The Documentation of the Funeral Procession for Archduke Albert VII of Austria, 1622
Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have been looking this yearat the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post is by Zoe Cooke.
The Pompa Funebris Alberti is a book that commemorates the funeral of Archduke Albert VII of Austria which took place in Brussels on March 12, 1622. A copy of the illustrated volume resides in the expansive Fagel collection at the library of Trinity College Dublin and it includes fifty-four plates detailing all the figures who took part in the funeral procession and the purpose-built, monumental, ephemeral architecture that was designed for it by artist and court architect, Jacob Franquart. The volume provides invaluable insight into the function of ephemeral architecture in the orchestration of courtly ceremonies in the early modern period in Europe.
Dr Maria Elisa Navarro Morales is a professor in the Department of History of Art and Architecture. She and her students have this year been looking at the architecture titles in the Fagel Collection, although for obvious reasons they have not been able to see them in person. The students submitted blogposts, three of which will be published here. Although they included bibliographies and footnotes in their essays, for brevity we have omitted them. This post, by Niamh Flood, refers to the Fagel House, which is discussed on the first Fagel video (see foot of post).
There is an inconspicuous volume in the Fagel Library, unremarkable in appearance and at less than twenty pages, so slight as to be almost overlooked in this vast collection: Hardouin-Mansart, Jules, and Michel Hardouin (engraver), Book of all the Profiles and Elevations Plans both in Perspective and Geometric of Chateau de Clagny. Paris: Cossin, 1680. Shelfmark Fag. I.1.72.
Andrew Lang was born in Selkirk, Scotland, on 31st March 1844. He studied at the Universities of St. Andrews and Glasgow, and Balliol College, Oxford. He was elected to an Open Fellowship at Merton College, moving there in 1869. Lang was prolific in a number of disciplines, such as pre-history, the relationship between myth and religion, and Scottish history, and was particularly prominent in the field of folklore, being a founding member, in 1878, of the Folklore Society, and its president during the International Folk-Lore Congress in London in 1891. He died on 20 July 1912. It is perhaps paradoxical, given the prevailing view at that time that children’s books were not real literature, that he is probably best remembered for his children’s books, particularly the ‘coloured’ series of fairy books. More ironic still, it was his wife who did the majority of the work on these.
Massive Open Online Courses are a 21st-century phenomenon and have become a popular means of learning, especially in the current worldwide lockdown situation. They are ‘massive’ and ‘open’ because there are no limits to the number of participants and no qualification requirements. With the development of technology, they are a natural progression from correspondence courses. Continue reading “Much ado about MOOCs”
Due to the current situation, we are all working from home, so we are unable to show you new images from our collections. However, we are keen to maintain our online presence, so do follow us on Twitter and enjoy looking back at previous blog posts. We are also available by email – firstname.lastname@example.org – but obviously there is a limit as to what research we can do to answer your enquiries. We will do our best, of course!
Bibliography, in the sense of the history and description of books, uses a number of words which are not common in everyday life, so we thought some of our followers might find this A-Z useful. Words in italics are further explained under their initial letter. Continue reading “A Bibliographical Alphabet”
Sometimes it’s obvious that a book has a story to tell before you even look at the text. The volume at OLS X-1-60 is a good example. As soon as it is lifted from its protective storage box, the hand-made brown velvet case begs to be stroked. The initials TW are embroidered on the top; the pink felt lining protrudes; and the cardboard backing shows through where moths have made a meal of the felt. Continue reading “And when I looked … a book was therein”
Recently on Twitter there has been a library challenge: 7 black & white photographs of #librarylife, no humans, no explanations. We (@TCDResearchColl – are you following us?) were challenged originally by the Royal Irish Academy Library (@Library_RIA) and subsequently by Waterford Institute of Technology Libraries (@witlibraries). We thought our blog followers might like to see the photographs we posted, perhaps with explanations this time, although most of them speak for themselves. Continue reading “Library life in black and white”
Two items printed 250 years ago in Trinity’s Printing House are currently on display in the Long Room of the Old Library. Building of the Printing House began in 1734, two years after the completion of the Old Library, and the first book was printed at the University Press in 1738. Continue reading “A 250-year-old work from Trinity’s Printing House”
In the original College library, books were placed on the shelves with the fore-edges facing outwards. This was normal practice in libraries for much of the sixteenth century for two reasons. One is that writing or printing the title and author’s name on the spine was not common until the 17th century and therefore the ‘back’ of the book was purely functional, holding the pages together. The other is that books, like the manuscripts which preceded them, were often held securely by a chain fastened to a metal staple on the fore-edge of the wooden board. (There are a few examples in this blog post of libraries which have retained their books on chains and, of course, there were the magical books in the library at Unseen University in Terry Pratchett’s Discworld.) The chain was long enough to reach both the shelf where the book was stored and a sloping lectern* where it could be read. Continue reading “The Fascination of Fore-edges”