Revelling in Rackham

Arthur Rackham, the fourth of twelve children, was born in Lewisham on 19th September 1867. His father wanted him to have a career in business and he began as an insurance clerk, but attended Lambeth School of Art in the evenings, having won prizes for drawing at school. In 1892, after having illustrations published in the The Pall Mall Budget over the course of the previous year, he took a job there, moving to the new Westminster Budget the following year. After just a few years he was able to become a self-supporting book illustrator, also contributing to The Westminster Gazette and magazines such as Little Folks and Cassell’s Magazine, a career which continued until his death from cancer on 6th September 1939.

This self-portrait is the frontispiece to Derek Hudson’s biography of Rackham, published in 1960.

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Daphnis & Chloe

One of my favourite aspects of work in the Department of Early Printed Books and Special Collections is the opportunity to hold and examine so many wonderful and diverse books. When I was returning a book to the Quin Case a few days ago, I picked one out to look at because of its beautifully decorated spine – many of the books bequeathed to the College library by the wealthy graduate Henry Quin (1760-1805) have fine bindings. The boards, endpapers, fore-edge and text turned out to be equally attractive. The book in question was Quin 43, a 1786 printing of the story of Daphnis and Chloe, bound by Christian Samuel Kalthoeber of London. A German by birth, Kalthoeber emigrated to England where he became apprentice to his compatriot Johann Ernst Baumgarten, taking over his business in 1782. Continue reading

Teaching with Special Collections

As the Early Printed Books reading room opens at 10am daily, and department staff are here earlier than that, the hour between 9 and 10 can be used for class teaching, and we welcome this opportunity to share our collections with a wide range of undergraduates and postgraduates. A member of EPB staff will give an introduction to the reading room and our reference collection if required, then the group tutor is free to teach using original materials which students might not otherwise see.

If you are a lecturer and would like to use these resources, please contact the department on ext.1172 or at epbooks@tcd.ie to arrange a suitable date.

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Animals in the Library

By Dr Jane Carroll

Once upon a time, someone nearly bought a stuffed tiger for the Early Printed Books Reading Room [when we were preparing a Long Room exhibition about India – Ed.]. Sadly, the tiger was never bought but, nevertheless, EPB is full of animals if you know where to look for them.

Last week, I brought a group of sophister students from the School of English to EPB to look at animal books, mainly from the Pollard Collection.

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Holly-days are here!

The Department of Early Printed Books and Special Collections will close at 5pm today (Thursday 22nd December 2016) and reopen at 10am on Tuesday 3rd January 2017. We wish all our readers a very pleasant break and a happy, healthy and peaceful New Year.

This image is from v.3 of Elizabeth Blackwell’s Herbal, shelfmark Fag.GG.3.7 – see more about this 5-volume set in a previous post.

‘a pin in the very quickest part of my body’

By Jack Quin and Tom Walker

Poster for Thomas Bodkin's book Hugh Lane and his pictures (1932)

Shelfmark: TCD MS 6911/16

This poster for Thomas Bodkin’s book Hugh Lane and his pictures (1932) is included in the exhibition ‘Writing Art in Ireland, 1890–1930’, currently on display in the Long Room. The advert reproduces William Orpen’s Homage to Manet (1909), a group portrait of the novelist George Moore reading from his pamphlet Reminiscences of the Impressionist Painters (1906) to an audience in London made up of the collector Hugh Lane, the painters Philip Wilson Steer, Walter Sickert and Henry Tonks, and D.S. MacColl, the Keeper of the Tate Gallery. Above them hangs Édouard Manet’s painting of another impressionist painter Eva Gonzales. Continue reading

“The ancient odd fish of the College”

Do you remember Dr Barrett from my post about Anne Plumptre’s Narrative of a residence in Ireland? The idea for that post arose when I saw his note that the book was “too silly & too ill mannered for a public library” but when I was researching it, the more I read about Dr Barrett, the more I felt he deserved a post of his own.

From Dublin University Magazine, Sept. 1841

From Dublin University Magazine, Sept. 1841

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The Best Bear in All the World

Winnie-the-Pooh, the storybook by A. A. Milne about the eponymous, much-loved teddy bear and his friends in the Hundred Acre Wood, first appeared in hardback on 14th October 1926. The bear himself, although at that stage unnamed, had made his debut in the 13th February 1924 issue of Punch, in a poem which was included later that year in the collection When we were very Young.

Punch, February 13,1924

Punch, February 13,1924 (Shelfmark 32.o.95)

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‘Writing Art in Ireland’ — online exhibition launched

Following on from our blog post on 29th September about the new ‘Writing Art in Ireland’ exhibition which is on display in the Long Room of the Old Library, we are delighted to announce that the online version of this exhibition is now available to be viewed here.

AE: 'Jack B. Yeats', in "The Book-Lover's Magazine" v.8 (1908). Shelfmark: 65.a.71

AE: ‘Jack B. Yeats’, in “The Book-Lover’s Magazine” v.8 (1908). Shelfmark: 65.a.71

Cecil Salkeld: 'The principles of painting', in "To-morrow", August 1924. Shelfmark: 202.u.1 no.1A

Cecil Salkeld: ‘The principles of painting’, in “To-morrow”, August 1924. Shelfmark: 202.u.1 no.1A