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Celebrating the Library’s medieval manuscript conservation and digitisation project

Two monkeys pictured in a page from West-Dereham-Bible-TCD-MS-51-f.100vlores.jpg

Precious medieval manuscripts and fragments that illuminate the art, music and literary culture of medieval Europe are being made available to the public for the first time thanks to a two-year conservation and digitisation project at the Library of Trinity College Dublin.

While the Book of Kells is Trinity’s best-known medieval manuscript, the Library of Trinity College Dublin is also home to 600 other precious medieval manuscripts dating from the 5th to the 16th centuries with origins right across western Europe. 

Sixty of these manuscripts have been conserved and digitised, rendered as 16,000 high quality images, and are now available to the public on as part of the Library’s Manuscripts for Medieval Studies Project.  

The material illuminates the social, creative, medicinal and culinary culture of medieval Europe. It forms part of the Virtual Trinity Library programme, a digitisation initiative of the Library of Trinity College Dublin’s most valued collections.  

Support for the project was provided by a philanthropic grant from Carnegie Corporation of New York. Dame Louise Richardson, President of the Carnegie Corporation of New York, said: “The founder of Carnegie Corporation of New York, Andrew Carnegie, often said that books contain the treasures of the world. Over 140 years ago, he began funding libraries in the belief that providing a library exceeds anything else a community can do to help its people.

 
Dame Louise Richardson, President of Carnegie Corporation of New York speaking at a launch event last night.

“Today our foundation honours that legacy by supporting Trinity College Dublin’s stewardship in preserving knowledge for future generations. Through the careful restoration and digitisation of the medieval manuscripts, these cultural artifacts will be accessible to both the curious and the scholarly for the benefit of us all.”  

Commenting on the significance of the project, Helen Shenton, Librarian & College Archivist said: “The Library of Trinity College Dublin is delighted to make these magnificent medieval manuscripts accessible to a global audience. For the first time in their existence, these exquisite manuscripts can now be viewed digitally by anyone. As part of the Virtual Trinity Library’s Manuscripts for Medieval Studies project they are part of teaching and research at Trinity College Dublin and foster international collaboration with other universities and libraries.” 

The most significant manuscripts in this collection include the highly decorated medieval manuscripts, the Winchcombe Psalter (12th century), the Life of St Alban by Matthew Paris (13th century) and the West Dereham Bible (pictured above). These manuscripts of exceptional artistic quality have been photographed in their entirety in colour for the first time.  

Estelle Gittins, Manuscript Curator, Trinity Library, said: “The types of manuscripts represent virtually every area of medieval thought and activity across Western Europe and further afield, including lavishly decorated religious manuscripts; histories and chronicles; literary works in prose and verse; music manuscripts for communal singing; a whole host of recipes and cures; and fragments from long-lost manuscripts from a variety of eras. 

“These manuscripts’ significance lies not only in their beautiful illumination, but in the fact that they survived the Reformation and the dissolution of the monasteries, not to mention the chaos and destruction wrought by accident, fire, flood, and warfare over several centuries of history. All are unique and irreplaceable.” 

The collection also includes manuscripts which give rare insights into medieval Irish culture. These manuscripts include Irish medieval music manuscripts, containing hymns and chants dating from the 15th Century.  

At the launch event choral ensemble Schola Hyberniae performed a chant from the 15th-century manuscript ‘Clondalkin Breviary’. The music was transcribed from medieval notation into modern musical notation and prepared for performance and wider scholarly study by Dr Ann Buckley, Medieval History Research Centre, Trinity. It is one of only a handful of manuscripts containing musical notation to survive from medieval Ireland and is one of the manuscripts conserved, digitised and now freely available to the public. 

To mark the culmination of the project the Library is also hosting a two-day conference (Nov 30-Dec 2) entitled The Many Lives of Medieval Manuscripts which is showcasing research outputs arising from the digitisation of these manuscripts including research papers on conservation of vellum manuscripts and using AI to transcribe medieval manuscripts. 

Dame Louise Richardson & University Chancellor, Dr Mary McAleese pictured with the Library team behind the project, Laura Shanahan, Head of Research Collections, Estelle Gittins, Manuscripts Curator, Curatorial lead, Claire McNulty, Carnegie Postdoctoral Research Fellow, Caroline Harding, Senior Digital Photographer, Digital Collections and Angelica Anchisi, Project Conservator, Preservation & Conservation.

Welcome from the Library of Trinity College Dublin

Librarian & College Archivist, Helen Shenton

“The only thing that you absolutely have to know, is the location of the library.”
               −Albert Einstein

Dear students and staff,

A very warm welcome to all new students and returning students, academics, researchers, and staff. To our first-year undergraduates who have started classes, we especially wish you every success in your new lives. The Welcome to the Library page has everything needed for you to get started. If you have any queries, Library staff are here to assist you with virtual consultations, skills workshops and a range of services. Please email Library@tcd.ie and a Library staff member will get back to you, or contact your Subject Librarian directly. 

Library Supports & Services

We started the new academic year with in-person student orientation programmes. They included tours of the Library complex for undergraduate, postgraduate, Trinity Access Programme (TAP), Visiting, Erasmus and Neurodiverse Plus programmes. A big thank you to our TAP Ambassadors, S2S Mentors and Disability Ambassadors for their assistance throughout. There will also be Library sensory tours during the semester. 

Sometimes it can be challenging for students to recognise what constitutes good academic practice. In collaboration with Trinity Teaching and Learning, Student Learning Development and the Trinity Inclusive Curriculum our Guide to Academic Integrity has been refreshed, providing study and referencing tips to help students avoid common pitfalls. Look out for ‘citing and referencing’ and ‘avoiding plagiarism’ workshops and clinics taking place during Academic Integrity Week. 

Some Library users can also experience challenges with text. For example, those with a visual impairment, dyslexia or a physical disability. Bookshare Ireland provides Trinity readers access to a global database of over 1.2 million e-books which can be transformed into more accessible formats. 

The staff version of ‘CA7000;Research Integrity and Impact in an Open Scholarship Era’, co-ordinated by the Library’s Research Informatics Unit, will be available to Trinity staff via Blackboard on a voluntary, self-registration basis from September 20th.

A new monthly Ecological Emergency Book Club for staff, led by Dr Clare Kelly will start on October 13th, to engage staff in some of the best readings on the climate and biodiversity crisis, helping to educate, inform and build a community of solidarity. 

From October, the Manuscripts and Archives catalogue records will be accessible through the main online Library catalogue, Stella, meaning all users will now be able to search across the entirety of our collections through this one platform.

This semester’s Library HITS (Helpful Information for Trinity Students/Staff) started last week. If you are new to Trinity or want to refresh your existing skills, please join the programme which is delivered by the Library and Student Learning & Development.

Renaming of the Berkeley Library

Following extensive consultation and evidence-based submissions under the Trinity Legacy Review Working Group, in April the Board decided to dename the Berkeley Library, the brutalist modernist building in the centre of campus. In line with the Board’s decision to dename and explain,the building is temporarily being referred to simply as the Library’ and there is explanatory material in the foyer.

Over the academic year, there will be a consultative process for renaming the building, which will be an opportunity for people to convey views on what the former Berkeley Library should be called and why. All the evidence, submissions, and minutes of the Trinity Legacy Review Working Group are available here and a short film on the issues to date will be available soon.

Library Refurbishment Programmes

We will reach a major milestone in the preparation for the Old Library Redevelopment Project (OLRP) with the completion of construction of the new Interim Research Collections Study Centre in the Ussher Library Basement this semester.

For the duration of the conservation of the Old Library, Research Collections and staff currently in the Old Library, will be housed in the heart of the contemporary Library complex.

The construction works have caused intermittent noise and disruption over the summer and will continue for a while longer. I would like to thank everyone for their patience and understanding.

Meanwhile, works to replace the windows in the 1937 Reading Room are scheduled to continue until the end of September. On completion, postgraduates will enjoy a warmer and healthier study environment.

Old Library Redevelopment Project 

The decant of the collections from the Old Library, involving the gargantuan task of transferring 350,000 early printed books (as part of a total 700,000 items) is near completion. Many of you will already have seen the wonderful timelapses of this process. By the end of this month, all the books will be removed from the Old Library, except for the first four bays on either side of the entrance to the Long Room. These will remain in place for visitors while the Old Library remains open until the end of 2025, when the conservation and construction of the building will commence.

Up-to-date information can be found on the Old Library Redevelopment: Update for Readers section of the Library website.

Virtual Trinity Library

Highlights of our astounding Library collections have featured throughout the year in symposia, and physical and online exhibitions thanks to the ambitious Virtual Trinity Library programme and its extensive digitisation of collections made available on Digital Collections.

A highlight this semester will be the Library symposium ‘Many Lives of Medieval Manuscripts’ as part of the Manuscripts for Medieval Studies project, supported by the Carnegie Corporation of New York taking place on 30th November and 1st December 2023.

The achievements of the international Unlocking the Fagel Collection project were also celebrated with a Library symposium and an exhibition in the Long Room in June.

On the occasion of another Library exhibition in April, marking the 400th anniversary of the first collected edition of Shakespeare’s plays, the First Folio, Trinity alumna and author Anne Enright launched the Trinity Centre for the Book. The new research centre, hosted in the Trinity Long Room Hub Arts and Humanities Research Institute, in collaboration with the Library, will co-ordinate and share research on the cultural and social importance of books of all types.

The Book of Kells will be the topic of the Trinity Centre for the Book Research Seminar in this week’s Trinity Arts & Humanities Research Festival on 27th September at 4pm. Afterwards, our librarians will describe some of their favourite items across the Library’s vast collections.  

Finally, last Thursday, we celebrated the donation of the Bollmann Collections of fore-edge paintings with an exhibition in the Long Room.

With warmest good wishes,

Helen Shenton

Librarian & College Archivist

Bound to please: Exhibition of fore-edge paintings and bindings go on display in Long Room

Pictured in the main image are Principal Librarian, Early Printed Books & Special Collections, Dr Lydia Ferguson and exhibition curator, donor, Bettina Bollmann.

Intricate scenes painted on book edges depicting landscapes, flowers and buildings are the subject of a new exhibition in the Library of Trinity College Dublin.

Château de Fontainebleau on the fore-edge of M. Menzikof & F. Dolgorouki: Histoire russe v.2 (London, 1805)

The exhibition features highlights from the Library’s Bollmann Collection which includes fore-edge paintings executed over 250 years. They were painted on books printed between 1639 and 1895, with a wide variety of subjects – landscapes, mansions, religious buildings, boats, coats of arms, and flowers. Many of the books in the collection are in decorative bindings and the most beautiful of these will be on view in the exhibition alongside the fore-edge paintings.

Entitled “Bound to please: the Elsbeth and Bettina Bollmann Collection of fore-edge paintings and bindings”, the exhibition in the Long Room of the Old Library will run until the end of November and forms part of the Book Of Kells exhibition.

The unusual art of painting on the flat fore-edges of books goes back many centuries but the more subtle art of creating a hidden picture which is only visible when the leaves of the book are fanned appeared in England in the middle of the 17th century. There are three 17th-century fore-edge paintings in the Bollmann Collection, one of them probably executed in 1652 and the other two dated 1685 and 1688.

The art of fore-edge painting was taken up by the firm of Edwards of Halifax in the late 18th century and is often associated with that family. Founded by William Edwards in Halifax, Yorkshire, William was joined in his business by his sons, two of whom opened their own premises in London.

Apart from fore-edge paintings, the Edwards are known for their Etruscan-style bindings, described as such because motifs typical of Etruscan vases were used to decorate them, and for illustrated vellum bindings, on which a drawing on the cover is covered with a thin layer of transparent vellum to protect it. Both of these designs by the Edwards family are represented by several books in the Bollmann Collection. These stunning bindings are among those forming part of this exhibition.

Most fore-edge paintings are not dated and some of them were added to books many years after the books were published. Double fore-edge paintings and triple edge paintings, which are not commonly found, are believed to date from the early 20th century. Books with these paintings are among the highlights of this exhibition.

Helen Shenton, Librarian and College Archivist, commented:

“The Bollmann Collection of fore-edge paintings and bindings is the largest collection of fine bindings acquired by the Library of Trinity College Dublin since the early 19th century. Most of the volumes are decorated with fore-edge paintings and many of them are in fine bindings, making this the most important collection of bindings to be acquired by the Library in over 200 years, since the Quin Collection was received in 1805.

We are most grateful to Bettina Bollmann for making this donation of exquisite fore-edge paintings and bindings to the Library’s precious Research Collections. We are delighted to showcase highlights in this physical exhibition as well as an online exhibition and videos.”

The books on display in the Trinity exhibition form part of a collection of 52 books which was donated to the Library in 2022 by Bettina Bollmann, who had joined her mother Elsbeth over several decades in assembling the collection.

Most of the volumes are decorated with fore-edge paintings and many of them are in fine bindings, making this the most important collection of bindings to be acquired by the Library in over 200 years, since the Quin Collection was received in 1805.

Pictured in the main image are Principal Librarian, Early Printed Books & Special Collections, Dr Lydia Ferguson  and exhibition curator, donor, Bettina Bollmann.

Read more here:

Unlocking the Fagel Collection – Trinity’s Old Library celebrates its Dutch treasures 

Botanical catalogues, lavish celestial atlases and unique pamphlets from the early modern period are among 30,000 titles being conserved and digitally catalogued in an ambitious collaboration to register the entirety of the 18th-century Fagel Collection, which fills a mile of shelving space in the Old Library of Trinity College Dublin. 

50% of the collection has now been catalogued opening up this unique heritage library to 21st-century research. The achievements of the international Unlocking the Fagel Collection Project (2020-2023) was celebrated yesterday evening [Wed, June 21st] with the opening of an exhibition in the Library of Trinity College Dublin by Ambassador of the Netherlands to Ireland, Adriaan Palm and a conference in the Trinity Long Room Hub Arts and Humanities Research Institute. KB Board of Director – responsible for Sustainable Access and Heritage, Geertrui Verbraak and the Librarian & College Archivist, Helen Shenton joined the Ambassador with opening words.

The project is a collaboration between the Library of Trinity College Dublin and the KB National Library of the Netherlands. It is funded by the Dutch Ministry of Foreign Affairs and was launched following the State Visit of the King and Queen of the Netherlands to Ireland in 2019.

 
 
Head of Research Collections, Laura Shanahan, Dutch Ambassador, Adriaan Palm, KB Board of Director, Geertrui Verbraak, Fagel Collection Project Manager, Ann-Marie Hansen and KB Coordinator of Collection Knowledge, Maarten Heerlien.

All 30,000 books, pamphlets, and maps in the collection are being digitally recorded in the Trinity Library catalogue. It is a flagship project of the Virtual Trinity Library programme, which is opening up the unique and distinct collections of the College through conservation, cataloguing, digitisation, research and public engagement. Additionally, the Dutch titles are being recorded in the Short-Title Catalogue Netherlands (STCN), the Dutch national bibliography.

The Fagel Collection is one of the jewels in the Library’s collections and is regarded as one of the most important private libraries in early modern Europe. The collection was amassed by five generations of the Fagel family – many of whom held high public office in the Netherlands. It was purchased as a whole for Trinity College Dublin in 1802 and is officially recorded as one of the treasures of the College. 

In an era when printed material was the foremost basis of power and information, the Fagel collection, assembled contemporaneously by five generations of bibliophiles, is a treasure trove of material detailing global politics, trade, law, exploration and knowledge management in the 17th and 18th centuries.

The exhibition, entitled “Unlocking the Fagel Collection”, forms part of the Book of Kells visitor experience, and comprises 20 items chosen to give a flavour of the wonderful range and diversity of printed material contained within the vast collection. Highlights of the exhibition include a beautifully illustrated and hand-coloured botanical reference book; poetry and song publications wrapped in decorated papers; and unique volumes of rare pamphlets and ephemeral publications. 

Librarian & College Archivist, Helen Shenton, noted that:

“This project is a flagship and exemplar in the ambitious Virtual Trinity Library programme. With the support of the Foreign Ministry of the Netherlands, we are well on the way to virtually reconstructing and reuniting this pan-European Library with sister collections in the Netherlands and in the wider region. Now over two centuries since arriving in Dublin, this historically significant collection is being made available for 21st-century research.”

Head of Research Collections, Laura Shanahan, commented:

“On its arrival to Trinity the Fagel Collection increased the Library’s holdings by 40%, and vastly expanded its subject content beyond largely theological material to all areas of scholarly interest. The Fagel collection also touches on every corner of the globe, opening up the realm of understanding beyond Ireland and Western Europe to the whole world. The collection’s importance for research now, and for understanding the political and social movements of Europe in the seventeenth and eighteenth centuries, simply cannot be overstated. We are so proud that finally this collection is beginning to realise its full potential.”

A three-day conference  organised by the Library will hear research updates from some of the 30 scholars who are currently working on the Fagel Collection. The event which is free and open to the public is hosted by the Trinity Long Room Hub Arts and Humanities Institute, the research partner of the Fagel project. Topics include how astronomy and the astral sciences are represented in the collection; document illuminated publications in the Fagel library, and present research on the Fagel family as international propaganda masters.

Director of the Trinity Long Room Hub Arts and Humanities Research Institute, Eve Patten said:

“Trinity’s Fagel Collection opens up lines of enquiry into everything from the cultures of empire to climate change. We are delighted to host a conference that will bring so many international experts closer to this unique resource.”

Unlocking the Fagel Collection Project Manager, Ann-Marie Hansen, added:

“With half of this unique collection now digitally catalogued and fully discoverable ­the monumental efforts to ‘unlock’ the Fagel Collection are already delivering rich research impact. We have recorded over two-thousand editions that had never before been described. Additionally, we now know that 15% of the titles in the collection are the only known surviving copies of those publications.

“The Fagel Collection is attracting the attention of researchers locally and internationally and new scholarship is changing what we know, not only about the Fagel Collection, but also about what was printed in the 18th century. And we haven’t finished yet! The next stage is to complete the cataloguing, engage with digitisation and continuing to explore the full potential of the Fagel Collection for further research.”

Ambassador of the Netherlands to Ireland, Adriaan Palm, who will launch the exhibition this evening, said:

“The partnership between Trinity, the National Library of the Netherlands, and the Dutch and Irish governments signals a Europe-wide dedication to the preservation of and access to our shared cultural heritage. The ‘Unlocking the Fagel Collection project’ is one of the finest examples of research and public engagement projects today, and we are very glad to be able to celebrate this major milestone in providing complete access to the pan-European collection.”

Note to editors:

Video content detailing the history, scope and research potential of the Fagel Collection can be viewed and embedded from the Trinity Website: https://www.tcd.ie/library/fagel/fagel-videos/

More about the Fagel Project:

The Library of Trinity is collaborating with the KB National Library of the Netherlands, to register all publications in the Fagel Collection in the catalogue of the Library of Trinity College and in the Short-Title Catalogue, Netherlands, the Dutch pre-1800 national bibliography. The project is also working in conjunction with the Trinity Long Room Hub Arts and Humanities Research Institute to facilitate researchers to engage in the collection. The project ‘Unlocking the Fagel Collection’ is made possible by the support of the Dutch Ministry of Foreign Affairs. The Fagel Collection will form a key component of the Library’s Virtual Trinity Library, which allows digital access to the unique and distinct collections of the Library. The Library has long term aims to digitally reunite the Fagel collection with related library, archive, museum and private collections around the world, using the latest enhanced technologies.

More about the Fagel Collection:

The Fagel collection at the Library of Trinity College Dublin is one of the most important and largest still extant Dutch private libraries from the eighteenth century. The library was assembled as a working library by several generations of the Fagel family, of whom successive members held high offices in the Dutch Republic throughout the seventeenth and eighteenth century. The collection of books, pamphlets and maps was purchased as a whole for Trinity College Dublin in 1802. The material ranges in date from 1478 to 1799 with the greater volume of material published in the 18th century and relates to all parts of the world, but with a particular emphasis on Europe and areas outside Europe where the Dutch had trading or colonial interests. Many items in the library are private printings, in that they were not made available to the public at large, and are consequently very rare.

Closure of the 1937 Reading Room for Essential Works

Postgraduate-Reading-Room

There have been serious issues with leaks and damp in the 1937 Reading Room for some time. The Library has been working with Estates and Facilities to put together a programme of works to address these issues and ensure the long-term viability of the building. This will require the closure of the main reading room area from next Monday 22nd May for the coming months, and temporary closures of adjacent spaces, particularly in the early and late phases of the project. It is anticipated that the main reading room will fully reopen in September 2023 – an exact date will be communicated later in the summer when Estates & Facilities are in a position to confirm the project end point.

While the project is underway, alternative study spaces will be available on campus to ensure that our postgraduate students will always have somewhere comfortable to work, both during the day and overnight:

  • Monday 22nd May – Sunday 11th June
  • The Berkeley and Lecky libraries will be available from 09:30 to 17:00 (note: the Ussher Library will be closed during this time for essential works but you can request books held in the Ussher by emailing us at library@tcd.ie)
  • The Hamilton Library will be available on a 24/7 basis (here is a video to show you how to get there)
  • Monday 12th June to the end of the summer
  • The Berkeley, Lecky and Ussher libraries will be available from 09:30-17:00
  • Kinsella Hall (floors 1-3 of the Ussher Library), will be available on a 24/7 basis

Full details are available on the Library website’s Opening Hours section for the 1937 Reading Room.

While the kitchen, toilets, PC room, group study area, side corridors and lockers will need to be closed occasionally for short periods of time (usually just a day or two), they will remain generally accessible throughout the summer on a 24/7 basis. Postgraduate students will be given as much advanced notice as possible about these temporary closures.

Addressing leaks and damp in the 1937 Reading Room is an important health and safety measure that will improve the experience for those who rely on the various facilities within the building. But as with any historical protected structure, renovation works will be challenging. Estates and Facilities have advised that timelines, especially with regard to temporary closures of specific spaces, may be subject to change. The Library website and social media platforms will be used to keep the postgraduate community up to date on developments.     

The Library of Trinity College Dublin

Leabharlann Choláiste na Tríonóide

Marking International Women’s Day with a Video of the Launch of the First Sculptures of Women in the Long Room

On this special day, International Women’s Day, the Library is delighted to share with you a video of highlights of the historic launch of the first sculptures of women in the Old Library which took place on St Brigid’s Day, 1st February 2023. The film includes fascinating insights of the artists creating the sculptures in their studios, and a flavour of the inspiringly uplifting evening.

The new sculptures represent the scientist, Rosalind Franklin; the folklorist, dramatist, and theatre-founder Augusta Gregory; the pioneering women’s rights advocate Mary Wollstonecraft and the mathematician Ada Lovelace.

There is also a follow on  ‘In Conversation’ with the artists and Trinity champions of the scholars hosted by the Trinity Long Room Hub. The artists are Rowan Gillespie, Maudie Brady, Guy Reid and Vera Klute. They were joined by Vice- Provost/Chief Academic Officer, Professor Orla Sheils, Dean of Arts Humanities & Social Sciences, Professor Gail McElroy, Professor of Visual Computing, Carol O’Sullivan and Associate Professor in Drama Studies, Melissa Sihra in a riveting discussion on the new sculptures as part of the University’s celebrations on 2nd February 2023.

 

Book of Kells designs adorn stamps for St Patrick’s Day  

An Post issued two stamps featuring illustrations from the Book of Kells this week.  The brightly coloured stamps show the profile of the lion, a reoccurring image in the manuscript, symbolising Christ and the resurrection.

Unveiling the stamps at Trinity College Dublin, Minister of State at the Department of Environment, Climate and Communications, Jack Chambers, said: “The stamps feature some of our most recognisable and iconic heritage images. As we approach St Patrick’s day, that global celebration of Irish culture, these stamps will carry these beautiful details from the Book of Kells to every corner of the globe.”

Librarian & College Archivist at the Library of Trinity College Dublin, Helen Shenton added: “We are delighted these exquisite images from the Book of Kells will feature in An Post’s Stamp for Ireland series marking St Patrick’s Day. The Book of Kells is an iconic symbol of Irish identity worldwide and it is very fitting that such beautifully illustrated stamps communicate with those living in Ireland and abroad.”

Details of stamp imagery

W – international rate stamp features a detail from the Book of Kells folio 124r (detail of profile lion.)  The Physiologus, a 4th-century Greek text describing animals and their symbolic qualities, was a source of inspiration for the Irish monks working on the Book of Kells. According to the Physiologus the lion cub was born dead, but on the third day was revived by the father lion breathing on its face. This was a potent analogy for the resurrection of Christ three days after his crucifixion. 

N – national rate stamp features a detail from the Book of Kells folio 114v (detail of profile lion.)  The detail of the profile of the lion’s head is taken from a page of display text introducing the passage in which Jesus goes to the Mount of Olives and foretells his abandonment by his disciples and his resurrection. The border of this folio is filled with snakes and dominating it all is the striking profile head of the lion, symbol of Christ and his resurrection.

The First Day Cover envelope features a more sedate image from the manuscript and shows a domestic cat chasing a rat, which has managed to snatch a communion host into its mouth. Cats were kept as pets during the time the Book of Kells was created and the monks may have kept them to help preserve the food stores in the monastery

First sculptures of women installed in Trinity’s Old Library

On St Brigid’s Day Trinity College Dublin installed four new sculptures in its Old Library to honour the scholarship of four trailblazing women. 

The women represented are the scientist Rosalind Franklin, the folklorist, dramatist and theatre-founder Augusta Gregory, the mathematician Ada Lovelace and the pioneering women’s rights advocate Mary Wollstonecraft. 

The new sculptures, the first to be commissioned in more than a century, will be displayed among the 40 marble sculpture-busts that line Trinity’s historic Long Room, which were hitherto all of men. The current artworks represent men throughout history, from Homer and Shakespeare to Dean Jonathan Swift, Sir Rowan Hamilton and Wolfe Tone. 

The new sculptures were launched by Trinity’s Chancellor Dr Mary McAleese at a ceremony in the Long Room. 

Their addition represents a first step toward a better representation of our diversity in all of Trinity’s public spaces. 

Librarian & College Archivist, Helen Shenton, Provost, Dr Linda Doyle & Curator & Head of the University Art Collections, Catherine Giltrap viewing Mary Wollstonecraft.

The sculptures are the work of four accomplished artists:  Maudie Brady (Ada Lovelace); Rowan Gillespie (Mary Wollstonecraft); Vera Klute (Rosalind Franklin) and Guy Reid (Augusta Gregory). 

Rowan Gillespie’s sculpture of Mary Wollstonecraft was modelled in wax, 3-d-scanned, milled in Carrara marble and then carved and fine finished. Rowan is known for his work in bronze and this is the first time he carved in marble since his student years.

Mary Wollstonecraft

Maudie Brady’s sculpture of Ada Lovelace was modelled originally in clay, then 3-d scanned and carved from a block of statuary Carrara marble by computer-programming, and, finished by hand.  Maudie thought it would be apt for Lovelace, as a mathematician and, effectively, the first ‘computer programmer’ to be represented using techniques enabled by computer programmes and algorithms, book-ended by modelling initially in clay, and, finishing the marble sculpture by hand. 

Ada Lovelace

Guy Reid’s sculpture of Augusta Gregory was hand-carved in lime wood. Guy’s practice is focused singularly on portraiture, and is inspired by medieval, coloured wooden sculptures, resulting in painted depictions of family and friends, alongside special commissions.

Augusta Gregory

Vera Klute’s sculpture has been created in three sections with classical and contemporary techniques. The portrait is made with cast Parian (a type of porcelain) Jesmonite, marble, and Swarovski crystals, the latter making direct references to Franklin’s use of x-ray crystallography to research the structure of DNA. The helix of the socle is a visual nod to Franklin’s contribution to the discovery of the helical form of DNA 

Rosalind Franklin

Librarian and College Archivist, Helen Shenton and also Chair of the Artist Selection Panel welcomed the College community, sculptors and invited guests to the packed launch event:

“On this auspicious day, St Brigid’s Day, we celebrate women’s scholarship with these sculptures in the Long Room of the Old Library. Their individual contributions to knowledge and to society will now be permanently honoured in this cathedral of learning at the heart of Trinity.”  

Provost Dr Linda Doyle stressed the historic significance of the occasion:

“While it is important to respect tradition, it is also important to break tradition. The addition of these sculptures of women has been a long time coming. I want to thank everyone involved in the creation and installation of these beautiful pieces. Sculptures are an iconic feature of Trinity’s Long Room, and I hope that the inclusion of these four outstanding women is the furthering of a collective recognition of the incredible contribution of women across many fields.” 

In an uplifting inauguration, Chancellor poignantly quoted the 18th century Irish poet Antaine Ó Raifteirí in her speech:

“Anois teacht an Earraigh beidh an lá dul chun síneadh, Is tar eis na féile Bríde ardóigh mé mo sheol”.

“Spring is coming. The days are lengthening and after Brigid’s feast day, I will raise my sail. We are the lucky generation to be here to see the springtide. To see Brigid’s sail raised to catch the wind, to see great women given the respect and recognition they deserve. Congratulations to all those who have helped open the floodgates which will one day see full justice done to the work and talent of women everywhere.” 

The four women being honoured were chosen in 2020 from more than 500 nominations by students, staff, and alumni covering a wide field of ground-breaking individuals who contributed significantly to scholarship and culture across history.  

In 2021, after an extensive national and international shortlisting process, nine artists were invited and supported financially to submit maquettes (preliminary models) of at least two of the nominated women, from which the four artists were chosen. 

An ‘In Conversation’ event with the artists and Trinity champions of the scholars  also took place in the Trinity Long Room Hub Arts and Humanities Institute the following day on 2nd February 2023 (more information here). 

More about the portrait candidates:

Mary Wollstonecraft (1759-1797) 

Mary Wollstonecraft was a pioneering women’s rights advocate, and author of A Vindication of the Rights of Women (1792), often considered a foundational text for women’s rights movements. Radical for her time, she argued that all humans have the faculties of rational thought and reason. She also argued that women must be allowed to be educated and to contribute equally to society, stating in A Vindication, “my main argument is built on this simple principle, that if she be not prepared by education to become the companion of man, she will stop the progress of knowledge and virtue.” 

Ada Lovelace (1815-1852) 

Augusta Ada King, Countess of Lovelace, was the author of an 1843 monograph on Charles Babbage’s design for the first analytical engine (general-purpose computer). To her translation of Menabrea’s report of a presentation made by Babbage in Turin she added her famous Notes, highlighting the potential and flexibility of an analytical engine compared to a calculator. These Notes included an algorithm for computing Bernouilli numbers and presaged computer-generated music, a century before Alan Turing proved that such achievements required properties now intrinsic to computers, which Babbage’s design possessed. Ada Lovelace’s unique contribution was to publish the first recognition of the capacity of a computer to make logical deductions about both numerical and non-numerical objects. 

Augusta Gregory (1852 -1932) 

Lady Gregory became one of the most significant intellectual and creative powerhouses of the Irish Literary Revival. Her work as a writer, dramatist, theatre-founder, champion of the Irish language, translator, folklorist, and social commentator helped define and give voice to the tenets of cultural nationalism in the years leading up to, and after, the establishment of the Irish Free State. Today, scholars look to Augusta Gregory’s ground-breaking work for its artistry, for insights into the country’s complex revolutionary period and to explore the role of language and literature in defining Irish identity as distinct, self-determining, and heroic, both nationally and internationally. 

Rosalind Franklin (1920-1958) 
Rosalind Franklin’s scientific discoveries have benefited humanity in several ways. As a fundamental experimentalist, excelling in X-ray crystallography, and despite a career cut short by premature death at the age of 37, she made two seminal contributions: her impeccable analysis generated key measurements for one of the most transformative advances of the 20th century, uncovering the structure of DNA. Her later work had an equally pivotal impact on revealing the structure of RNA viruses, including early work on the Polio virus. Discoveries in both areas contributed to the awarding of Nobel prizes after her death, though not to her (they cannot be awarded posthumously). While her name is often connected with missing out on a Nobel prize, her legacy is of much greater significance. 

Timelapse of the Decant of the Library Collections

Old Library Redevelopment Project December 2022

The monumental task of decanting the Library collections commenced last Spring as part of the Old Library Redevelopment Project.

All of the Library’s Research Collections housed in the Old Library are being transferred to special storage. This means removing 350,000 Early Printed books and a total of 700,000 collection items as part of the Library collections.

A series of timelapses are capturing the painstaking work of the Library team involved in the project. So far almost 3.5 km of books stacked side by side have been removed or 32% of the overall project.  There is a target of over 10.5 km in the overall project. That means just 7 km to go.

Readers will continue to have access to all material in an Interim Research Collections Study Centre during the lifetime of the building conservation project.

The Old Library: 2022 a Year of Change

2022 will be a year to remember for the Library of Trinity College Dublin.  The monumental task of decanting the Library collections commenced last Spring as part of the Old Library Redevelopment Project.

Project assistant, Patricia Bedlow, cleaning a book for removal

All of the Library’s Research Collections housed in the Old Library are being transferred to special storage. This means removing 350,000 Early Printed books and a total of 700,000  collection items as part of the Library collections. Readers will continue to have access to all material in an Interim Research Collections Study Centre during the lifetime of the building conservation project.

The decant, led by the Library team, is a massive operation, with more than 50 Library staff assisted by over 25 project assistants. Significant care and consideration goes into moving a collection of this scale and the dedication of the Library team is impressive.

Project assistant, Bogna Stolarska (Poland) Measuring for slip case

This is one of the largest decants of a heritage building in Ireland. As part of the decant process, each book is carefully cleaned with a specialised vacuum, measured, electronically tagged and linked to an online catalogue record, before being safely relocated to a climate-controlled storage facility.

Minister of State for Heritage and Electoral Reform, Malcolm Noonan visited the Old Library in October to see at close quarters the monumental task.

The Old Library Redevelopment Project is a transformative undertaking and is ensuring this 18th century Old Library building and its collections are conserved for the next century.

National and international media have also captured the once in a lifetime conservation project including the just published Financial Times, The Guardian, New York TimesBBC World News, the German national broadcaster ZDF and France 2.

Library team & project assistants involved in the Old Library Redevelopment Project

For more information on the Old Library Redevelopment Project see Old Library Redevelopment Project – Trinity College Dublin (tcd.ie).

Major Library collections move from Old Library as part of landmark conservation project

 One of the largest decants of a heritage building in Ireland − 350,000 early printed books and 700,000 collection items

Minister of State for Heritage and Electoral Reform, Malcolm Noonan visited the Old Library at Trinity College Dublin yesterday [October 19th] to see at close quarters the monumental task of decanting the Library collections as part of the Old Library Redevelopment Project.

In order for the landmark conservation project to start, all of the Library’s Research Collections housed in the Old Library must be transferred to special storage. This means removing 350,000 Early Printed books and a total of 700,000 items as part of the Library collections. Readers will continue to have access to all material in an Interim Research Collections Study Centre during the lifetime of the building conservation project. It is one of the largest decant processes to take place of a heritage building in Ireland.

Minister for Heritage, Malcolm Noonan was joined by Trinity Provost, Dr Linda Doyle, Bursar, Professor Eleanor Denny, Librarian & College Archivist, Helen Shenton during the visit and met with the Library team involved in the historic project.

Minister for Heritage, Malcolm Noonan pictured with Library staff and project assistants.

As part of the decant process, each book is carefully cleaned with a specialised vacuum, measured, electronically tagged and linked to an online catalogue record, before being safely relocated to a climate-controlled storage facility.

Minister Noonan said on the occasion of the visit: “I am delighted to be here today, witnessing this historic once in a lifetime decant as it unfolds. We have a shared responsibility towards our cultural heritage and Trinity College Dublin through this conservation project is ensuring this 18th century Old Library building and its collections are conserved for the next century. Significant care and consideration goes into moving a collection of this scale and the dedication of the Library team is impressive.”

Keeper of Preservation & Conservation, Susie Bioletti explains the steps to the decant and collection care while Daniel Sheridan, Senior Project Assistant demonstrates the specialised vacuum process.

Provost, Dr Linda Doyle said: “The Old Library Redevelopment Project is a transformative undertaking which will preserve this priceless cultural institution for the next generation and beyond. The decant, led by the Library team, is a massive operation, with more than 50 Library staff assisted by over 25 project assistants. It marks a key stage in this transformative redevelopment project.”

 
Minister Noonan, joined by the Provost, Dr Linda Doyle and Bursar, Professor Eleanor Denny, is shown a book on Kilkenny, his native county, ready for transfer by Project Assistant Supervisor, Dena Horan.

Minister Noonan met with Library staff who designed the project and are now carrying it out, helped by project assistants. The project assistants busily working away in the Long Room are early career archivists, conservators and museum professionals from across the country and internationally.

The first book to be decanted was a 19th century publication, ‘Reeves’ History of the English law: from the time of the Romans to the end of the reign of Elizabeth’ and many more have followed.

“This is a particularly complex and sensitive decant. There are so many precious books, manuscripts and objects held in the vast collections, which extend over many centuries. Imagine a house move at scale – thousands of times bigger and more complicated in order to move 700,000 items,” explained the Librarian and College Archivist, Helen Shenton.

Minister Noonan takes his time studying the book with the Bursar.

Trinity Bursar, Professor Eleanor Denny is Chair of the Old Library Redevelopment Project and is leading the project for the University along with all other construction projects on campus:

“The decant process is critical for the next stage of the restoration project. Once complete, the Old Library will close at the end of Autumn 2023 and the urgent structural and environmental upgrades can then take place over a three-year period. It is a once in a lifetime project, and it will future-proof both the 18th century building and its collections for the 22nd century and beyond.” said Professor Denny.

For more information on the Old Library Redevelopment Project see: https://www.tcd.ie/old-library-campaign/

Welcome from the Library of Trinity College Dublin

Librarian Helen Shenton pictured in front of Berkeley Library

A very warm welcome to all returning students, academics, researchers and staff.

Library Supports & Services

We have a new orientation guide which is a result of students’ questions about the Library; a special thank you to the Global Student Ambassadors who were so generous with sharing their top tips in this new Getting to know your Library video.

We in the Library kickstarted the new academic year with in-person student orientation programmes. They included tours for postgraduates, mature and Trinity Access Programme students.

Sensory Library tours are also taking place this week as part of Trinity’s Autism orientation programme, and we look forward to welcoming incoming first year undergraduate students with the wonderful S2S Mentor team. Keep an eye out for new sensory furniture and spaces as part of the TCD Sense project.

This semester’s Library HITS (Helpful Information for Trinity Students/Staff) are starting next week and the first module will focus on skills for postgraduate and returning students. The interdisciplinary taster sessions co-delivered with Student Learning & Development are relevant for all students and cover everything from essay writing, academic integrity and critical thinking to publishing and promoting your research.

If you have any queries, Library staff are here to assist you with virtual consultations, skills workshops and a range of services. Please  email Library@tcd.ie and a Library staff member will get back to you, or contact your Subject Librarian directly.

The Welcome to the Library page has everything needed for you to get started.

Library entrance refurbishment

A refurbishment project of the Library entrances will start in the coming months. It will involve the installation of new access control gates at the entrances of the Berkeley, Lecky, John Stearne and Hamilton Libraries, providing automated access to the Library using the physical ID card and Trinity Live App. The aim is to give seamless access for staff and students, while improving security for Library collections and enhancing the spaces. All information on the project will be available on the Library website.

Virtual Trinity Library

In June 2022 the Library released the digitised version of the one of the world’s finest manuscripts, the Book of St Albans by the 13th century scribe, historian and artist Matthew Paris. The Book of St Albans received conservation attention, cataloguing updates, and was fully digitised, as part of the Virtual Trinity Library’s ‘Manuscripts for Medieval Studies’ project funded by the Carnegie Corporation of New York. The digitised version is being used by students of the M. Phil in Medieval Studies. Its launch received extensive media coverage in the Irish Central, Irish Times and Irish Independent.

Discover more at European Researchers’ Night on September 30th and join the Library and those involved in the research theme ‘Manuscript, Print and Book Cultures’ for a range of activities on Trinity’s outstanding Library collections.

Old Library Redevelopment Project 

The Old Library Redevelopment Project is progressing apace with the decant of the collections from the Old Library, involving the gargantuan task of transferring 350,000 early printed books as part of a total 700,000 items.

Access to all the Library’s Research Collections and its staff expertise will continue throughout the lifetime of the Old Library Redevelopment Project (OLRP).

The Joint Research Collections Reading Room is currently housed in the East Pavilion of the Old Library. In 2023 it will transfer to an Interim Research Collections Study Centre in the basement of the Ussher Library. You will find up-to-date information on the Old Library Redevelopment: Update for Readers section of the Library website.

The Old Library and Long Room remain open and accessible to you and visitors for the next year. The restoration and construction phase will require its closure from the end of 2023.

The Book of Kells Interim Exhibition will ensure that the 9th century manuscript remains on view throughout. Subject to planning permission, the plan for the Interim Exhibition is to restore the historic Printing House to display the Book of Kells and erect a temporary pavilion in New Square to host a temporary exhibition for the three years of the Old Library’s closure.  

Join us on Culture Night, 23rd September, when the Conservation team will be giving talks on the conservation process as part of the Old Library Redevelopment Project.

The Old Library Redevelopment Project has received significant international media coverage, including The Guardian, New York TimesBBC World News, the German national broadcaster ZDF and most recently France 2 aired a piece in August.

Please enjoy the Long Room, often called the ‘most beautiful room in Ireland’, this year – as a reminder, every member of Trinity’s community is welcome to visit for free, but it is important to book ahead, for more details email BookofKells@tcd.ie. The Library will also be organising tours for staff and students in the coming months with more information to follow.

Finally, the 87th IFLA World Library and Information Congress was held in Ireland for the first time at the Dublin Convention Centre in July. I was honoured to give a keynote presentation on intertwined digital and cultural heritage, and the former Chancellor Mary Robinson gave an outstanding keynote address on ‘Climate Justice’ to the 2000+ delegates at the opening ceremony. Her challenges to us all were stark, simple and clear, and highly recommended viewing, as we figure out our collective and individual responses to the environmental crises.

With warmest good wishes for the forthcoming semester,

Helen Shenton


Librarian and College Archivist

One of the world’s finest medieval manuscripts, the Book of St Albans, is digitised for the first time

The Library of Trinity College Dublin makes a 13th century masterpiece globally accessible

One of the most finely illustrated medieval manuscripts, Matthew Paris’s Book of St Albans has been digitised by the Library of Trinity College Dublin for the first time. The 13th century masterpiece features 54 individual works of medieval art and has fascinated readers across the centuries, from royalty to renaissance scholars.

The precious manuscript survived the chaos and trauma of the dissolution of the monasteries and came to Trinity College Dublin in 1661.

Full page of the martyrdom of St Alban by beheading and the fate of his executioner, by Matthew Paris, TCD MS 177 f38r.

Created by the renowned scribe, the Benedictine monk, Matthew Paris of St Albans Abbey in England, the manuscript chronicles the life of St Alban, the first Christian martyr in England. It also outlines the construction of St Albans cathedral.

The monastery at St Albans was one of the most important in the country. It was a major site of pilgrimage receiving many pilgrims from Ireland.

The book was held in St Albans Abbey for 300 years until the dissolution of the Abbey in 1539.

All other precious manuscripts by Matthew Paris are held in the British Library, and the Universities of Cambridge, Oxford and Chetham’s Library Manchester.

The Book of St Albans was a high-status book, viewed by King Henry VI. Written in Latin it also contains Anglo-Norman French which made it accessible to a wider secular audience including educated noble women.

It was borrowed by noble ladies of the period, including the King’s sister-in-law Countess of Cornwall, Sanchia of Provence, and others.

The content at times gruesome, include illustrations featuring the decapitation of St Alban and his executioner whose eyes literally pop out of his head at the point of execution.

The artwork consisting of mostly framed narrative scenes, is a tinted drawing technique where outlined drawings are highlighted with coloured washes from a limited palette. This technique was distinctly English, dating back to Anglo Saxon art of the 10th century.

From St Albans Abbey, it came into the ownership of the Elizabethan Royal adviser and astronomer, John Dee, following which it was sold to James Ussher, Archbishop of Armagh, and subsequently came to Trinity with his library in 1661.  It has remained in the Library of Trinity College Dublin for over 350 years.

For the first time, this manuscript is now fully digitised and available online, a process which has been undertaken through the Virtual Trinity Library initiative as part of its Manuscripts for Medieval Studies project funded by Carnegie Corporation of New York.

The Book of St Albans has been fully digitised ahead of the feast day of St Alban, tomorrow Wednesday, 22nd June.

Commenting on its significance, Librarian & College Archivist, Helen Shenton said:

“The Library of Trinity College Dublin is delighted to make this medieval masterpiece accessible to a global audience. For the first time in history, this exquisite manuscript by one of the world’s most famous medieval artists and chroniclers, Matthew Paris may be viewed digitally revealing its beautiful artistry in full colour. As part of the Virtual Trinity Library’s Manuscripts for Medieval Studies project it contributes to teaching and research at Trinity College Dublin and has fostered collaboration with other universities and libraries.”

Virtual Trinity Library is a digitisation initiative of the Library of Trinity College Dublin’s most valued collections. It will conserve, catalogue, curate, digitise and research these unique collections of national importance, making them accessible to a global audience, from schoolchildren to scholars.

Manuscripts Curator, Estelle Gittins said: “This astonishing manuscript contains some of the most incredible medieval art, it is a window into an elaborate world of saints, kings and knights, but also sailors, builders and bell ringers. Before now the only way to study all of the images in this important manuscript was to consult the rare, black and white, 1924 facsimile edition, it is so exciting that this can now be viewed and enjoyed by everyone at the click of a button.”

Virtual Trinity Library’sManuscripts for Medieval Studies project which was philanthropically supported by a grant from Carnegie Corporation of New York, has focussed on 16 medieval manuscripts of international research significance. The manuscripts are used for teaching on the Trinity M. Phil in Medieval Studies course. The selection demonstrates the breadth and variety of the Library’s collections of source material for the study of the art, history, culture, language and literature of the medieval period, and the history of the book in particular.

Other works digitised as part of this project include the highly decorated 12th century manuscript, the Winchcombe Psalter and surviving manuscripts of St Augustine’s Abbey, Canterbury and Salisbury Cathedral, medieval music from Britain and Ireland, and a rare 15th-century life of St Thomas Becket.

Pictured on the occasion of the announcement were: Director of the M.Phil in Medieval Studies, Dr Mark Faulkner, Librarian & College Archivist, Helen Shenton and Manuscripts Curator, Estelle Gittins.

Notes to Editors

View new online exhibition Matthew Paris’s 13th-Century ‘Book of St Albans’ – A masterpiece of medieval art

View the digitised manuscript at https://doi.org/10.48495/8p58pm63q

View the video at https://www.youtube.com/watch?v=ueIv6aEalio

12th Century Irish manuscript the Book of Leinster to be conserved, researched, and digitised for a global audience

Bank of America announced that the Library of Trinity College Dublin will receive funding to conserve, research and digitise the Book of Leinster, a 12th century parchment manuscript. It is one of the most important manuscripts written in Irish to have survived from the early medieval period and is of incalculable value to the history of Ireland and the Irish language.

The award is being made through the company’s 2022 global Art Conservation Project. Other prestigious international projects to receive funding include the restoration of Notre Dame, the Michelangelo drawing ‘Epifania cartoon’ at the British Museum and Edvard Munch’s ‘Vampire’ at the Munch Museum in Norway among others across the world.

Commenting on the significance of the award, Librarian & College Archivist, Helen Shenton said: “The Library of Trinity College Dublin’s collection of over 200 medieval and early modern manuscripts written in the Irish language is ranked as one of the most important collections in the world. Covering over a thousand years of Irish literature and learning, they shine a light on how Irish society operated, how our ancestors interacted with each other, what stories and myths they told about themselves and how they saw themselves on the world stage. Once conserved the Book of Leinster will form part of the Library’s major digitisation project, the Virtual Trinity Library and will be made globally accessible online.”

The Book of Leinster, written in the 12th century, is the earliest manuscript in the Library’s collection written entirely in Irish and one of the most important manuscripts of the early Irish period. Written by the ‘prime historian of Leinster’, Áed Úa Crimthainn, abbot of Terryglass, Co. Tipperary, it was formerly known as the Lebor na Nuachongbála or ‘Book of Nuachongbáil’, a monastic site known today as Oughaval in Co. Laois.

Pictured on the occasion of the announcement are CEO of Bank of America, Europe, Fernando Vicario,
Librarian & College Archivist, Helen Shenton  with Keeper of Preservation and Conservation, Susie Bioletti.
 

Fernando Vicario, CEO Bank of America Europe DAC and Country Executive for Ireland said: “We are honoured to once again support the Library of Trinity College Dublin. This year’s partnership sees the conservation, research and digitisation of the Book of Leinster, an invaluable medieval Irish manuscript. Previously, funding was awarded for four significant manuscripts, the Codex Usserianus Primus, the Garland of Howth, the Book of Dimma, and the Book of Mulling. Through our commitment to the arts and this continued partnership, we hope that millions of people around the world will be able to access and enjoy these cultural treasures.”

The manuscript is an anthology of prose, verse, genealogy, medical knowledge, and place-name lore. It contains the Irish ‘book of genesis’, Lebor Gabála Érenn, which establishes the place of Ireland, the Irish people and their language in a biblical world setting. A very important version of the saga An Táin Bó Cúailnge and the story of Cú Chulainn is also included in the collection.

 Keeper of Preservation and Conservation, Susie Bioletti said: “Bank of America’s support will enable the painstaking conservation of one of our most fragile and important 12th century Irish manuscripts. Currently inaccessible due to risk of damage if handled. The treatment will stabilise the parchment, and repair extensive losses and tears allowing the manuscript to be resewn and rebound. This transformation will enable researchers to engage with the manuscript and catalyse research on the materials, decoration, text and meaning of a complex and fascinating record from the early Middle Ages.”

Since 2010, Bank of America’s Art Conservation Project has supported the conservation of more than 6,000 individual pieces including paintings, sculptures, and archaeological and architectural pieces of critical importance to cultural heritage and the history of art. More than 200 projects across 39 countries have been managed by not-for-profit cultural institutions that receive grant funding to conserve historically or culturally significant works of art that are in danger of deterioration.

This is the second time that the Library of Trinity College Dublin has been awarded funding by Bank of America through its Art Conservation Project. In 2014 funding was awarded for its early medieval Irish manuscripts, the Codex Usserianus Primus, the Garland of Howth, the Book of Dimma, and the Book of Mulling dating from the 5th-9th centuries in a similar project that conserved, researched and digitised these precious manuscripts.

Library Exhibition celebrates the centenary of Trinity Women Graduates.

To celebrate the one hundredth anniversary of its establishment Trinity Women Graduates (formerly Dublin University Women Graduates Association) has partnered with the Library of Trinity College to present an exhibition of photographs, records and other historical documents from the Trinity Women Graduates’ archive and College Records in the Long Room of the Old Library. Trinity Women Graduates (TWG) was founded on the 25th of April 1922 to keep its members in touch with Trinity and each other and with women graduates internationally.

Continue reading “Library Exhibition celebrates the centenary of Trinity Women Graduates.”