Ecologies of Cultural Production
Public workshop, Monday 2 September 2019, Trinity Long Room Hub
On Monday 2 September we will hold a workshop to discuss issues arising out of this project and to share our initial findings.
The event will run through the morning of 2 September and will conclude with a lunch. The launch of the initial findings will be preceded by moderated panels comprised of industry and academic speakers.
|09:30-10:30||Q&A with industry panel||Ed Guiney - producer and co-founder of Element Pictures
Willie White - director of Dublin Theatre Festival
Anne Clarke - Landmark Productions
|Assoc. Professor Ruth Barton & Dr Denis Murphy, Trinity College Dublin|
|10:30-11:30||Keynote: Building a Sustainable Creative Labour Market: challenges for policy-making, industry and academia||Dr Caitriona Noonan, Senior Lecturer, School of Journalism, Media and Culture, Cardiff University||Dr Phil Ramsey, School of Communication and Media | Centre for Media Research, Ulster University; Chair, MeCCSA Policy Network|
|12:30-13:30||Presentation of initial findings - Ecologies of Cultural Production||Assoc. Professor Ruth Barton & Dr Denis Murphy, Trinity College Dublin||Professor Geoffrey Crossick, Distinguished Professor of Humanities, School of Advanced Study, University of London|
Attendance is free of charge but registration is required via Eventbrite - https://www.eventbrite.ie/e/ecologies-of-cultural-production-tickets-68778595631
For further information, please contact Assoc. Prof. Ruth Barton email@example.com
Building a sustainable labour market for the creative industries has become a much-lauded goal within public policy. The ambition to create a robust, mobile and responsive workforce which is attuned to the demands of a globalised creative ecology means a number of different policy actors and agendas must intersect and cohere. This session outlines some of the challenges to achieving this goal and traces the structural weaknesses at different stages of the labour process, from education and access, to diversity and regionality. It presents lessons from a series of research projects examining the production of television in small European nations and suggests some lessons for all stakeholders concerned with the development of creative work. It also asks whether a focus on labour as ostensibly an economic good undermines, and is at odds with, the lived experiences of individual workers and their attempts to cultivate a meaningful and sustainable work life.
Dr Caitriona Noonan is Senior Lecturer in Media and Communication in the School of Journalism, Media and Cultural Studies, Cardiff University. She is an active researcher in the areas of television production, public service broadcasting, creative labour and cultural policy. She is co-author of the book Producing British Television Drama: Local Production in a Global Era (Palgrave, 2019) and co-editor of Cultural Work and Higher Education (Palgrave, 2013). Her research appears in academic journals such as the International Journal of Cultural Policy, Cultural Trends, and the European Journal of Cultural Studies. Caitriona is currently principal investigator on a funded project 'Screen Agencies as Cultural Intermediaries: Negotiating and Shaping Cultural Policy for the Film and TV Industries within Small Nations'. This is a two-year project that examines the strategies for economic and cultural sustainability adopted by publicly-funded screen agencies. More information about her research is available at https://smallnationsscreen.org
Ecologies of Cultural Production is a research project based in Film Studies within the School of Creative Arts. The focus is on career construction in film, television drama and theatre – how do people enter the fields of filmmaking, television drama and theatre-making, and how do they build and develop their careers?
The project is funded by Creative Ireland's National Creativity Fund, a five-year initiative led by the Department of Culture, Heritage and the Gaeltacht. Arising out of the programme’s core proposition that cultural participation drives personal and collective wellbeing, the Ecologies of Cultural Production project examines aspects of the cultural infrastructure (funding, organisations, creative labour) crucial to the cultural production necessary to encourage consumption and participation in the arts.
Through a survey of prominent creative workers (actors, writers, and directors in film, television drama and theatre) the research aims to:
- understand how creative workers in film, television drama and theatre enter the sector and progress their careers;
- examine the role of public cultural subsidies in career development;
- illuminate the extent of career mobility between the film, television and theatre sectors;
- examine the evolution of creative clusters (e.g. drama societies, production companies, theatre groups, regional broadcasters, etc.);
- examine the extent to which creative workers in these sectors must supplement their incomes from other sources.
The purpose of the project is to inform public policy on arts funding and to establish a methodology that might be applied to all sectors of cultural production. While the initial phase of the research involves gathering data about careers in acting, directing, screenwriting and playwrighting, later phases will broaden out to examine a wider range of film and theatre occupations, extending the enquiry into additional creative, technical, and craft careers.
Our approach reflects new directions in international research on the effectiveness of arts policy. Where previously, researchers measured success through analysing cultural consumption (e.g. through audience research), now the focus has shifted to cultural production and the interdependencies between cultural outputs. Ecologies of Cultural Production will be the first survey of its kind in Ireland, taking a ground-breaking approach to analysing the long-term effects of arts policy.
The two immediate outputs will be a one-day seminar, 'Ecologies of Cultural Production', and a written report for Creative Ireland.
Principal Investigator: Assoc. Prof. Ruth Barton, Head of School, School of Creative Arts, Trinity firstname.lastname@example.org
Co-investigator: Emeritus Prof. John O'Hagan, Emeritus Fellow, Economics, School of Social Sciences and Philosophy, Trinity email@example.com
Lead Researcher: Dr. Denis Murphy, Film Studies, Trinity firstname.lastname@example.org