Category Archives: high crosses

The Wandering Word Conference

Last week, scholars and enthusiasts of Insular art and manuscripts gathered at the Trinity Long Room Hub for many stimulating papers and lively discussion at our conference – The Wandering Word: the travels of Insular manuscripts.

The event was off to an exciting start with papers from the Trinity College Dublin conservation team.  Susie Bioletti, Allyson Smith (see previous post) and Marco Di Bella (see previous post) presented the work they have been doing on our project manuscripts.  The application of scientific analysis to manuscripts continued in Bill Enders’ paper where he demonstrated the value of imaging manuscripts over time.  Bernard Meehan discussed the bindings of the Book of Mulling (see previous post), and how recent technologies have brought greater clarity to the more damaged pages of the manuscript.

Susie Bioletti and Alysson Smith speaking at The Wandering Word Conference on 5 May 2016.
Susie Bioletti and Allyson Smith speaking at The Wandering Word Conference on 5 May 2016.

Continue reading The Wandering Word Conference

The Famous Mulling Drawing

One of the most intriguing features of the Book of Mulling is the well-known circular device drawn on its last page (TCD MS 60, f. 94v; fig. 1). Approximately contemporary with the rest of the manuscript, it consists of two concentric circles accompanied by crosses with captions and indications of directions in Irish including the four cardinal points.1

094v-MS60_17_LO
Fig. 1 The Book of Mulling, 2nd half of the 8th century, TCD MS 60, f. 94v © The Board of Trinity College Dublin, the University of Dublin. 2015.

The eight crosses around the outer circle are arranged in four pairs, each combining the name of an evangelist with the name of a prophet: from the top, clockwise, ‘cross of Mark’, ‘cross of Jeremiah’, ‘Matthew’ and ‘Daniel’, ‘cross of John’ and ‘Ezechiel’, and ‘cross of Luke’ and ‘cross of [Isaiah]’ (see figs. 2a-b). The inscriptions accompanying the four crosses contained inside the circles are partly illegible but one can still read, from top to bottom, ‘cross of the Holy Spirit’, ‘… with gifts’, ‘…with angels from above’ and ‘Christ with his apostles’.2

Fig. 2a From H. J. Lawlor, 'Notes on Some Non-Biblical matter in the Book of Mulling', in Proceedings of the Society of Antiquaries of Scotland (1895), p. 37.
Fig. 2a From H. J. Lawlor, ‘Notes on Some Non-Biblical matter in the Book of Mulling’, in Proceedings of the Society of Antiquaries of Scotland (1895), p. 37.

Strong green copper staining particularly apparent on the first leaves of the volume indicates that the manuscript was kept for a long time in direct contact with its enclosing shrine (see previous post) without the protection of a binding. This explains why this last leaf (f. 94) is so discoloured and damaged: it got torn in various places and some parts of it were sewn back together (fig. 1). The poor state of the leaf makes the interpretation of the circular device even more arduous.

Hugh Lawlor, in 1895, saw it as a ‘map or plan of some sort’, pointing out the presence of cardinal points.3 He proposed, on the suggestion of Thomas Olden, that the diagram could actually represent the ecclesiastical site of St Mullins (Co. Carlow), with the crosses marking the location of monastic buildings or crosses, while the circles could ‘represent the Rath of St Molling [sic], within which were his ecclesiastical buildings; the concentric circles perhaps indicating a double or even triple rampart’.4 A few years later, he attempted to superimpose the diagram with a plan of the actual site, but he admitted that this was inconclusive: ‘It leaves Mr Olden’s suggestion nearly as it was before – a hypothesis highly plausible in itself, not indeed altogether free from difficulties […], but by no means improbable – yet still only a hypothesis: a theory which is not, perhaps cannot be, either proved or disproved.’5

Fig. 2b From L. Nees, ‘The Colophon Drawing in the Book of Mulling: a Supposed Irish Monastery Plan and the Tradition of Terminal Illustration in Early Medieval Manuscripts’, in Cambridge Medieval Celtic Studies (CMCS) 5 (Summer 1983), p. 69.
Fig. 2b From L. Nees, ‘The Colophon Drawing in the Book of Mulling: a Supposed Irish Monastery Plan and the Tradition of Terminal Illustration in Early Medieval Manuscripts’, in Cambridge Medieval Celtic Studies (CMCS) 5 (Summer 1983), p. 69.

In 1983, Larry Nees, while not rejecting entirely the plan hypothesis, added another layer of interpretation, arguing that it probably functioned closely with the preceding liturgical text (on the same page).6 He stressed that the pairing of evangelists and prophets had its roots in Carolingian art (see fig. 3) and that the scribe must have had at his disposal a Carolingian model when designing the circular device, which he considered as closer in function to a ‘colophon drawing’.

ParisBnFLatin1-Vivian-Bible
Fig. 4 Maiestas Domini, Vivian Bible, Tours, c. 845-846. Paris, Bibliothèque Nationale de France, MS Lat. 1, f. 329v. Source.

The hypothesis of a Carolingian model would mean that this part of the manuscript could date to as late as the mid-9th century.

-Catherine Yvard, Research Fellow, Department of History of Art and Architecture, Trinity College Dublin

Roscrea and the Book of Dimma

Since its introduction to the scholarly community, the Book of Dimma (TCD MS 59) has been associated with the early ecclesiastical settlement at Roscrea. Aside from the ‘forged’ links of the manuscript to Dimma, scribe of Saint Crónán of Roscrea (see previous post), names inscribed on the shrine recording the 14th-century restoration work link it to the lord of the territory in which Roscrea sits, and both shrine and manuscript first came to antiquarian notice when in the possession of the parish priest at Roscrea.

Fig. 1 Monaincha Abbey © R. Moss.

The church at Roscrea was established sometime in the late 6th or early 7th century at a crossroads on one of the principal route ways of ancient Ireland- the Slighe Dhála and the location of a famous fair, the Aonach Éile. Continue reading Roscrea and the Book of Dimma