Category Archives: Metalwork

The Shrine of the Book of Dimma

This shrine was made in the 12th century to enclose the 8th-century Gospel Book known as the Book of Dimma (TCD MS 59; see previous post) but, like many book-shrines, it was significantly altered in subsequent centuries, in particular in the late Middle Ages and the 19th century.

It is made of bronze, silver and gilt silver, with blue glass beads, a few blue stone cabochons (lapis lazuli?) and some remains of niello inlay. It is a tight fit for the manuscript, which implies that there is no space for a wooden core, as was often the case for book-shrines. It is however possible that the box was originally larger, and reduced in the course of later refurbishments.

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Fig. 1 Front of the shrine of the Book of Dimma, Ireland, 12th century and 1380-1407, 19 x 16.1 x 5 cm. TCD © The Board of Trinity College Dublin, the University of Dublin. 2015.

The appearance of the front (fig. 1) is largely the result of a late-medieval refurbishment whose commissioner and craftsman are commemorated in the inscription in Lombardic script running along the framing strips (fig. 1a-d): Continue reading The Shrine of the Book of Dimma

The Book of Mulling and the Kings of Leinster

The earliest extant Latin Life of Saint Moling was probably compiled in the late twelfth century by the Augustinian canons at Ferns, then seat of the MacMurrough kings of Leinster. Together with recounting the various miracles enacted by the saint, and the places with which he was associated, they also emphasise that Moling had a shared ancestry with the kings of Leinster, and was their patron. The ecclesiastical site at Saint Mullin’s, lying on the border of Leinster (Uí Cheinnselaig; see previous post) and the kingdom of Ossory, was one of the favoured places for royal burial.

Fig. 1 Detail: Meeting of Gloucester and MacMurrough, in La Prinse et mort du roy Richart (Book of the Capture and Death of King Richard II), Paris, c. 1401-1405. London, BL, Harl. MS 1319, f. 9. Creative Commons: this image is free of known copyright restrictions. Source.
Fig. 1 Detail: Meeting of Gloucester and MacMurrough, in La Prinse et mort du roy Richart (Book of the Capture and Death of King Richard II), Paris, c. 1401-1405. London, BL, Harl. MS 1319, f. 9. Creative Commons: this image is free of known copyright restrictions. Source.

As Anglo-Norman control of Ireland began to wane in the fourteenth century, Art McMurrough emerged as a powerful force. Continue reading The Book of Mulling and the Kings of Leinster

The Book-Shrine of Saint Moling

This box now at the National Museum of Ireland once housed the small 8th-century Book of Mulling (TCD MS 60). It is made of copper alloy sheets partly covered with silver and, unlike the shrine of the Book of Dimma, it is only decorated on the front, with a disparate collection eight settings made at different times in the history of the object (fig. 1).

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Fig. 1 Front of the Book-Shrine of St Moling, 1402 with later additions, Dublin, National Museum of Ireland. From C. Vallancey, Collectanea de rebus hibernicus (Dublin, 1786), pl. II. Out of Copyright.

Although it seems at first sight to yield little information as to when and by whom it was commissioned, a closer examination reveals an inscription in Gothic script on a plate of silver foil simultaneously hidden and magnified by the large oval rock crystal forming the centre piece of the box (fig. 2).  Continue reading The Book-Shrine of Saint Moling

Enshrining the Book

As we pointed out in a previous post, three of the Gospel Books under examination were formerly kept in book-shrines. The shrines are extant for the Book of Dimma (TCD; fig. 1) and the Book of Mulling (National Museum of Ireland), while the damage visible on Codex Usserianus Primus implies that it was also kept in a metal box for some time (see more on this HERE).

Fig. 1 The Misach, late 11th century and 1534, National Museum of Ireland © National Museum of Ireland.

The practice of enclosing books in ornate boxes probably stems from the use of book caskets during religious ceremonies in early Christian Rome. The Gospel, considered to be the Word of God, needed to be housed in an appropriate manner:  lavish bindings and boxes were devised to protect the Scriptures and assert their importance through the use of precious materials.

Continue reading Enshrining the Book