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Used Books? Tracing the History of Ownership in the Fagel Collection

By Emily Monty

Dr Emily Monty was the Fagel Collection Visiting Research Fellow in autumn 2022 hosted by the Trinity Long Room Hub Arts & Humanities Research Institute. She will present her work at the symposium on Unlocking the Fagel Collection: The Library and its Context (June 21-23, 2023).

At the turn of the nineteenth century, Trinity College Dublin had the remarkable opportunity to purchase the entire library of Hendrik Fagel the Younger (1765-1838), Greffier, or Chief Minister, of the Dutch Republic. Drawing on funds provided by the Erasmus Smith Foundation, TCD acquired the Fagel Library in 1802. This purchase included over 20,000 volumes and increased the number of books in the Trinity College Library by about 40 per cent.

While these books came from the collection of Hendrik the Younger, many of the volumes have a longer provenance, or history of ownership, not only because they were passed down through generations of Fagel patriarchs, but also because they were purchased second-hand. In fact, the Dutch Republic was a centre of public book auctions in the early modern period, making it a place where one could readily find and acquire antiquarian and used books.

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Loose Book Illustrations in the Fagel Map Portfolios

by Emily Monty

Dr Emily Monty was the Fagel Collection Visiting Research Fellow in autumn 2022. She was hosted by the Trinity Long Room Hub Arts & Humanities Research Institute at Trinity College Dublin. You can view a conversation between Emily and Ann-Marie Hansen, Project Manager of Unlocking the Fagel Collection here.

The Fagel Collection holds important material history for the study of publishing and collecting in the Dutch Republic of the eighteenth-century. The map portfolios alone contain over 1600 sheets and represent an extraordinary collection of rare and unusually well-preserved materials. Such collections of loose print and manuscript images in their original portfolios rarely survive intact, making the Fagel examples all the more important from the perspective of material and cultural history.

During a three-month Visiting Research Fellowship at Trinity College Dublin (TCD), I came across a series of illustrations for an eighteenth-century travel narrative of the Caribbean in Portfolio XXII. These precious fragments of a larger illustration project reveal material evidence about practices in book publishing and collecting in The Hague, and give insight into the other discoveries that are waiting to be made as scholars continue to study the portfolio prints and related books held in the Fagel collection. In the following blog post, I describe my research methods and conclusions in hopes of promoting future research on the contents of these portfolios.

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