Lower lake, Killarney, engraved by C. Hunt after A. Nicholl. V.g.29
A new exhibition featuring the English Lake Poets – William Wordsworth (1770–1850), Samuel Taylor Coleridge (1772–1834), and Robert Southey (1774–1843) – and their connections with Ireland has opened in the Long Room of the Old Library at Trinity College Dublin and is on view throughout April and May 2019. Continue reading “Ireland and the English Lake Poets”
Following the Long Room display ‘Power and Belief: The Reformation at 500’ in February 2017, we are delighted to launch the online version of the work, in conjunction with our partner Google Cultural Institute. The exhibition is one of a series of events taking place in Trinity College Dublin, the University of Dublin, marking the 500th anniversary of the Reformation and Martin Luther’s 95 Theses.
The exhibition features the illustrated title page of The Great Bible (1540) which shows, under the eyes of God, Henry enthroned distributing God’s word to Cranmer (on his left) and Cromwell (on his right). Below this, Cranmer and Cromwell, hand the Bible to a priest and a nobleman. Below that again is a rabble of ordinary (though well-dressed) people shouting ‘Long live the King’ and ‘God save the King’. Strikingly, the Bible seems not to have made its way into their hands – none of these lesser individuals holds ‘Verbum Dei’.
Enchiridion oder eyn Handbuchlein … (1524)
Visitors to the site can examine in great detail a selection of Reformation works held in the Library including the only known surviving copy of the Maler edition of ‘Enchiridion oder eyn Handbuchlein …’ (1524).
As a Heritage Council intern at Trinity College Library, I have the opportunity to work on several conservation projects supervised by conservators. Last month, I worked with Andrew Megaw on a book entitled Letters written by the late J. Swift, D.D. Dean of St. Patrick’s, Dublin, and several of his friends. From the year 1703 to 1740. Published from the originals; with Notes explanatory and historical, by John Hawkesworth, L.L.D. In three volumes. A new edition. Volume I. London, 1766, shelfmark OLS L-11-584. Continue reading “A Swift repair”