In the 18th century the science of ornithology and the art of bird illustration began to advance rapidly together, with an increasing number of beautiful and informative books on birds being produced. Prior to this, books on botany were more … Continue reading →
Detail from Allegory on the Abdication of Emperor Charles V in Brussels by Frans Francken II (1581-1642) oil on panel. (Rijksmuseum, Amsterdam)
Exotic shells from the Dutch Colonies inspired many painters during the era of European exploration and discovery. The perfection and beauty of their forms and colours could be seen in shell cabinets and in wonderfully illustrated books on natural history such as those in the Fagel Collection. This library belonged to the Fagel family of the Netherlands and is now part of Research Collections in the Library of Trinity College Dublin. Continue reading →
As Preservation Assistants, we help address some of the challenges and problems affecting the books of the Long Room in the Old Library. The collection of some 220,000 Early Printed Books range from the dawn of the printing press in the 1450s and incunabula, to the end of the Victorian era. A systematic preservation project, beginning in 2004 as ‘Save the Treasures’, is ongoing today. The focus of the project is on the cleaning of the books, and the recording of data for use by the Preservation & Conservation Department. We note key information about each book: where and when it was printed, the materials from which it is made, features of the bindings, and so on. We also carry out a condition report, and note any stabilising treatments we carry out in situ. Continue reading →
A new display, ‘Swift350’, has opened in the Long Room of the Old Library to mark the 350th anniversary of the birth of one of Trinity College Dublin’s most famous graduates, Jonathan Swift (1667-1745).
Frontispiece portrait of Swift from ‘The Works of J.S, D.D, D.S.P.D. in four volumes’, Dublin, 1735. OLS L-11-396
Among the most widely read of all Irish writers, Swift is best known as the author of Travels into Several Remote Nations of the World (1726), now universally known as Gulliver’s Travels. His other works include A Tale of a Tub and The Battle of the Books and as a political pamphleteer, Swift is particularly known for A Proposal for the Universal Use of Irish Manufacture, The Drapier’s Letters and A Modest Proposal. Continue reading →
Among the collections in our Library sits a bound volume of tracts (Press B.4.16) by John Milton (1608-1674) with an interesting history. The title-page of the first tract in the volume, ‘Of reformation touching church-discipline in England …’ is complete with a dedication in Milton’s hand to Patrick Young (1584-1652).
Milton’s title-page dedication to Patrick Young and the inscription ‘Stamford 1693’
The inscription can be reconstructed as –
‘Ad doctissim[um] virum Patri[cium] Junium Joann[es] Miltonius hæc / sua, unum in f[asci]culum conjecta / mittit, paucis h[u]/jusmodi lectori[bus]/ contentus.’/
‘To the most learned man Patrick Young John Milton sends these his things, gathered together in one little volume, satisfying himself with but few readers of this kind.’*
This poster for Thomas Bodkin’s book Hugh Lane and his pictures (1932) is included in the exhibition ‘Writing Art in Ireland, 1890–1930’, currently on display in the Long Room. The advert reproduces William Orpen’s Homage to Manet (1909), a group portrait of the novelist George Moore reading from his pamphlet Reminiscences of the Impressionist Painters (1906) to an audience in London made up of the collector Hugh Lane, the painters Philip Wilson Steer, Walter Sickert and Henry Tonks, and D.S. MacColl, the Keeper of the Tate Gallery. Above them hangs Édouard Manet’s painting of another impressionist painter Eva Gonzales. Continue reading →
Following on from our blog post on 29th September about the new ‘Writing Art in Ireland’ exhibition which is on display in the Long Room of the Old Library, we are delighted to announce that the online version of this exhibition is now available to be viewed here.
AE: ‘Jack B. Yeats’, in “The Book-Lover’s Magazine” v.8 (1908). Shelfmark: 65.a.71
Cecil Salkeld: ‘The principles of painting’, in “To-morrow”, August 1924. Shelfmark: 202.u.1 no.1A
A new exhibition has opened in the Old Library, Trinity College Dublin. ‘Writing Art in Ireland, c.1890–1930’ explores the ways in which the visual arts were written about during a period that saw a surge in cultural activity take place against a backdrop of tumultuous constitutional change. From Margaret Stokes’s emphasis on the aesthetic value of medieval Irish artefacts in Early Christian art in Ireland (1887) through to Mainie Jellett’s defence of abstract painting in the magazine Motley in 1932, the exhibition also serves as a celebration of the wealth of material relating to the visual arts held in the Library.
Page from Margaret Stokes, “Early Christian art in Ireland” (1887) containing reproduction of an initial from the Book of Kells.
The texts and images displayed highlight how commentators looked to the achievements of the past as well as to continental innovations in debating how best to forge a distinctly modern national artistic identity. Also outlined are the links between the visual arts and the emerging Irish state, as vigorous discussion took place around the role art should play in the economy, in educational institutions, and in the Church.
The exhibition was prepared by Dr Tom Walker, with assistance from Jack Quin, from the School of English, TCD, as part of the Irish Research Council New Horizons research project ‘W.B. Yeats and The Writing of Art’. It will be on view in the Long Room until January 2017.
As part of my six-month internship in the Preservation and Conservation Department of the Library of Trinity College Dublin, I recently conserved a book from the Fagel collection, Fag.H.2.65 (image 1).
A new exhibition has opened in the Old Library, Trinity College Dublin: “Upon the wild waves: a journey through myth in children’s books” explores some of the varying ways in which writers and illustrators have used myth down through the centuries to engage and excite younger readers. From Thomas Godwin’s “Romanae historiae anthologia” (1648) to “Hagwitch” (2013) by the contemporary Irish writer and illustrator Marie-Louise Fitzpatrick, the exhibition serves as a celebration of the wealth of children’s literature held in the Library.
Myths from around the world are represented in this display, although there is a particular emphasis on English-language books and on tales from Irish authors. The exhibition includes sections on Biblical, Classical, Norse, Arthurian and Irish myths. It is clear from all the works displayed that myths have always had an important role to play in providing guidance to children on how to deal with the great problems of life, as well as offering ways of understanding the past, present and future, and of explaining the inexplicable.
The exhibition was prepared by Dr Pádraic Whyte, co-director of the Masters programme in Children’s Literature at the School of English, TCD. It will be on view in the Long Room until April 2015.
An online version of the exhibition is available here.