Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies in their essays, for brevity we have omittedthem. This post is by Olivia Bayne.
*SPLASH* without warning, followed by a roar of shrieks and laughter. There you were, innocently admiring the garden view from a gallery window when, suddenly, some strange figure hidden in the foliage threw a bucket of water in your face. Equal parts damp and mortified, you scurry out of the room; away from potential further drenching, away from the laughter of other guests soon to be met with similar ironic fates. Down the hall you come across a mirror. Stopping to rearrange your hair and wipe the water from your brow, you straighten up, smile, and *poof* another figure, this time hidden in the rafters, has emptied a sack of flour atop your head. You are now wettened and whitened – just in time for dinner. Your host must be a madman; surely this is nothing more than a madhouse.
Andrew Lang was born in Selkirk, Scotland, on 31st March 1844. He studied at the Universities of St. Andrews and Glasgow, and Balliol College, Oxford. He was elected to an Open Fellowship at Merton College, moving there in 1869. Lang was prolific in a number of disciplines, such as pre-history, the relationship between myth and religion, and Scottish history, and was particularly prominent in the field of folklore, being a founding member, in 1878, of the Folklore Society, and its president during the International Folk-Lore Congress in London in 1891. He died on 20 July 1912. It is perhaps paradoxical, given the prevailing view at that time that children’s books were not real literature, that he is probably best remembered for his children’s books, particularly the ‘coloured’ series of fairy books. More ironic still, it was his wife who did the majority of the work on these.
By Orlaith Darling, Ph.D. student, School of English
An oft forgotten aspect of the Department of Early Printed Books is its holdings of modern Irish and Anglo-Irish fiction, which can be consulted in the peaceful reading room in the Old Library. As a researcher of contemporary Irish short fiction, I was delighted to find the entire run of The Stinging Fly among the modern Irish holdings. As Shane Mawe, one of the friendly Early Printed Books librarians put it, a Sierra search for ‘Short stories, English Irish authors 20th century’ will return over 250 works held by the Department , meaning that Early Printed Books is, in fact, a hotspot for contemporary Irish literary culture. Continue reading “Contemporary Irish literary Culture…in Early Printed Books!”
Sometimes it’s obvious that a book has a story to tell before you even look at the text. The volume at OLS X-1-60 is a good example. As soon as it is lifted from its protective storage box, the hand-made brown velvet case begs to be stroked. The initials TW are embroidered on the top; the pink felt lining protrudes; and the cardboard backing shows through where moths have made a meal of the felt. Continue reading “And when I looked … a book was therein”
The exhibition Ireland and the English Lake Poets continues in the Long Room of the Old Library this month, running until the end of May. Amongst literary treasures on show, the exhibition features a rare print of Killarney’s Lower Lake by Charles Hunt (after Andrew Nicholl). In this blog post, curator Dr. Brandon Yen explores the impression Killarney made on Wordsworth and his fellow writers. Continue reading “Wordsworth’s Killarney”
Robinson Crusoe is 300 years old today! Actually, the gentleman himself is older than that, as he was already a young man at the start of the book, but The life and strange surprizing adventures of Robinson Crusoe of York, Mariner was first published on April 25th, 1719. It was followed, later the same year, by The farther adventures of Robinson Crusoe; being the second and last part of his life, and of the strange surprizing accounts of his travels round three parts of the globe. (Rather appropriately, the first edition of the latter was printed at the Ship in Pater-Noster-Row, London.) Continue reading “300 years on a desert island!”
This post was written by Assumpta Guilfoyle and Louise Kavanagh, both in Collection Management, TCD Library.
On preparing an exhibition on banned books, we knew a certain amount about censorship in Ireland. After a bit more research on the topic it became clear that the banning system failed our now-renowned Irish writers, and denied the Irish public the right to read the very best of literature. The Censorship Board did not set out to ban so many books, but they ended up doing just that. We kept reminding ourselves that it was the 1920s, a Catholic country that was trying to revive its national identity, it was a complex time both at home and abroad. Benedict Kiely, banned, said a prohibition was ‘the only laurel wreath that Ireland was offering to writers in that particular period’. Continue reading “Banned books in Trinity College”
The saying says ‘never judge a book by its cover’, but sometimes the cover is so attractive you feel you just have to pick up the book. Of course, it’s always a disappointment if it doesn’t live up to its promise! A trend on Twitter in the past couple of weeks has been to post a book cover each day for seven days, with no explanations, and to challenge someone else each day to join in. Glucksman Library Special Collections & Archives at the University of Limerick invited us and I accepted. Here are the covers which featured in my responses: Continue reading “Judging books by their covers”
By Monica Sanchidrian and Christoph Schmidt-Supprian, Collection Management Department
Have you seen our online exhibition, Oscar Wilde: From Decadence to Despair? Making use of gorgeous images from rare photographs, trade cards, theatre programmes, and other printed works and manuscripts, it brings to life key moments in Wilde’s life. The Rosenthal collection of Wildeana, acquired in 2011 from the rare book dealer Julia Rosenthal, includes over 500 printed items by or about Oscar Wilde, his family and his friends. Many of them are first editions and/or inscribed copies, which makes them particularly valuable. Among these is a first edition of An ideal husband inscribed by Wilde to the book’s dedicatee, Frank Harris. Another rarity in the collection is a copy of the auction catalogue for the sale of Wilde’s possessions at his home in Tite Street at the time of his trial in 1895 – only four copies of this catalogue are known to survive. Continue reading “Wilde about Oscar”