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Photographs of the funeral of Thomas Ashe by Elsie Mahaffy

TCD MS 2074 f182r

Funerals of patriots have often proved to be pivotal moments in Irish history. The funeral of Thomas Ashe (1885-1917) is a particularly poignant case. In life he was a popular and cultured school teacher, a founding member of the Irish Volunteers  and leader of the 1916 Rising in Ashbourne, Co Meath. In death he came to epitomise the struggle and suffering of his generation for Ireland’s cause. He died aged 32 on 25 September 1917 in the Mater Hospital after incarceration in Mountjoy Prison, a hunger strike and botched force feeding. The tragic brutality of his death, coming after the protracted executions of the other 1916 leaders the year before, resulted in an upsurge of support for the republican movement.

TCD MS 2074 f182r
TCD MS 2074 f182r

The funeral on 30 September 1917 therefore presented an opportunity for a pageant of political propaganda along the lines of the funerals of O’Donovan Rossa and Parnell. It also provided a significant challenge for the Volunteers and other republican forces who had lost men and arms and were struggling for cohesive leadership. However, the opportunity was defiantly seized and a large funeral procession to Glasnevin cemetery was planned involving various republican forces along with the Dublin Fire Brigade and around 30,000 members of the public who had travelled from across Ireland to line the streets. City Hall was also seized from British forces for the lying in state. The graveside oration was delivered by the young Michael Collins who, after a volley of shots, took inspiration from Pearse’s oration at the graveside of O’Donovan Rossa  and proclaimed ‘Nothing additional remains to be said. That volley which we have just heard is the only speech which it is proper to make above the grave of a dead Fenian’. A statement of intent for the years to follow.

One unlikely observer from the side-lines was Elsie Mahaffy, the daughter of Trinity College provost John Pentland Mahaffy, who kept a careful record of the 1916 Rising and aftermath, in a scrapbook which includes diary entries, newspaper clippings, pamphlets, photographs, postcards and other collected memorabilia.

TCD MS 2074 f179r

Whilst holding firmly to her unionist point of view (describing his death as ‘suicide’, and the procession as being ‘attended by thousands of armed rebels’) Elsie was clearly mesmerised by the press coverage of Ashe’s death and funeral. The type and amount of material she collected on the funeral in particular displays an awareness of this as a key event in the evolution of contemporary Irish politics. The most remarkable items are three photographs of the cortege and procession, which indicate that Elsie was sufficiently fascinated to join the crowds herself and to take the images as the procession passed her. We would welcome any further information on the location or participants in any of these photos.

The scrapbook also includes newspaper clippings detailing the funeral arrangements and order of procession, as well as numerous  clippings from after the event. In addition Mahaffy has also pasted in a memorial card and a copy of ‘Let me carry your cross for Ireland, Lord’ the poem written by Ashe in Lewes jail. She devotes a number of pages to a description of the circumstances of his death, the government reaction, his lying in state in City Hall, and the ‘huge funeral’.

TCD MS 2074 f179a

Whilst captivated by the tragic story and unfolding public reaction, we cannot know if this had any effect on her politics. However, she may have held the same view as General Sir Bryan Mahon, then head of British forces in Ireland, who commented that republican forces were now ‘exhibiting discipline to a degree which is perhaps the most dangerous sign of the times.’

A fuller account of Elsie Mahaffy’s scrapbook, written by Lucy McDiarmid, can be found on the Library’s 1916 digital resource ‘Changed Utterly’. The scrapbook has been digitised in its entirety and is available on the Library’s Digital Collections site.

Estelle Gittins

 

A Soldier’s Song

Katie Taylor’s recent Olympic victory ensured that the Irish national anthem, Amhrán na bhFiann, got at least one notable airing this Summer. So notable that the word ‘amhrán’ began immediately to trend on Twitter across Europe, and beyond.

Written in 1907 by Peadar Kearney (music by Kearney and Patrick Heeney), the song predates the establishment of the Irish state, and was only gradually adopted as a replacement for God Save the King as late as 1926. The evolution of this song in the early 20th century Irish popular imagination mirrors the development of revolutionary republicanism in Ireland around that time.

Trinity’s Samuels Collection of printed ephemera affords a glimpse into the early life of this song, particularly in the form of handbills and popular street literature. Several of these make direct reference to the 1916 Easter Rising, during which the song first became popular.

Click on any of the thumbnails below to scroll through enlarged versions of these early incarnations of Ireland’s national anthem.

As the collection covers the period between 1914-1923, it does not contain any printing of the anthem as we know it today. Instead, it offers several variants of the song in its English original, and one early Irish version that differs from Liam Ó Rinn’s translation (1923), now the standard Irish version.