‘a pin in the very quickest part of my body’

By Jack Quin and Tom Walker

Poster for Thomas Bodkin's book Hugh Lane and his pictures (1932)

Shelfmark: TCD MS 6911/16

This poster for Thomas Bodkin’s book Hugh Lane and his pictures (1932) is included in the exhibition ‘Writing Art in Ireland, 1890–1930’, currently on display in the Long Room. The advert reproduces William Orpen’s Homage to Manet (1909), a group portrait of the novelist George Moore reading from his pamphlet Reminiscences of the Impressionist Painters (1906) to an audience in London made up of the collector Hugh Lane, the painters Philip Wilson Steer, Walter Sickert and Henry Tonks, and D.S. MacColl, the Keeper of the Tate Gallery. Above them hangs Édouard Manet’s painting of another impressionist painter Eva Gonzales. Continue reading

“The ancient odd fish of the College”

Do you remember Dr Barrett from my post about Anne Plumptre’s Narrative of a residence in Ireland? The idea for that post arose when I saw his note that the book was “too silly & too ill mannered for a public library” but when I was researching it, the more I read about Dr Barrett, the more I felt he deserved a post of his own.

From Dublin University Magazine, Sept. 1841

From Dublin University Magazine, Sept. 1841

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The Best Bear in All the World

Winnie-the-Pooh, the storybook by A. A. Milne about the eponymous, much-loved teddy bear and his friends in the Hundred Acre Wood, first appeared in hardback on 14th October 1926. The bear himself, although at that stage unnamed, had made his debut in the 13th February 1924 issue of Punch, in a poem which was included later that year in the collection When we were very Young.

Punch, February 13,1924

Punch, February 13,1924 (Shelfmark 32.o.95)

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‘Writing Art in Ireland’ — online exhibition launched

Following on from our blog post on 29th September about the new ‘Writing Art in Ireland’ exhibition which is on display in the Long Room of the Old Library, we are delighted to announce that the online version of this exhibition is now available to be viewed here.

AE: 'Jack B. Yeats', in "The Book-Lover's Magazine" v.8 (1908). Shelfmark: 65.a.71

AE: ‘Jack B. Yeats’, in “The Book-Lover’s Magazine” v.8 (1908). Shelfmark: 65.a.71

Cecil Salkeld: 'The principles of painting', in "To-morrow", August 1924. Shelfmark: 202.u.1 no.1A

Cecil Salkeld: ‘The principles of painting’, in “To-morrow”, August 1924. Shelfmark: 202.u.1 no.1A

Bedlam in Belgium

‘Documents et particularités historiques …’ Shelfmark: Gall.6.i.39

Bibliophile Renier Hubert Ghislain Chalon was born in Mons, Belgium in 1802. A keen numismatist, his interests clearly extended beyond books and coins as he was also the instigator of the Fortsas Bibliohoax, one of the greatest pranks in the world of book-dealing. His hoax was a thing of beauty. Continue reading

A gift we Kant refuse

At the beginning of term, a student, Catherine Costello, presented us with a copy of Immanuel Kant’s Critique of pure reason, translated by J. M. D. Meiklejohn and published in London in 1887. Although we are always happy to consider donations when they are offered, we are not always in a position to take them. However, the connection with Trinity meant that there was no hesitation over accepting this one. Continue reading

‘Writing Art in Ireland’ — a new exhibition opens in the Long Room

A new exhibition has opened in the Old Library, Trinity College Dublin. ‘Writing Art in Ireland, c.1890–1930’ explores the ways in which the visual arts were written about during a period that saw a surge in cultural activity take place against a backdrop of tumultuous constitutional change. From Margaret Stokes’s emphasis on the aesthetic value of medieval Irish artefacts in Early Christian art in Ireland (1887) through to Mainie Jellett’s defence of abstract painting in the magazine Motley in 1932, the exhibition also serves as a celebration of the wealth of material relating to the visual arts held in the Library.

Page from Margaret Stokes, Early Christian art in Ireland (1887) containing reproduction of initial from the Book of Kells.

Page from Margaret Stokes, “Early Christian art in Ireland” (1887) containing reproduction of an initial from the Book of Kells.

The texts and images displayed highlight how commentators looked to the achievements of the past as well as to continental innovations in debating how best to forge a distinctly modern national artistic identity. Also outlined are the links between the visual arts and the emerging Irish state, as vigorous discussion took place around the role art should play in the economy, in educational institutions, and in the Church.

The exhibition was prepared by Dr Tom Walker, with assistance from Jack Quin, from the School of English, TCD, as part of the Irish Research Council New Horizons research project ‘W.B. Yeats and The Writing of Art’. It will be on view in the Long Room until January 2017.

 

An online version of the exhibition launched on 7 October.

A symposium related to the exhibition and wider research project will be taking place at the Trinity Long Room Hub on Saturday 8 October.

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I remember that summer in Dublin

frontisAnne Plumptre was a writer of fiction and non-fiction, both with considerable political content, and a translator of drama, correspondence, travel writing and more. She was born in Norwich in 1760 and died there in 1818 but spent much time in London and three years in Napoleonic France. Her A Narrative of a three years’ residence in France … 1802–5 (1810) is a political enquiry into the views of Napoleon held by the French people, particularly those outside Paris. Plumptre came to the conclusion that he was not a monster but generally popular within France and was being misrepresented in Britain. She refuted with detailed descriptions many of the claims made by contemporary writers and advocated making peace with Napoleon, a view which was not popular at home. Continue reading

Study of a quarter parchment laced-case binding from the Fagel collection

By conservation intern Julie Tyrlik

Image 1: Fag.H.2.65

Image 1: Fag.H.2.65

As part of my six-month internship in the Preservation and Conservation Department of the Library of Trinity College Dublin, I recently conserved a book from the Fagel collection, Fag.H.2.65 (image 1).

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An 18th-century presentation binding produced in the Dublin bindery of Ann Leathley

By conservation intern Julie Tyrlik

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Image 1: Left board

As part of my six-month internship in the Preservation and Conservation Department of the Library of Trinity College Dublin, I recently conserved a book, The siege of Tamor: a tragedy by Gorges Edmond Howard, printed in Dublin in 1773, which was probably bound in the Dublin bindery of Ann Leathley (Shelfmark: Armoire R.ll.63). Continue reading