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Visual Arts

Visual Arts

Art and Architecture have played a major role in the life of Trinity College Dublin and for over three centuries the eyes and minds of successive generations have been opened to the excitements and challenges of the Visual Arts.

Celebrating 50 years of pioneering initiatives in the exhibition, collection, and study of art at Trinity, the university has an exciting new strategy that will contribute to the enhancement of Dublin city as an international centre for the Visual Arts, a strategy that draws on the rich array of expertise across the arts and sciences

The process of engagement with the Visual Arts at Trinity begins not just on campus with the abundance of art collections, exhibitions and architecture, but in the very interface of the university with the city, from the Palladian west front flanked by the John Henry Foley bronze sculptures of Edmund Burke and Oliver Goldmsith, to the Science Gallery positioned at the entrance at the Pearse St/Westland Row entrance, and the Douglas Hyde Gallery at the Nassau St entrance.

Ideally located in the city centre, and surrounded by the collections of the national, municipal and local art museums and galleries, the History of Art Department takes full advantage of the city’s resources for the study of art, both Western and non-Western.  At the same time TRIARC exploits the advantage of such a location for the study of the most significant examples of Irish art and architecture, from major medieval manuscripts to contemporary art and architecture.

Curatorial Practice

The staff of the Department/TRIARC has a dynamic history of collaborative relationships with the various art institutions and organisations in Dublin and beyond. These include researching and curating innovative exhibitions, creative writing of interpretative texts and curatorial catalogues, and critical analysis of visual material. (See Staff details).

The MPhil in Irish Art History is designed to develop an appreciation not only of art history and theory, but also of the practices and processes of creating and conserving art through visits to workshops, seminars with artists, and engagement with conservators, both on campus and in the vicinity, at the national, regional and municipal galleries.

Trinity students have long been involved in the work of art museums, galleries and great houses, with contributions that include tour guiding, curatorial cataloguing, and general assistance. The extension and formalisation of these relationships will continue to be explored.

Architecture

The remarkable group of buildings that forms the campus of Trinity College includes outstanding examples of design and craftsmanship. Deane & Woodward's Museum Building is a landmark in the development of nineteenth-century Gothic Revival architecture. The Berkeley Library by Ahrends, Burton & Koralek brilliantly fuses a range of modernist sources to produce a unique and elegantly crafted modern design. More recent celebrated projects include the Parsons' Plinth by Grafton Architects, the Atrium and Theatre by De Blacam & Meagher, the James Ussher Library by KMD and McCullough-Mulvin, and most recently McCullough-Mulvin's Long Room Hub. In addition, O’Donnell+Tuomey were responsible for the celebrated conversion of the Provost’s House Stables for TRIARC.

Art Collections

Trinity has a tradition of commissioning and collecting art that is at least 300 years old. The collections predate those of the Royal Dublin Society, founded in 1731, and the establishment of the National Gallery of Ireland, opened in 1864. The collections represent in the main, painting, print, sculpture, and statuary, with a significant historical focus on portraiture. The modern collection, initiated in 1959 by George Dawson, Genetics professor, introduced the ‘College Gallery’ hire scheme, whereby original Irish and international artworks along with original prints and artist’s posters were actively acquired for display in student and staff rooms on campus to encourage an interest in, and a critical eye for, modern and contemporary art. Since that time students and staff across the College have been involved in acquiring new works, in cataloguing the collection and in mounting exhibitions. This process, formerly undertaken on a voluntary basis by academic staff in the College, was formalised by the appointment of a dedicated professional curator in 2007, who will participate in the delivery of the curatorial programme for masters students.  The Curator of the College Collections has developed a programme of exhibitions within and beyond the university campus, in collaborations with the Douglas Hyde Gallery and the Royal Hibernian Academy

Digital Humanities

Initiatives in the digital humanities include the new investigations into the Book of Kells supported by an Innovation Bursary and enabled through partnerships with international IT companies.  In addition, a funded project entitled Art-space, Technology and Critical Thinking will teach masters students how to create immersive 3-D panoramas as a means to design and record exhibitions, displays, interiors, and objects and will be piloted during 2010-11.

Showcase

Key Features

  • This strategy will be championed by the Department of Art History and Architecture, together with TRIARC (the Trinity Irish Art Research Centre), in partnership with the various art institutions and organisations in Dublin and beyond, with whom they have long standing collaborations.
  • It will draw on the university’s extensive collections of visual material ranging from sculpture and precious manuscripts to formal portraits, and from silver and modern art to illustrated books. It will also benefit from the expertise of the galleries and museums on campus such as the Science Gallery, the Weingreen Museum, and the Douglas Hyde Gallery.
  • The unique campus of Trinity College comprises significant examples of architecture and design, some of which are icons of their era, such as the Dean and Woodward Museum Building, and Paul Koralek’s Berkeley Library. The new strategy will provide an integrated approach to the promotion and enhancement of the entire college campus as an exhibition space.
  • A five-fold plan of action will introduce new levels of collaborative engagement, practice, training and research in the visual arts across the university and with cultural institutions. For instance, the academic programme, which fosters creative interpretation and critical analyses of art, is being developed to enhance key aspects of curatorial practice - creative, practical, and theoretical.
  • The strategy will benefit from the dedicated research facility at TRIARC, housed in the recently converted Provost’s House Stables, which provides an inspiring environment for research, debate, and innovation in the fields of art history and curatorial practice.
  • The university’s expertise in digital technologies will be used to deepen our understanding of artistic creation. Initiatives in this area  include new investigations into the Book of Kells supported by an Innovation Bursary and partnerships with international IT companies.  In addition, a funded project entitled Art-space, Technology and Critical Thinking will teach masters students how to create immersive 3-D panoramas as a means of designing and recording exhibitions, displays, interiors, and objects
  • The international expertise of distinguished adjunct appointments will act as catalysts in developing the practitioner components of the new strategy.
  • The strategy will also help to enhance and develop the work of the Visual Arts Society and the Trinity Arts Workshop, established 50 years ago, to promote art and craftwork through the provision of classes and facilities for members of College, and their associates in the wider community.

The Academic and Artistic Collections - A Summary (PDF).

People

TCD Staff

Prof Roger Stalley

Roger Stalley has a particular interest in the architecture and sculpture of the Middle Ages. His many books include Early Medieval Architecture (1999) in the Oxford History of Art Series, along with the award winning Cistercian Monasteries of Ireland (1987).  He has served on numerous national and international boards and is an elected member of both the Royal Irish Academy and Academia Europaea.  He is also an honorary fellow of the Royal Institute of the Architects of Ireland.  He is currently engaged in a major study of Irish Gothic architecture, a project supported by the Irish Research Council for the Arts and Social Sciences.

Dr Yvonne Scott

Yvonne Scott’s research areas are Modern and contemporary art, particularly from Ireland, and the theory of landscape, space and place in all periods and locations. She has worked on curatorial collaborations with a number of institutions in Dublin and elsewhere, including Dublin City Gallery, The Hugh Lane, the Royal Hibernian Academy, and the Hunt Museum, Limerick as well as on aspects of the College collection, including the Jack Yeats exhibition shown at the Douglas Hyde Gallery. She has written or contributed to numerous exhibition catalogues including for Ireland’s representation at the São Paolo Biennal, and the European Central Bank. She serves on the Boards of the Royal Hibernian Academy, and the National Self-Portrait Collection of Ireland.

Dr Christine Casey

Christine Casey is the author of the principal reference work on the architecture of Dublin city. She is an honorary member of the Royal Institute of the Architects of Ireland and has served on the boards of the Irish Georgian Society and the Irish Architectural Archive and as a consultant to the National Inventory of Architectural Heritage. Her particular area of interest is eighteenth-century Irish architecture and she has published widely on the subject, most recently as editor of The eighteenth-century Dublin townhouse.  She is currently researching the European context for Irish architecture and ornament in the period.

Dr Peter Cherry

Peter Cherry has an international reputation in the field of Spanish art of the seventeenth century. He has collaborated on exhibitions with major art museums across Europe, including the the Prado Museum in Madrid, the National Gallery, London, Dulwich Picture Gallery, the Calouste Gulbenkian Museum, Lisbon, and the Frans Hals Museum in Haarlem, as well as the National Gallery of Ireland. His research has examined such themes as the art of the Spanish court, depictions of religious subjects, still lifes and infancy. Artists explored include Diego Velázquez, Bartolomé Esteban Murillo, Juan de Zurbarán, Juan Sánchez Cotán, and Luis Meléndez. Dr. Cherry is Chair of the Art Collections Advisory Group in Trinity College.

Dr Philip McEvansoneya

Philip McEvansoneya’s specialist area is British, Irish and French art 1600-1800. His research interests include the fields of patronage and collecting, both private and institutional, at a national and municipal level, and his graduate research students consequently include museum and gallery staff. He has worked on collaborative curatorial projects, both informal and formal, with a number of national and municipal collections both in Dublin, and other cities, including the Dublin City Gallery, the Hugh Lane, the Royal Hibernian Academy, and the Crawford Gallery Cork.  He has delivered numerous lectures and research papers in museums and galleries in Dublin, particularly in relation to the history and interpretation of their exhibitions and collections.

Dr Laura Cleaver

Laura Cleaver, who holds an Ussher lectureship in the History of Art, is a specialist in medieval art, with a particular interest in manuscript illumination (the area of study for her PhD at the Courtauld Institute).  Her research projects include the preparation of a book on art and education in twelfth-century France, and an edited collection of essays on the reception of medieval art by early modern and modern artists, scholars and collectors.   She is currently exploring some of the outstanding manuscripts in the College library, both Irish and European, with a view to future publications and conference papers.  

Dr Rachel Moss

Rachel Moss' research areas are Irish medieval art and architecture c.400-1600, specializing in architecture and sculpture.  She has participated in lecture programmes for the National Museum, National Gallery and Hunt Museum and has curated exhibitions for bodies including the Office of Public Works, the RIAI, and the Church of Ireland. She has considerable experience in digital collection management and among other projects is a board member of the  Mapping Sculpture 1851-1951 project; a collaboration with the V&A, Henry Moore Institute,, Leeds and University of Glasgow. She is currently editor and lead contributor to the medieval volume of the Royal Irish Academy Irish Art and Architecture project; an initiative involving personnel from all of the major national cultural and academic institutions in Ireland.

Catherine Giltrap

Catherine Giltrap came to Trinity College as the first Curator of the amalgamated Historic and Modern Art Collections in late 2007. She was previously engaged in curatorial, educational, and consultancy roles at the Chester Beatty Library, Farmleigh, Fingal Arts Office, IMMA, the Douglas Hyde Gallery, the State Art Collections and an independent docent in Rome and the Vatican.  She graduated in the History of Art and Architecture with French at Trinity College. Her Masters is in Museum Studies, from the University of Leicester, focusing on university heritage and ‘The Role of University Museums and Collections’.

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Honorary Adjuncts

Michael Ryan, Honorary Professor

Michael Ryan is an Honorary Professor of the College. He is Director of the Chester Beatty Library and a former President of the Royal Irish Academy. He is a world authority on the art of metalwork in the early middle ages and the author of a wide range of publications.

Programmes

Partners

  • Douglas Hyde Gallery
  • Chester Beatty Library
  • The Crawford Gallery, Cork
  • Dublin City Gallery the Hugh Lane
  • Hunt Museum, Limerick
  • The National Museum of Ireland.
  • National Gallery of Ireland
  • Royal Hibernian Academy

News

View our news and upcoming events.

October 2011 Dublin Contemporary @ Trinity in association with Dublin Contemporary 2011, Ireland's first international art festival


Last updated 29 November 2011 by curtisc@tcd.ie.