Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies in their essays, for brevity we have omittedthem. This post is by Olivia Bayne.
*SPLASH* without warning, followed by a roar of shrieks and laughter. There you were, innocently admiring the garden view from a gallery window when, suddenly, some strange figure hidden in the foliage threw a bucket of water in your face. Equal parts damp and mortified, you scurry out of the room; away from potential further drenching, away from the laughter of other guests soon to be met with similar ironic fates. Down the hall you come across a mirror. Stopping to rearrange your hair and wipe the water from your brow, you straighten up, smile, and *poof* another figure, this time hidden in the rafters, has emptied a sack of flour atop your head. You are now wettened and whitened – just in time for dinner. Your host must be a madman; surely this is nothing more than a madhouse.
The Documentation of the Funeral Procession for Archduke Albert VII of Austria, 1622
Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have been looking this yearat the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post is by Zoe Cooke.
The Pompa Funebris Alberti is a book that commemorates the funeral of Archduke Albert VII of Austria which took place in Brussels on March 12, 1622. A copy of the illustrated volume resides in the expansive Fagel collection at the library of Trinity College Dublin and it includes fifty-four plates detailing all the figures who took part in the funeral procession and the purpose-built, monumental, ephemeral architecture that was designed for it by artist and court architect, Jacob Franquart. The volume provides invaluable insight into the function of ephemeral architecture in the orchestration of courtly ceremonies in the early modern period in Europe.
Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post, by Niamh Flood, refers to the Fagel House, which is discussed on the first Fagel video (see foot of post).
There is an inconspicuous volume in the Fagel Library, unremarkable in appearance and at less than twenty pages, so slight as to be almost overlooked in this vast collection: Hardouin-Mansart, Jules, and Michel Hardouin (engraver), Book of all the Profiles and Elevations Plans both in Perspective and Geometric of Chateau de Clagny. Paris: Cossin, 1680. Shelfmark Fag. I.1.72.
By Orlaith Darling, Ph.D. student, School of English
An oft forgotten aspect of the Department of Early Printed Books is its holdings of modern Irish and Anglo-Irish fiction, which can be consulted in the peaceful reading room in the Old Library. As a researcher of contemporary Irish short fiction, I was delighted to find the entire run of The Stinging Fly among the modern Irish holdings. As Shane Mawe, one of the friendly Early Printed Books librarians put it, a Sierra search for ‘Short stories, English Irish authors 20th century’ will return over 250 works held by the Department , meaning that Early Printed Books is, in fact, a hotspot for contemporary Irish literary culture. Continue reading “Contemporary Irish literary Culture…in Early Printed Books!”
Without question, the highlight of my year in the M.Phil. in Children’s Literature has been time spent in the Early Printed Books reading room, researching the Pollard Collection of Children’s Books. The students on my course are lucky enough to have a tour arranged by our lecturer, but don’t let a lack of formal orientation stop you from finding your way up there. Marvelous things await your visit. Continue reading “A reader’s-eye view”
This post was written by Assumpta Guilfoyle and Louise Kavanagh, both in Collection Management, TCD Library.
On preparing an exhibition on banned books, we knew a certain amount about censorship in Ireland. After a bit more research on the topic it became clear that the banning system failed our now-renowned Irish writers, and denied the Irish public the right to read the very best of literature. The Censorship Board did not set out to ban so many books, but they ended up doing just that. We kept reminding ourselves that it was the 1920s, a Catholic country that was trying to revive its national identity, it was a complex time both at home and abroad. Benedict Kiely, banned, said a prohibition was ‘the only laurel wreath that Ireland was offering to writers in that particular period’. Continue reading “Banned books in Trinity College”
By Monica Sanchidrian and Christoph Schmidt-Supprian, Collection Management Department
Have you seen our online exhibition, Oscar Wilde: From Decadence to Despair? Making use of gorgeous images from rare photographs, trade cards, theatre programmes, and other printed works and manuscripts, it brings to life key moments in Wilde’s life. The Rosenthal collection of Wildeana, acquired in 2011 from the rare book dealer Julia Rosenthal, includes over 500 printed items by or about Oscar Wilde, his family and his friends. Many of them are first editions and/or inscribed copies, which makes them particularly valuable. Among these is a first edition of An ideal husband inscribed by Wilde to the book’s dedicatee, Frank Harris. Another rarity in the collection is a copy of the auction catalogue for the sale of Wilde’s possessions at his home in Tite Street at the time of his trial in 1895 – only four copies of this catalogue are known to survive. Continue reading “Wilde about Oscar”
As Preservation Assistants, we help address some of the challenges and problems affecting the books of the Long Room in the Old Library. The collection of some 220,000 Early Printed Books range from the dawn of the printing press in the 1450s and incunabula, to the end of the Victorian era. A systematic preservation project, beginning in 2004 as ‘Save the Treasures’, is ongoing today. The focus of the project is on the cleaning of the books, and the recording of data for use by the Preservation & Conservation Department. We note key information about each book: where and when it was printed, the materials from which it is made, features of the bindings, and so on. We also carry out a condition report, and note any stabilising treatments we carry out in situ. Continue reading “Preservation book repairs – carrying out in-situ treatments in the Long Room”