Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies in their essays, for brevity we have omittedthem. This post is by Olivia Bayne.
*SPLASH* without warning, followed by a roar of shrieks and laughter. There you were, innocently admiring the garden view from a gallery window when, suddenly, some strange figure hidden in the foliage threw a bucket of water in your face. Equal parts damp and mortified, you scurry out of the room; away from potential further drenching, away from the laughter of other guests soon to be met with similar ironic fates. Down the hall you come across a mirror. Stopping to rearrange your hair and wipe the water from your brow, you straighten up, smile, and *poof* another figure, this time hidden in the rafters, has emptied a sack of flour atop your head. You are now wettened and whitened – just in time for dinner. Your host must be a madman; surely this is nothing more than a madhouse.
The Documentation of the Funeral Procession for Archduke Albert VII of Austria, 1622
Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have been looking this yearat the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post is by Zoe Cooke.
The Pompa Funebris Alberti is a book that commemorates the funeral of Archduke Albert VII of Austria which took place in Brussels on March 12, 1622. A copy of the illustrated volume resides in the expansive Fagel collection at the library of Trinity College Dublin and it includes fifty-four plates detailing all the figures who took part in the funeral procession and the purpose-built, monumental, ephemeral architecture that was designed for it by artist and court architect, Jacob Franquart. The volume provides invaluable insight into the function of ephemeral architecture in the orchestration of courtly ceremonies in the early modern period in Europe.
Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post, by Niamh Flood, refers to the Fagel House, which is discussed on the first Fagel video (see foot of post).
There is an inconspicuous volume in the Fagel Library, unremarkable in appearance and at less than twenty pages, so slight as to be almost overlooked in this vast collection: Hardouin-Mansart, Jules, and Michel Hardouin (engraver), Book of all the Profiles and Elevations Plans both in Perspective and Geometric of Chateau de Clagny. Paris: Cossin, 1680. Shelfmark Fag. I.1.72.
Andrew Lang was born in Selkirk, Scotland, on 31st March 1844. He studied at the Universities of St. Andrews and Glasgow, and Balliol College, Oxford. He was elected to an Open Fellowship at Merton College, moving there in 1869. Lang was prolific in a number of disciplines, such as pre-history, the relationship between myth and religion, and Scottish history, and was particularly prominent in the field of folklore, being a founding member, in 1878, of the Folklore Society, and its president during the International Folk-Lore Congress in London in 1891. He died on 20 July 1912. It is perhaps paradoxical, given the prevailing view at that time that children’s books were not real literature, that he is probably best remembered for his children’s books, particularly the ‘coloured’ series of fairy books. More ironic still, it was his wife who did the majority of the work on these.
Massive Open Online Courses are a 21st-century phenomenon and have become a popular means of learning, especially in the current worldwide lockdown situation. They are ‘massive’ and ‘open’ because there are no limits to the number of participants and no qualification requirements. With the development of technology, they are a natural progression from correspondence courses. Continue reading “Much ado about MOOCs”
Due to the current situation, we are all working from home, so we are unable to show you new images from our collections. However, we are keen to maintain our online presence, so do follow us on Twitter and enjoy looking back at previous blog posts. We are also available by email – email@example.com – but obviously there is a limit as to what research we can do to answer your enquiries. We will do our best, of course!
Bibliography, in the sense of the history and description of books, uses a number of words which are not common in everyday life, so we thought some of our followers might find this A-Z useful. Words in italics are further explained under their initial letter. Continue reading “A Bibliographical Alphabet”
Due to some necessary, very noisy, works being carried out in the Old Library building, the Early Printed Books and Special Collections reading room is moving to a temporary home in the Map Library, in the basement of the Ussher Library. The work is scheduled to begin on Monday 4th November and last for at least two weeks.
We will take with us all material which is on hold, and there will be Stack and Santry deliveries to the Map Library, although the former may take slightly longer than usual. A small number of books may be unavailable for the duration but we hope this will not apply to many. If you have books on hold and will not want them again, we would be very grateful if you would let us know before 4th November, either by phone – 01 896 1172 – or email – firstname.lastname@example.org – to minimise the amount of material being moved.
Unfortunately, we will be unable to facilitate any classes during this time.
We apologise for any inconvenience this may cause and look forward to welcoming you back to our usual reading room when the noise has abated.
By Orlaith Darling, Ph.D. student, School of English
An oft forgotten aspect of the Department of Early Printed Books is its holdings of modern Irish and Anglo-Irish fiction, which can be consulted in the peaceful reading room in the Old Library. As a researcher of contemporary Irish short fiction, I was delighted to find the entire run of The Stinging Fly among the modern Irish holdings. As Shane Mawe, one of the friendly Early Printed Books librarians put it, a Sierra search for ‘Short stories, English Irish authors 20th century’ will return over 250 works held by the Department , meaning that Early Printed Books is, in fact, a hotspot for contemporary Irish literary culture. Continue reading “Contemporary Irish literary Culture…in Early Printed Books!”
Without question, the highlight of my year in the M.Phil. in Children’s Literature has been time spent in the Early Printed Books reading room, researching the Pollard Collection of Children’s Books. The students on my course are lucky enough to have a tour arranged by our lecturer, but don’t let a lack of formal orientation stop you from finding your way up there. Marvelous things await your visit. Continue reading “A reader’s-eye view”