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Mitigating the temporary loss of access to UK Electronic Legal Deposit

Black student typing on a laptop

The disruption of the Library’s access to publications normally available via UK Electronic Legal Deposit is ongoing, following the cyberattack on the British Library at the end of last October. As a UK Legal Deposit Library, the Library of Trinity College Dublin along with the  other legal deposit libraries, the British Library the National Library of Scotland, the National Library of Wales, the Bodleian Libraries, University of Oxford and Cambridge University Library, share the infrastructure for UK electronic legal deposit publications.

This incident has since received wide press coverage, e.g. in the Financial Times and the New Yorker. For up-to-date information on the steps towards recovery, see the British Library’s blog. The Library continues to work with colleagues in the British Library and the other four UK legal deposit libraries to review and ‘build back better’ the access infrastructure for the e-books, e-journals, archived websites, and other digital publications.

Anticipating that it will be months before access is restored, the Library has issued a guide to describe the mitigating actions taken, and to point readers to alternative information resources. An action to highlight is a trial subscription to a large package of more than 230,000 e-books. You will encounter them in search results in Stella Search; they stand out because they include cover images and an access button labelled ‘eBook’. If you want to target them, click on ‘eBooks’ under ‘Format’ in the selection options on the left-hand side; or select ‘eBook Collection (EBSCOhost)’ under ‘Content Provider’ further down.

Welcome from the Library of Trinity College Dublin

Librarian & College Archivist, Helen Shenton

“The only thing that you absolutely have to know, is the location of the library.”
               −Albert Einstein

Dear students and staff,

A very warm welcome to all new students and returning students, academics, researchers, and staff. To our first-year undergraduates who have started classes, we especially wish you every success in your new lives. The Welcome to the Library page has everything needed for you to get started. If you have any queries, Library staff are here to assist you with virtual consultations, skills workshops and a range of services. Please email Library@tcd.ie and a Library staff member will get back to you, or contact your Subject Librarian directly. 

Library Supports & Services

We started the new academic year with in-person student orientation programmes. They included tours of the Library complex for undergraduate, postgraduate, Trinity Access Programme (TAP), Visiting, Erasmus and Neurodiverse Plus programmes. A big thank you to our TAP Ambassadors, S2S Mentors and Disability Ambassadors for their assistance throughout. There will also be Library sensory tours during the semester. 

Sometimes it can be challenging for students to recognise what constitutes good academic practice. In collaboration with Trinity Teaching and Learning, Student Learning Development and the Trinity Inclusive Curriculum our Guide to Academic Integrity has been refreshed, providing study and referencing tips to help students avoid common pitfalls. Look out for ‘citing and referencing’ and ‘avoiding plagiarism’ workshops and clinics taking place during Academic Integrity Week. 

Some Library users can also experience challenges with text. For example, those with a visual impairment, dyslexia or a physical disability. Bookshare Ireland provides Trinity readers access to a global database of over 1.2 million e-books which can be transformed into more accessible formats. 

The staff version of ‘CA7000;Research Integrity and Impact in an Open Scholarship Era’, co-ordinated by the Library’s Research Informatics Unit, will be available to Trinity staff via Blackboard on a voluntary, self-registration basis from September 20th.

A new monthly Ecological Emergency Book Club for staff, led by Dr Clare Kelly will start on October 13th, to engage staff in some of the best readings on the climate and biodiversity crisis, helping to educate, inform and build a community of solidarity. 

From October, the Manuscripts and Archives catalogue records will be accessible through the main online Library catalogue, Stella, meaning all users will now be able to search across the entirety of our collections through this one platform.

This semester’s Library HITS (Helpful Information for Trinity Students/Staff) started last week. If you are new to Trinity or want to refresh your existing skills, please join the programme which is delivered by the Library and Student Learning & Development.

Renaming of the Berkeley Library

Following extensive consultation and evidence-based submissions under the Trinity Legacy Review Working Group, in April the Board decided to dename the Berkeley Library, the brutalist modernist building in the centre of campus. In line with the Board’s decision to dename and explain,the building is temporarily being referred to simply as the Library’ and there is explanatory material in the foyer.

Over the academic year, there will be a consultative process for renaming the building, which will be an opportunity for people to convey views on what the former Berkeley Library should be called and why. All the evidence, submissions, and minutes of the Trinity Legacy Review Working Group are available here and a short film on the issues to date will be available soon.

Library Refurbishment Programmes

We will reach a major milestone in the preparation for the Old Library Redevelopment Project (OLRP) with the completion of construction of the new Interim Research Collections Study Centre in the Ussher Library Basement this semester.

For the duration of the conservation of the Old Library, Research Collections and staff currently in the Old Library, will be housed in the heart of the contemporary Library complex.

The construction works have caused intermittent noise and disruption over the summer and will continue for a while longer. I would like to thank everyone for their patience and understanding.

Meanwhile, works to replace the windows in the 1937 Reading Room are scheduled to continue until the end of September. On completion, postgraduates will enjoy a warmer and healthier study environment.

Old Library Redevelopment Project 

The decant of the collections from the Old Library, involving the gargantuan task of transferring 350,000 early printed books (as part of a total 700,000 items) is near completion. Many of you will already have seen the wonderful timelapses of this process. By the end of this month, all the books will be removed from the Old Library, except for the first four bays on either side of the entrance to the Long Room. These will remain in place for visitors while the Old Library remains open until the end of 2025, when the conservation and construction of the building will commence.

Up-to-date information can be found on the Old Library Redevelopment: Update for Readers section of the Library website.

Virtual Trinity Library

Highlights of our astounding Library collections have featured throughout the year in symposia, and physical and online exhibitions thanks to the ambitious Virtual Trinity Library programme and its extensive digitisation of collections made available on Digital Collections.

A highlight this semester will be the Library symposium ‘Many Lives of Medieval Manuscripts’ as part of the Manuscripts for Medieval Studies project, supported by the Carnegie Corporation of New York taking place on 30th November and 1st December 2023.

The achievements of the international Unlocking the Fagel Collection project were also celebrated with a Library symposium and an exhibition in the Long Room in June.

On the occasion of another Library exhibition in April, marking the 400th anniversary of the first collected edition of Shakespeare’s plays, the First Folio, Trinity alumna and author Anne Enright launched the Trinity Centre for the Book. The new research centre, hosted in the Trinity Long Room Hub Arts and Humanities Research Institute, in collaboration with the Library, will co-ordinate and share research on the cultural and social importance of books of all types.

The Book of Kells will be the topic of the Trinity Centre for the Book Research Seminar in this week’s Trinity Arts & Humanities Research Festival on 27th September at 4pm. Afterwards, our librarians will describe some of their favourite items across the Library’s vast collections.  

Finally, last Thursday, we celebrated the donation of the Bollmann Collections of fore-edge paintings with an exhibition in the Long Room.

With warmest good wishes,

Helen Shenton

Librarian & College Archivist

School of Education authors publish new book on Universal Design for Learning in Academia

Authors pictured are Mary Quirke, Patricia McCarthy and Gaston (Trusty bi-lingual Asst.) and Conor McGuckin.

The Routledge publication of “Adopting a UDL Attitude within Academia” was celebrated with authors, Mary Quirke, Conor McGuckin and Patricia McCarthy, together with Gaston (Patricia’s guide dog), Library staff and colleagues this week (July 12th) in the foyer of the Library.  The book is an interesting project whilst also an exciting contribution to the discourse on inclusion on campus.  The authors themselves are an interesting team in that Mary is completing her PhD, with Dr McGuckin and Dr McCarthy who are colleagues in the School of Education.

Authors, Mary Quirke, Patricia McCarthy and Gaston (Trusty bi-lingual Asst.) and Conor McGuckin joined by colleagues from the  School of Education, Library and wider College community: Michael Shevlin, Siobhan Dunne, Derina Johnson, Emer Murphy, Aoife Lynam, Emily Barnes, Marita Kerin, Carmel O’Sullivan, Conn McCluskey, Sarah Coughlan, Rebecca Cullen, Barbara Ringwood and Carol-Ann O’Sioráin.

While the book bridges the gap between the theory and practice of UDL (Universal Design for Learning), a design framework for inclusion, it very clearly sets out the “thinking” needed in our increasingly diverse learning environments.

The book is not just intended for those leading classrooms and this is very evident from the variety of contributors across the publication.  Our very own subject librarian, is one of many international contributors.  Geraldine Fitzgerald shares her experience of developing inclusive practice in Chapter 8 and how in her role as subject librarian for Education, she regarded UDL as a useful personal learning concept. Geraldine has successfully applied UDL with colleagues resulting in positive inclusive change across the Library and has continued to collaborate on projects relating to improving the library’s sensory environment and improving accessibility to resources.

This book encompasses all the values of inclusion.  It pushes the boundaries and engages all on campus.  The inclusion of subject librarian, Geraldine, was integral as when we first think about information in a campus setting, our thoughts are never too far away from what we need to read.  Whilst the librarians and their expertise are important to the discussion of inclusion, these colleagues do not stand alone as the gatekeepers.  Each and every one of us has a role to play. 

That is the essence of the book − it shares the attitude necessary for inclusion, where inclusion is everyone’s business.

The book will have a broad appeal and is essential reading for anyone looking to understand and implement UDL across their learning environment.

There is a book launch planned Sept 7th 2023, so do put the date in your diary! Further details to follow.

Submitted by Author Mary Quirke

Trinity College Dublin to dename the Berkeley Library 

The Berkeley Library

Trinity College Dublin is to dename the Berkeley Library while adopting a retain-and-explain approach to a stained-glass window commemorating George Berkeley [26 April 2023].  

Portraits depicting Berkeley will be assessed in the future by a new overall College policy on artwork, while the academic Gold Medals memorialising Berkeley will be reviewed by the relevant academic department.  

These decisions represent a nuanced approach and are the result of careful consideration and detailed analysis. 

Opened in 1967, Trinity’s largest library was named in 1978 after George Berkeley, the world-renowned philosopher, and former Librarian at Trinity. Berkeley published some of his most important philosophical works while at Trinity in the 1700s. He bought slaves – named Philip, Anthony, Edward, and Agnes Berkeley – to work on his Rhode Island estate in 1730-31 and sought to advance ideology in support of slavery. 

Today’s decision was taken by the University’s Board following several months of research, analysis and public consultation overseen by the Trinity Legacies Review Working Group, which is considering legacy issues on a case-by-case basis. 

Trinity decided that the continued use of the Berkeley name on its library is inconsistent with the University’s core values of human dignity, freedom, inclusivity, and equality. The denaming does not deny Berkeley’s importance as a writer, philosopher, and towering intellectual figure. His philosophical work will still be taught at Trinity and remains of significant contemporary relevance. A separate process will determine what the new name for the library should be. 

Trinity’s Provost Dr Linda Doyle said:  

“The landscape of a university, especially one as old as Trinity, is not static. Each generation of students and staff deserves a chance to influence decisions. In this case, it was our students who called on us to address the issue. We welcome their engagement, and we thank the Trinity Legacies Review Working Group for its assistance in providing evidence-based information to underpin this decision. 

“George Berkeley’s enormous contribution to philosophical thought is not in question. However, it is also clear that he was both an owner of enslaved people and a theorist of slavery and racial discrimination, which is in clear conflict with Trinity’s core values.” 

Professor Eoin O Sullivan, Senior Dean and Chair of the Trinity Legacies Review Working Group, said: 

“I am grateful to all those who contributed their time and expertise to the consideration of this critical issue. We received close to 100 submissions from members of the public, alumni and our own students and staff on this matter. 

“Especially influential on our thinking has been the pioneering work at the universities of Glasgow, Dalhousie, Brown, and Harvard, all of which have faced similar issues to those we face at Trinity as we reckon with our past. We are committed to addressing issues around Trinity’s complex legacy, from an evidence-based perspective and on a case-by-case basis.” 
 
Helen Shenton, Librarian and College Archivist at Trinity College Dublinsaid: 

“Technological advances, societal changes and cultural evolutions shape the Library for each generation. Libraries are both fundamental constants in the university and simultaneously constantly in flux. 

“The Library building known today as the ‘Berkeley’ started out as the ‘New’ Library in 1967. As a 21st century Library, another name change prioritises the current generation of students’ experience of a welcoming and supportive Library space. There is the opportunity to be creative and imaginative in response to this change.  

“Trinity will continue to hold George Berkeley’s philosophical works in the Library collections and continue to teach and to research his works.” 

ENDS

Background on Trinity’s process:

Trinity’s Legacies Review Working Group (TLRWG), comprising Trinity students, professional staff, academic staff as well as external members, began an evidence-based review of the issues around the Berkeley last year.

This followed a call from the Trinity College Dublin Student Union to dename the library.

93 written submissions were received about George Berkeley by the end of January 2023.  These included submissions from current students and staff, emeritus staff, alumni and international experts on Berkeley and other associated subjects. Of these, 47 were in favour of de-naming the library, 23 suggested new names for the library and should be seen as broadly supportive of de-naming, even if renaming was outside the brief of this consultation. There were 16 submissions that supported retaining Bishop Berkeley’s name on the library.

All submissions made on the topic of George Berkeley can be downloaded and read here (https://www.tcd.ie/seniordean/legacies/).

For a working paper on Berkeley’s legacies at Trinity prepared for TLRWG, see here (https://www.tcd.ie/seniordean/legacies/berkeleyTLRWGworkingpaper.pdf).

The role of the TLRWG is to document the historical evidence on specific legacy issues, to seek evidence-based submissions from the College and wider community on each identified issue, and, based on the evidence collated, provide options for consideration to the relevant decision-making authority (College Board, Faculty Executive or School Executive) as is appropriate and determined by the Working Group. The Terms of Reference for the Group can be read here: https://www.tcd.ie/seniordean/legacies/TLRWGToR.pdf

 A brief biography of George Berkeley

George Berkeley was born at Dysart, Co. Kilkenny in March 1685. Educated at Kilkenny College, he entered Trinity College Dublin in March 1700, receiving his BA degree in February 1704. He took holy orders and became a fellow of Trinity by competitive examination in 1707. He subsequently held several college offices including Librarian (1709), Junior Dean (1710), junior Greek Lecturer (1712), senior Greek lecturer (1721), Divinity lecturer and preacher (1721) senior Proctor (1722) and Hebrew lecturer (1723) before relinquishing his fellowship in 1724 to become Dean of Derry. As Librarian in 1709 he was instrumental in overseeing the building of the then new library, now the Old Library.

While at Trinity he published the three books upon which his fame and reputation as a philosopher rests. The first of these, An essay towards a new theory of vision was published in 1709 and developed his ideas on vision which would later support his more famous immaterialist hypotheses. His Treatise concerning the principles of Human Knowledge followed in 1710 and is regarded as his masterpiece. It developed his full-blown philosophy of materialism or subjective idealism and continues to have a major influence on modern philosophical scholarship. Finally, the third of these pioneering works, Three dialogues between Hylas and Philonous was published in London in 1713. His reputation established; Berkeley embarked on two extensive grand tours of Europe from 1714-20 before eventually returning to his fellowship.

While Dean of Derry, he developed his idea for establishing a university in the American colonial territory of Bermuda. This eventually involved Berkeley moving to Rhode Island in 1729 where he purchased a farm at Whitehall worked by enslaved people.

Upon his return from America and following a period living in London with his growing family, Berkeley was appointed to the provincial bishopric of Cloyne, in which role he remained until his death. During this period, he wrote his influential work on Irish political economy, The Querist (1735-37), as well a series of other pamphlets.

More detail on Berkeley’s memorialisation at Trinity

Berkeley Memorial Window

The Berkeley Memorial window is one of three major pieces of stained glass sited in the chancel of the College Chapel and dates to 1866. It is not well-known – even within the College – and the only scholarly article written about it is a 1972 piece by E.J. Furlong in Hermathena, from which the bulk of the following description is taken. The idea of a window dedicated to Bishop Berkeley emerged alongside suggestions for windows in honour of Archbishop Ussher and Richard Graves, Dean of Armagh and was approved by Board in 1867. It was funded by the gift of £300 from Richard R. Warren, then MP for Trinity, and a further gift of £72 from the incoming Provost Humphrey Lloyd – both given in 1867. Designs were considered for the window in February 1868, and the London firm of Clayton and Bell were successful.

Bishop Berkeley’s Gold Medals

 On 8 May 1752, ‘the Provost and Senior Fellows agreed to give annually, forever, two Gold Medals for the encouragement of Bachelor of Arts in the Study of the Greek language: having received a Benefaction of one hundred and twenty guineas, besides a die, from the Right Rev. Dr. George Berkeley, Lord Bishop of Cloyne for that purpose.’ These medals are still listed in the College Calendar today but have not been awarded by the Dept. of Classics since 2011.

The Department of Classics has a preference to dename Bishop Berkeley’s Gold Medals.

Portraits

There are three portraits of George Berkeley in the College art collection. One, by Robert Home (1782), is hung in the Examination Hall, another, by Francis Bindon (1733), is in the Senior Common Room, and the last is by James Latham (1743).

Ireland’s only copy of the first edition of Shakespeare’s collected plays goes on display in the Library

Image of the Library's First Folio

Paw prints, burn marks and a mysterious code … Ireland’s only copy of Shakespeare’s First Folio has all the hall marks of a book that was much used and much loved. 

The highly-regarded volume is the centrepiece of a new exhibition in the Library of Trinity College Dublin entitled ‘Shakespeare the Irishman’ marking 400 years since the Bard’s complete works were first published. Both a physical exhibition and online version of the Library exhibition were launched last night in the Old Library [Thurs, April 13th] by Trinity alumna and author Anne Enright.  

The first collected edition of William Shakespeare’s plays was published in 1623, seven years after his death. Without it, half of his plays would have been lost. Surviving copies of the First Folio are among the most highly-sought after books in the world.  

Trinity’s copy was acquired at the auction of the library of the late academic Arthur Browne after his death in 1805.  Since then the First Folio has been one of the most cherished items in the Library’s collections.  

Head of Research Collections, Laura Shanahan, author, Anne Enright, exhibition curator, Professor Andy Murphy and co-curator & Assistant Librarian, Shane Mawe at the exhibition launch.

Helen Shenton, Librarian & College Archivist, commented: 

“This exhibition is part of the global celebrations of ‘the book that gave us Shakespeare’ – without the publication of the First Folio we would have lost half of Shakespeare’s plays. It is important to Trinity and Ireland because we have the only copy of the First Folio on the island. It is the highlight of the extensive Shakespearean material in our Library collections. It’s fantastic that it can be seen in the exhibition here in the Old Library and in its digitised form through the Virtual Trinity Library.” 

Andy Murphy, Professor of English and curator of the exhibition, commented:  

“This exhibition tells the story of Trinity’s copy of Shakespeare’s First Folio, one of the jewels in the crown of the Library’s collection. While in good condition, it’s clear that it was a much beloved and read volume. Evidence of burn marks, drink stains, paw prints, and mysterious symbols, which have yet to be deciphered, tell us that this is a book that has been used and abused, but always cherished.  

“In Ireland, Shakespeare’s plays have always been deeply intertwined with politics. The exhibition explores how his plays were adopted and adapted in Ireland focusing on his centrality to 18th century ascendancy colonial culture; his influence on 19th century Irish nationalists such as Wolfe Tone, James Connolly, and Patrick Pearse and the translation of some of his work into the Irish language in the 20th century.” 

 
Librarian & College Archivist, Helen Shenton, Provost, Dr Linda Doyle, author, Anne Enright and Professor Andy Murphy viewing the exhibits.

As part of global Folio400 celebrations, Trinity’s copy of the First Folio has been digitised in its entirety and is now freely available to the public online via the Virtual Trinity Library.  

The exhibition marks the launch of the Trinity Centre for the Book a new research centre hosted in the Trinity Long Room Hub Arts and Humanities Research Institute in collaboration with the Library, which will co-ordinate and share research on the rich cultural and social importance of books of all types.  

Mark Faulkner, Ussher Assistant Professor in Medieval Literature and Director of the Trinity Centre for the Book, commented: 

“As this exhibition demonstrates, Trinity’s Library has an outstanding collection of Shakespearean material; and this excellence is mirrored in its holdings of medieval manuscripts, early printed books and the archives of authors, politicians, thinkers and many others. The new Trinity Centre for the Book will harness these outstanding collections and the university’s significant concentration of experts across its three faculties and the Library to further our understanding of one of society’s most important technologies – the book.” 

Niamh O’Farrell-Tyler, 4th year Student in Drama and Theatre Studies, School of Creative Arts
recites ‘the isle is full of noises’ speech from Shakespeare’s ‘The Tempest’ as part of the Library exhibition.

More about the Trinity Centre for the Book: 

The Trinity Centre for the Book, hosted in Trinity Long Room Hub Arts and Humanities Research Institute, in collaboration with the Library, aspires to make Trinity a globally recognised centre for the study, understanding and sharing of the book. The centre will capitalise on Trinity’s outstanding Library collections that span thousands of years, from the Egyptian Books of the Dead to the Library’s rapid response collecting initiative ‘Living in  Lockdown’ – a hybrid collection of physical works and born digital submissions. It will also harness the university’s significant concentration of expertise, with more than 150 researchers publishing over 1,000 works on book history over the last ten years. The centre will examine all aspects of the history of the book to broaden our understanding of its rich cultural and social importance. This will include the key role it has played in communicating knowledge and lived experience for millennia, to recent developments in non-alphabetic forms of communication such as emojis and the emergence of AI-driven content generation engines such as ChatGPT. See more here

More about Trinity’s First Folio: 

The First Folio is one of the most highly-regarded books in the world. Trinity holds the only copy of the book on the island of Ireland. It formerly belonged to Arthur Browne, who was born in New England into a family with strong Irish connections. He studied at Trinity and settled in Dublin. Browne was a distinguished lawyer and an academic at Trinity, where he was both Prof of Law and Prof of Greek. At the time Trinity had its own seat in the Irish parliament and Browne was MP for Trinity from 1783 until parliament was dissolved in 1800. Trinity’s copy of the volume, while in good condition, includes evidence of its having been well used by readers over the decades with evidence of burn marks; drink stains; paw prints; and annotations. The most intriguing aspect of Trinity’s copy is a page that includes a set of inscriptions on one of its blank pages. These are yet to be deciphered, but are most likely shorthand symbols. Trinity purchased the book at the sale of Browne’s books in the wake of his death in 1805 paying £26 11s 6d for the volume.  

 

Legal deposit libraries of Ireland and the UK celebrate 10th anniversary of digital collecting

The six legal deposit libraries of Ireland and the UK, comprising  the Library of Trinity College Dublin, the British Library, the National Library of Scotland, the National Library of Wales, the Bodleian Libraries, University of Oxford and Cambridge University Library,  are celebrating 10 years of collecting and preserving digital publications today [6 April, 2023].

The Library of Trinity College Dublin is the only library on the island of Ireland that enjoys UK Legal Deposit status which entitles it to receive a copy of every item published in Ireland and the UK. It has enjoyed this status since 1801, enabling the Library to build an unparalleled record of our intellectual and cultural heritage for the benefit of students, researchers and visitors from near and far.

In 2013 these powers were extended from printed publications to include non-print (electronic) legal deposit, allowing readers to access websites, e-books, and online journals, creating an unprecedented collection of digital and online publishing which captures contemporary living. The commitment to electronic legal deposit has also provided access to the UK Web Archive, which holds millions of websites and over 100 curated collections including Brexit and the global Covid-19 pandemic, to name but a few.

Ranging from the most contemporary electronic collections to 19th century print collections, the impact of both print and non-print legal deposit for the island of Ireland has been significant.

  • In 2016, marking the centenary of the 1916 Easter Rising in Ireland, the Library of Trinity College Dublin collaborated with the Bodleian Library and British Library to archive websites from both the Irish and UK web domains as they reflected on this pivotal moment in modern Irish history in the 1916 Web Archiving Project.
  • The Library of Trinity College Dublin has one of the most significant collections of Northern Irish publications published on the island of Ireland, including books, pamphlets and local history, especially relevant as we mark the 25th anniversary of the Good Friday Agreement also this week.
  • By the 1930s, the number of newly published books banned in Ireland each year was between 100-150, denying the Irish public the right to important Irish and international literature. Under Legal Deposit, the Library of Trinity College Dublin continued to receive these books and was able to provide access, albeit under very restricted conditions.
  • Legal Deposit enabled the collection of books by women authors from the 19th century onwards, both from Ireland and the UK. This helped to counteract collection bias and improved representation.

Commenting on its significance, Librarian & College Archivist, Helen Shenton said:

“Today, the Library of Trinity College Dublin together with our five legal deposit libraries in the UK, celebrate 10-years of digital collecting, which has enabled the creation of a seventh, transnational digital library for the benefit of all. It is also an opportunity to look back on the significant impact Legal Deposit has had over centuries, building an unparalleled record of our intellectual and cultural heritage.”

About Legal Deposit Libraries

There are six legal deposit libraries across in Ireland and the UK. They are:

The legal deposit libraries work together to ensure the long-term preservation of Irish and UK publications. They ensure that publications are held securely and that they can be discovered and accessed by readers. For further details on the 10th anniversary celebrations on digital collecting see British Library announcement.

First sculptures of women installed in Trinity’s Old Library

On St Brigid’s Day Trinity College Dublin installed four new sculptures in its Old Library to honour the scholarship of four trailblazing women. 

The women represented are the scientist Rosalind Franklin, the folklorist, dramatist and theatre-founder Augusta Gregory, the mathematician Ada Lovelace and the pioneering women’s rights advocate Mary Wollstonecraft. 

The new sculptures, the first to be commissioned in more than a century, will be displayed among the 40 marble sculpture-busts that line Trinity’s historic Long Room, which were hitherto all of men. The current artworks represent men throughout history, from Homer and Shakespeare to Dean Jonathan Swift, Sir Rowan Hamilton and Wolfe Tone. 

The new sculptures were launched by Trinity’s Chancellor Dr Mary McAleese at a ceremony in the Long Room. 

Their addition represents a first step toward a better representation of our diversity in all of Trinity’s public spaces. 

Librarian & College Archivist, Helen Shenton, Provost, Dr Linda Doyle & Curator & Head of the University Art Collections, Catherine Giltrap viewing Mary Wollstonecraft.

The sculptures are the work of four accomplished artists:  Maudie Brady (Ada Lovelace); Rowan Gillespie (Mary Wollstonecraft); Vera Klute (Rosalind Franklin) and Guy Reid (Augusta Gregory). 

Rowan Gillespie’s sculpture of Mary Wollstonecraft was modelled in wax, 3-d-scanned, milled in Carrara marble and then carved and fine finished. Rowan is known for his work in bronze and this is the first time he carved in marble since his student years.

Mary Wollstonecraft

Maudie Brady’s sculpture of Ada Lovelace was modelled originally in clay, then 3-d scanned and carved from a block of statuary Carrara marble by computer-programming, and, finished by hand.  Maudie thought it would be apt for Lovelace, as a mathematician and, effectively, the first ‘computer programmer’ to be represented using techniques enabled by computer programmes and algorithms, book-ended by modelling initially in clay, and, finishing the marble sculpture by hand. 

Ada Lovelace

Guy Reid’s sculpture of Augusta Gregory was hand-carved in lime wood. Guy’s practice is focused singularly on portraiture, and is inspired by medieval, coloured wooden sculptures, resulting in painted depictions of family and friends, alongside special commissions.

Augusta Gregory

Vera Klute’s sculpture has been created in three sections with classical and contemporary techniques. The portrait is made with cast Parian (a type of porcelain) Jesmonite, marble, and Swarovski crystals, the latter making direct references to Franklin’s use of x-ray crystallography to research the structure of DNA. The helix of the socle is a visual nod to Franklin’s contribution to the discovery of the helical form of DNA 

Rosalind Franklin

Librarian and College Archivist, Helen Shenton and also Chair of the Artist Selection Panel welcomed the College community, sculptors and invited guests to the packed launch event:

“On this auspicious day, St Brigid’s Day, we celebrate women’s scholarship with these sculptures in the Long Room of the Old Library. Their individual contributions to knowledge and to society will now be permanently honoured in this cathedral of learning at the heart of Trinity.”  

Provost Dr Linda Doyle stressed the historic significance of the occasion:

“While it is important to respect tradition, it is also important to break tradition. The addition of these sculptures of women has been a long time coming. I want to thank everyone involved in the creation and installation of these beautiful pieces. Sculptures are an iconic feature of Trinity’s Long Room, and I hope that the inclusion of these four outstanding women is the furthering of a collective recognition of the incredible contribution of women across many fields.” 

In an uplifting inauguration, Chancellor poignantly quoted the 18th century Irish poet Antaine Ó Raifteirí in her speech:

“Anois teacht an Earraigh beidh an lá dul chun síneadh, Is tar eis na féile Bríde ardóigh mé mo sheol”.

“Spring is coming. The days are lengthening and after Brigid’s feast day, I will raise my sail. We are the lucky generation to be here to see the springtide. To see Brigid’s sail raised to catch the wind, to see great women given the respect and recognition they deserve. Congratulations to all those who have helped open the floodgates which will one day see full justice done to the work and talent of women everywhere.” 

The four women being honoured were chosen in 2020 from more than 500 nominations by students, staff, and alumni covering a wide field of ground-breaking individuals who contributed significantly to scholarship and culture across history.  

In 2021, after an extensive national and international shortlisting process, nine artists were invited and supported financially to submit maquettes (preliminary models) of at least two of the nominated women, from which the four artists were chosen. 

An ‘In Conversation’ event with the artists and Trinity champions of the scholars  also took place in the Trinity Long Room Hub Arts and Humanities Institute the following day on 2nd February 2023 (more information here). 

More about the portrait candidates:

Mary Wollstonecraft (1759-1797) 

Mary Wollstonecraft was a pioneering women’s rights advocate, and author of A Vindication of the Rights of Women (1792), often considered a foundational text for women’s rights movements. Radical for her time, she argued that all humans have the faculties of rational thought and reason. She also argued that women must be allowed to be educated and to contribute equally to society, stating in A Vindication, “my main argument is built on this simple principle, that if she be not prepared by education to become the companion of man, she will stop the progress of knowledge and virtue.” 

Ada Lovelace (1815-1852) 

Augusta Ada King, Countess of Lovelace, was the author of an 1843 monograph on Charles Babbage’s design for the first analytical engine (general-purpose computer). To her translation of Menabrea’s report of a presentation made by Babbage in Turin she added her famous Notes, highlighting the potential and flexibility of an analytical engine compared to a calculator. These Notes included an algorithm for computing Bernouilli numbers and presaged computer-generated music, a century before Alan Turing proved that such achievements required properties now intrinsic to computers, which Babbage’s design possessed. Ada Lovelace’s unique contribution was to publish the first recognition of the capacity of a computer to make logical deductions about both numerical and non-numerical objects. 

Augusta Gregory (1852 -1932) 

Lady Gregory became one of the most significant intellectual and creative powerhouses of the Irish Literary Revival. Her work as a writer, dramatist, theatre-founder, champion of the Irish language, translator, folklorist, and social commentator helped define and give voice to the tenets of cultural nationalism in the years leading up to, and after, the establishment of the Irish Free State. Today, scholars look to Augusta Gregory’s ground-breaking work for its artistry, for insights into the country’s complex revolutionary period and to explore the role of language and literature in defining Irish identity as distinct, self-determining, and heroic, both nationally and internationally. 

Rosalind Franklin (1920-1958) 
Rosalind Franklin’s scientific discoveries have benefited humanity in several ways. As a fundamental experimentalist, excelling in X-ray crystallography, and despite a career cut short by premature death at the age of 37, she made two seminal contributions: her impeccable analysis generated key measurements for one of the most transformative advances of the 20th century, uncovering the structure of DNA. Her later work had an equally pivotal impact on revealing the structure of RNA viruses, including early work on the Polio virus. Discoveries in both areas contributed to the awarding of Nobel prizes after her death, though not to her (they cannot be awarded posthumously). While her name is often connected with missing out on a Nobel prize, her legacy is of much greater significance. 

Major Library collections move from Old Library as part of landmark conservation project

 One of the largest decants of a heritage building in Ireland − 350,000 early printed books and 700,000 collection items

Minister of State for Heritage and Electoral Reform, Malcolm Noonan visited the Old Library at Trinity College Dublin yesterday [October 19th] to see at close quarters the monumental task of decanting the Library collections as part of the Old Library Redevelopment Project.

In order for the landmark conservation project to start, all of the Library’s Research Collections housed in the Old Library must be transferred to special storage. This means removing 350,000 Early Printed books and a total of 700,000 items as part of the Library collections. Readers will continue to have access to all material in an Interim Research Collections Study Centre during the lifetime of the building conservation project. It is one of the largest decant processes to take place of a heritage building in Ireland.

Minister for Heritage, Malcolm Noonan was joined by Trinity Provost, Dr Linda Doyle, Bursar, Professor Eleanor Denny, Librarian & College Archivist, Helen Shenton during the visit and met with the Library team involved in the historic project.

Minister for Heritage, Malcolm Noonan pictured with Library staff and project assistants.

As part of the decant process, each book is carefully cleaned with a specialised vacuum, measured, electronically tagged and linked to an online catalogue record, before being safely relocated to a climate-controlled storage facility.

Minister Noonan said on the occasion of the visit: “I am delighted to be here today, witnessing this historic once in a lifetime decant as it unfolds. We have a shared responsibility towards our cultural heritage and Trinity College Dublin through this conservation project is ensuring this 18th century Old Library building and its collections are conserved for the next century. Significant care and consideration goes into moving a collection of this scale and the dedication of the Library team is impressive.”

Keeper of Preservation & Conservation, Susie Bioletti explains the steps to the decant and collection care while Daniel Sheridan, Senior Project Assistant demonstrates the specialised vacuum process.

Provost, Dr Linda Doyle said: “The Old Library Redevelopment Project is a transformative undertaking which will preserve this priceless cultural institution for the next generation and beyond. The decant, led by the Library team, is a massive operation, with more than 50 Library staff assisted by over 25 project assistants. It marks a key stage in this transformative redevelopment project.”

 
Minister Noonan, joined by the Provost, Dr Linda Doyle and Bursar, Professor Eleanor Denny, is shown a book on Kilkenny, his native county, ready for transfer by Project Assistant Supervisor, Dena Horan.

Minister Noonan met with Library staff who designed the project and are now carrying it out, helped by project assistants. The project assistants busily working away in the Long Room are early career archivists, conservators and museum professionals from across the country and internationally.

The first book to be decanted was a 19th century publication, ‘Reeves’ History of the English law: from the time of the Romans to the end of the reign of Elizabeth’ and many more have followed.

“This is a particularly complex and sensitive decant. There are so many precious books, manuscripts and objects held in the vast collections, which extend over many centuries. Imagine a house move at scale – thousands of times bigger and more complicated in order to move 700,000 items,” explained the Librarian and College Archivist, Helen Shenton.

Minister Noonan takes his time studying the book with the Bursar.

Trinity Bursar, Professor Eleanor Denny is Chair of the Old Library Redevelopment Project and is leading the project for the University along with all other construction projects on campus:

“The decant process is critical for the next stage of the restoration project. Once complete, the Old Library will close at the end of Autumn 2023 and the urgent structural and environmental upgrades can then take place over a three-year period. It is a once in a lifetime project, and it will future-proof both the 18th century building and its collections for the 22nd century and beyond.” said Professor Denny.

For more information on the Old Library Redevelopment Project see: https://www.tcd.ie/old-library-campaign/

One of the world’s finest medieval manuscripts, the Book of St Albans, is digitised for the first time

The Library of Trinity College Dublin makes a 13th century masterpiece globally accessible

One of the most finely illustrated medieval manuscripts, Matthew Paris’s Book of St Albans has been digitised by the Library of Trinity College Dublin for the first time. The 13th century masterpiece features 54 individual works of medieval art and has fascinated readers across the centuries, from royalty to renaissance scholars.

The precious manuscript survived the chaos and trauma of the dissolution of the monasteries and came to Trinity College Dublin in 1661.

Full page of the martyrdom of St Alban by beheading and the fate of his executioner, by Matthew Paris, TCD MS 177 f38r.

Created by the renowned scribe, the Benedictine monk, Matthew Paris of St Albans Abbey in England, the manuscript chronicles the life of St Alban, the first Christian martyr in England. It also outlines the construction of St Albans cathedral.

The monastery at St Albans was one of the most important in the country. It was a major site of pilgrimage receiving many pilgrims from Ireland.

The book was held in St Albans Abbey for 300 years until the dissolution of the Abbey in 1539.

All other precious manuscripts by Matthew Paris are held in the British Library, and the Universities of Cambridge, Oxford and Chetham’s Library Manchester.

The Book of St Albans was a high-status book, viewed by King Henry VI. Written in Latin it also contains Anglo-Norman French which made it accessible to a wider secular audience including educated noble women.

It was borrowed by noble ladies of the period, including the King’s sister-in-law Countess of Cornwall, Sanchia of Provence, and others.

The content at times gruesome, include illustrations featuring the decapitation of St Alban and his executioner whose eyes literally pop out of his head at the point of execution.

The artwork consisting of mostly framed narrative scenes, is a tinted drawing technique where outlined drawings are highlighted with coloured washes from a limited palette. This technique was distinctly English, dating back to Anglo Saxon art of the 10th century.

From St Albans Abbey, it came into the ownership of the Elizabethan Royal adviser and astronomer, John Dee, following which it was sold to James Ussher, Archbishop of Armagh, and subsequently came to Trinity with his library in 1661.  It has remained in the Library of Trinity College Dublin for over 350 years.

For the first time, this manuscript is now fully digitised and available online, a process which has been undertaken through the Virtual Trinity Library initiative as part of its Manuscripts for Medieval Studies project funded by Carnegie Corporation of New York.

The Book of St Albans has been fully digitised ahead of the feast day of St Alban, tomorrow Wednesday, 22nd June.

Commenting on its significance, Librarian & College Archivist, Helen Shenton said:

“The Library of Trinity College Dublin is delighted to make this medieval masterpiece accessible to a global audience. For the first time in history, this exquisite manuscript by one of the world’s most famous medieval artists and chroniclers, Matthew Paris may be viewed digitally revealing its beautiful artistry in full colour. As part of the Virtual Trinity Library’s Manuscripts for Medieval Studies project it contributes to teaching and research at Trinity College Dublin and has fostered collaboration with other universities and libraries.”

Virtual Trinity Library is a digitisation initiative of the Library of Trinity College Dublin’s most valued collections. It will conserve, catalogue, curate, digitise and research these unique collections of national importance, making them accessible to a global audience, from schoolchildren to scholars.

Manuscripts Curator, Estelle Gittins said: “This astonishing manuscript contains some of the most incredible medieval art, it is a window into an elaborate world of saints, kings and knights, but also sailors, builders and bell ringers. Before now the only way to study all of the images in this important manuscript was to consult the rare, black and white, 1924 facsimile edition, it is so exciting that this can now be viewed and enjoyed by everyone at the click of a button.”

Virtual Trinity Library’sManuscripts for Medieval Studies project which was philanthropically supported by a grant from Carnegie Corporation of New York, has focussed on 16 medieval manuscripts of international research significance. The manuscripts are used for teaching on the Trinity M. Phil in Medieval Studies course. The selection demonstrates the breadth and variety of the Library’s collections of source material for the study of the art, history, culture, language and literature of the medieval period, and the history of the book in particular.

Other works digitised as part of this project include the highly decorated 12th century manuscript, the Winchcombe Psalter and surviving manuscripts of St Augustine’s Abbey, Canterbury and Salisbury Cathedral, medieval music from Britain and Ireland, and a rare 15th-century life of St Thomas Becket.

Pictured on the occasion of the announcement were: Director of the M.Phil in Medieval Studies, Dr Mark Faulkner, Librarian & College Archivist, Helen Shenton and Manuscripts Curator, Estelle Gittins.

Notes to Editors

View new online exhibition Matthew Paris’s 13th-Century ‘Book of St Albans’ – A masterpiece of medieval art

View the digitised manuscript at https://doi.org/10.48495/8p58pm63q

View the video at https://www.youtube.com/watch?v=ueIv6aEalio